Pure Pleasure

Gary Thomas, one of this generation's most trusted writers about the spiritual life, explores what it means to build a life of true pleasure - one that will liberate your spiritual life, marriage, family, community, and outreach. Many Christians assume "pleasure" and "sin" are synonymous. Others define godly pleasure so narrowly that they drastically minimize the powerful and holy role that pleasure can play in their lives. Still others feel guilty even thinking about how to build a life of pleasure. For all of them, Pure Pleasure provides an entirely new paradigm. It invites Christians to embrace a life of true pleasure as a pathway to obedience, worship, and service. Building on his bestselling books Sacred Pathways, Sacred Marriage, and the ECPA Gold Medallion-winning Authentic Faith, Gary Thomas takes readers to a new level of faith by providing a theological and inspirational framework to help them cultivate the kind of life that pleases God. Abounding with spiritual insights and practical exercises, this book invites you to shake off the shackles of misunderstanding about sin, provides the freedom to approach life in Christ with new wonder and joy, and challenges you to experience life as God meant it to be: overflowing with pleasure. Also available: Pure Pleasure small group video study and study guide, Spanish edition, and more.

Thomas invites Christians to shake off the shackles of misunderstanding about sin and experience the liberating power of living a life of holy pleasure--a life that feeds relationships, protects spiritual integrity, and energizes worship and service.

One of Britain's most respected literary critics introduces what he believes are the fifty most enjoyable books of the twentieth century, from fiction and nonfiction to poetry and masterpieces, and offers criticism, biography, and cultural context for each selection.

This volume concentrates on a hedonistic argument that enters the philosophical debate, when philosophers argue that what they present as the good life is the truly pleasurable life. The book investigates more precisely how this point was made by Plato and his successors.

Hampton illumines the overall structure of the Philebus. Taking the interrelations of pleasure, knowledge, and being as the keys to understanding the unity of the dialogue, she focuses on the central point. The analysis of both pleasure and knowledge can be understood fully only if placed within the context of the more general and fundamental question of how human life fits into the overall structure of reality. What guides the discussion of the good life throughout the dialogue is the conviction that we can only realize our human good by shaping our lives so that they are true to the universal Good which unites all things. It is around this crucial point that the dialogue is structured. Thus, according to Hampton's interpretation, the Philebus shows what it says: that if we delve deeply enough, we shall discover that behind the appearance of disorder lies beauty, proportion, and truth.

An examination of ancient Greek philosophical conceptions of pleasure, which is the first book to compare them to contemporary conceptions.

Frontiers of Pleasure calls into question a number of influential modern notions regarding aesthetics by going back to the very beginnings of aesthetic thought in Greece and raising critical issues regarding conceptions of how one responds to the beautiful. Despite a recent rebirth of interest in aesthetics, extensive discussion of this key cluster of topics has been absent. Anastasia-Erasmia Peponi argues that although the Greek language had no formal term equivalent to the "aesthetic," the notion was deeply rooted in Greek thought. Her analysis centers on a dominant aspect of beauty--the aural--associated with a highly influential sector of culture that comprised both poetry and instrumental music, the "activity of the Muses," or mousikê. The main argument relies on a series of close readings of literary and philosophical texts, from Homer and Plato through Kant, Joyce, and Proust. Through detailed attention to such scenes as Odysseus' encounter with the Sirens and Hermes' playing of his lyre for his brother Apollo, she demonstrates that the most telling moments in the conceptualization of the aesthetic come in the Greeks' debates and struggles over intense models of auditory pleasure. Unlike current tendencies to treat poetry as an early, imperfect mode of meditating upon such issues, Peponi claims that Greek poetry and philosophy employed equally complex, albeit different, ways of articulating notions of aesthetic response. Her approach often leads her to partial or total disagreement with earlier interpretations of some of the most well-known Greek texts of the archaic and classical periods. Frontiers of Pleasure thus suggests an alternative mode of understanding aesthetics in its entirety, freed from some modern preconceptions that have become a hindrance within the field.

For many, the word 'pleasure' conjures associations with hedonism, indulgence, and escape from the life of the mind. However little we talk about it, though, pleasure also plays an integral role in cognitive life, in both our sensory perception of the world and our intellectual understanding. This previously important but now neglected philosophical understanding of pleasure is the focus of the essays in this volume, which challenges received views that pleasure is principally motivating of action, unanalyzable, and caused, rather than responsive to reason. Like other books in the Oxford Philosophical Concepts series, it traces the development of the focal idea from ancient times through the 20th century. The essays highlight points of departure for new lines of inquiry rather than attempting to provide a full picture of how the idea of pleasure has been explored in philosophy. The volume begins by showing how Plato, Aristotle, early Islamic philosophers, and philosophers in the Medieval Latin tradition, such as Aquinas, honed in on the challenge of unifying the variety of pleasures so that they fall under one concept. In the early modern period, philosophers shifted from understanding the logic of pleasure to treating pleasure as a mental state. As the studies of Malebranche, Berkeley and Kant show, the central problem becomes understanding the relation of pleasure to other sensory experiences, and the role of pleasure in human cognition and knowledge. Short interdisciplinary reflections interspersed between essays focus on art of 16th and 17th century textbooks and the difficult music of composers like Bach, which demonstrate translation of these concerns to cultural production in the period. As the essay on Mill shows, the 19th century development of scientific psychology narrowed the definition of pleasure, and so its philosophical focus. Contemporary accounts of pleasure, however, in both philosophy and psychology, are now recognizing the limitations of this narrow focus, and are once again recognizing the complexity of pleasure and its role in human life.