Push Button

Push that button and what happens? Bam! Click! Pop! Wham! Turn the pages of this book and what happens? All of that (thanks to the Push-Button boy) and a whole lot more!

There's only one rule in Larry's book: don't push the button. (Seriously, don't even think about it!) Even if it does look kind of nice, you must never push the button. Who knows what would happen? Okay, quick. No one is looking... push the button. Uh, oh.

This book covers three main types of agricultural systems: the use of robotics, drones (unmanned aerial vehicles), and satellite-guided precision farming methods. Some of these are well refined and are currently in use, while others are in need of refinement and are yet to become popular. The book provides a valuable source of information on this developing field for those involved with agriculture and farming and agricultural engineering. The book is also applicable as a textbook for students and a reference for faculty.

Ever wonder what goes on inside the mind of a toddler? Are you sure you want to know? Okay, here goes. . . I want to put on Mommy's shoes. Get Mommy's shoes off my feet NOW. I'm starving! I want to play with Daddy's phone! I need to push some buttons! In this high-energy, oh-so-true account of life with a toddler, readers are treated to the unique workings of little minds with this read-to-me eBook. Ready?

Larry the monster is up to his usual shenanigans in this bedtime spinoff from USA Today bestselling author Bill Cotter! A great read-aloud, interactive board book that kids will go back to time and again. There's only one rule in Larry's book: don't push the button. Larry's had a busy day, but now it's time to go to bed. Larry knows he shouldn't push the button...but he can't resist one tap before going to sleep. Or maybe two...or three! Each push helps him get ready to cuddle up for the night. Readers of The Monster at the End of this Book and Press Here by Herve Tullet will love this funny, interactive book for toddlers! Why readers love the Don't Push the Button series: Celebrate curiosity with this silly monster book A fun read-aloud and bedtime book Screen-free fun for kids Makes a great gift for children!

Push a button and turn on the television; tap a button and get a ride; click a button and “like” something. The touch of a finger can set an appliance, a car, or a system in motion, even if the user doesn't understand the underlying mechanisms or algorithms. How did buttons become so ubiquitous? Why do people love them, loathe them, and fear them? In Power Button, Rachel Plotnick traces the origins of today's push-button society by examining how buttons have been made, distributed, used, rejected, and refashioned throughout history. Focusing on the period between 1880 and 1925, when “technologies of the hand” proliferated (including typewriters, telegraphs, and fingerprinting), Plotnick describes the ways that button pushing became a means for digital command, which promised effortless, discreet, and fool-proof control. Emphasizing the doubly digital nature of button pushing—as an act of the finger and a binary activity (on/off, up/down)—Plotnick suggests that the tenets of precomputational digital command anticipate contemporary ideas of computer users. Plotnick discusses the uses of early push buttons to call servants, and the growing tensions between those who work with their hands and those who command with their fingers; automation as “automagic,” enabling command at a distance; instant gratification, and the victory of light over darkness; and early twentieth-century imaginings of a future push-button culture. Push buttons, Plotnick tells us, have demonstrated remarkable staying power, despite efforts to cast button pushers as lazy, privileged, and even dangerous.

Push The Button was originally released on October 15, 2014. In the five years since its first publishing, Feminista Jones has published three more books and scores of articles. To celebrate the 5th anniversary of its debut, Feminista is rereleasing a re-edited, reformatted PTB with a new foreword, an alternate ending, and a new short story "#1 Fan" that introduces two new characters, Vanessa and Kamal.Trigger warning: This story contains acts of BDSM and Kink, which may be uncomfortable for some people.Acts include asphyxiation, bondage, impact play, branding.There is also sexual assault and domestic violence depicted in the story.Please exercise caution before reading.Nicole and David are two 30-something, professional Black Americans chasing their dreams and accomplishing their goals while investing in a romantic future together. On the surface, they appear to be just like any other couple--they travel, work hard, and spend quality time with family and friends. Behind their masks, David and Nicole live an erotic, intense dynamic based on the complements of domination and submission and the peaks of pain and pleasure known as "The Life". They have their boundaries, they play by the rules, and they seek to ascend to the highest level of connection a couple can achieve by indulging in their deepest fantasies and exploring the darkest corners of their minds. Life for the couple is not without obstacles, however. What happens when a secret from the past threatens to destroy everything David and Nicole have built together? Can their devotion to each other withstand the trials they are forced to endure? Push The Button explores a side of the BDSM Lifestyle that often goes ignored--the "normalcy". Like any other couple, these two have their ups and downs, and they must decide if their love is enough to keep them together. Follow Nicole and David as they love each other, struggle together, and grow in their powerful connection.

In Push the Button, Elizabeth Rodwell follows a battle over what interactivity will mean for Japanese television, as major media conglomerates took on independent media professionals developing interactive forms from new media. Rodwell argues that at the dawn of a potentially transformative moment in television history, content conservatism has triumphed over technological innovation. Despite the ambition and idealism of Japanese TV professionals and independent journalists, corporate media worked to squelch interactive broadcast projects such as smartphone-playable television and live-streamed and open press conferences before they caught on. Instead, interactive programming in the hands of major TV networks retained the structure and qualities of most other television and maintained conventional barriers between audiences and the actual space of broadcast. Despite their lack of success, the innovators behind these experiments nonetheless sought to expand the possibilities for mass media, national identity, and open journalism.