Quebec Hydropolitics

The construction in the 1940s of hydroelectric dams and reservoirs, Lakes Manouan and Passe Dangereuse, were enormous projects that had consequences not only on the environment but also on international affairs. Built by the Aluminium Company of Canada (Rio Tinto Alcan), the project helped meet the American and Allied Forces demand for electrical power and aluminium ingot during the Second World War but also forced Innu/Montagnais hunter-trappers from their ancestral lands. Examining sources as varied as the papers of the Franklin D. Roosevelt Presidential Library and interviews with Montagnais elders, Quebec Hydropolitics presents a compelling synthesis of business and social history as well as wartime politics. David Massell reconstructs the story of a changing landscape through the perspectives of corporate executives, government officials, and Aboriginals to show the effect that war had on Canadian resource extraction and energy policy as well as its indigenous peoples. A narrative that flows from the Saguenay watershed to the centres of political power, Quebec Hydropolitics is an informative look at the costs and benefits of large-scale industrialization.

French settlers distanced the indigenous people and flora and fauna to create a landscape that by the mid-eighteenth century had become recognizably European. British industrialists and landowners attempted similar appropriations with far less durable results and the area remained a heartland of French-Canadian life, with a sense of cohesive community. This community spirit, rooted in agrarian landscape, was channelled into the developing sense of colonial nationalism of the 1820s and 1830s. Drawing on maps by explorers and surveyors, correspondence documenting the conflict between a backwoods priest and his parishioners, a gentlewoman's sketchbook, and the documents of a bitter court case between a seigneur's wife and a local priest, Coates illuminates the development of the region and the social, cultural, and economic ties and tensions within it, providing insights into the often hidden values of a rural community.

A study of the black experience in Montreal.

Canada emerged from the Second World War as a hydro-electric superpower. Only the United States generated more hydro power than Canada and only Norway generated more per capita. Allied Power is about how this came to be: the mobilization of Canadian hydro-electricity during the war and the impact of that wartime expansion on Canada's power systems, rivers, and politics. Matthew Evenden argues that the wartime power crisis facilitated an unprecedented expansion of state control over hydro-electric development, boosting the country's generating capacity and making an important material contribution to the Allied war effort at the same time as it exacerbated regional disparities, transformed rivers through dam construction, and changed public attitudes to electricity though power conservation programs. An important contribution to the political, environmental, and economic history of wartime Canada, Allied Power is an innovative examination of a little-known aspect of Canada's Second World War experience.

The Government of Natural Resources explores government scientific activity in Quebec from Confederation until the Second World War. Scientific and technical personnel are an often quiet presence within the state, but they play an integral role. By tracing the history of geology, forestry, fishery, and agronomy services, Stéphane Castonguay reveals how the exploitation of natural resources became a tool of government. As it shaped territorial and environmental transformations, scientific activity contributed to state formation and expanded administrative capacity. This thoughtful reconceptualization of resource development reaches well beyond provincial borders, changing the way we think of science and state power.

Throughout the nineteenth century poor relief in Quebec was private and sectarian. In Montreal bourgeois Protestant women responded by establishing institutional charities for destitute women and children. Their Benevolent Design delves into the inner workings of two of these charities (the Protestant Orphan Asylum and the Montreal Ladies’ Benevolent Society), sheds light on little-known aspects of the community’s response to social inequality, and examines the impact of liberalism on changing attitudes to poverty and charity. Seeing charity as a class duty, elite women structured their benevolent design around the protection, religious salvation, and social regulation of poor children. Janice Harvey explores how these philanthropists overcame the constraints of social conventions for women in polite society, how charity directors devised and implemented institutional aid, and how that aid was used by families and experienced by children. Following the development of the charities through the end of the nineteenth century and into the early twentieth, the book explores the conflict that arose between these institutions and other social services, including those that advocated for foster care and so-called scientific charity. The 1920s marked a major social shift in how child poverty was understood and managed in Protestant Montreal. Despite the gendered obstacles facing women in charity organization, Their Benevolent Design celebrates the remarkable ingenuity and independence of a group of Canadian women in shaping social aid and improving the grim realities of child poverty.

Après avoir cofondé la première revue homosexuelle canadienne, la poète Elsa Gidlow, 21 ans, décide de quitter Montréal en 1920, déçue par le manque de possibilités amoureuses que lui offre alors la ville. Le réseau d'amis masculins homosexuels qu'elle a intégré au cours des années précédentes ne manque toutefois pas d'occasions de trouver des partenaires. En effet, même si l'homosexualité est considérée comme un crime depuis l'époque coloniale, une culture gaie masculine, qui était pratiquement inexistante avant 1880, s'est largement épanouie depuis le début du siècle. Grossières indécences retrace les origines de cette culture clandestine complexe et fascinante. Dominic Dagenais a consulté à rebours des archives produites en grande partie par la surveillance et la persécution, soit des dossiers judiciaires, des articles de journaux, de la correspondance, des archives personnelles, des publications médicales et des dossiers d'enquêtes publiques pour mettre au jour le contexte répressif dans lequel les identités homosexuelles contemporaines se sont construites et pour découvrir les espaces publics investis par le monde homosexuel montréalais au tournant du XXe siècle. Dans une ville marquée par le fleurissement des loisirs commerciaux et les trépidations de son quartier chaud, des hommes, mais aussi quelques femmes, ont déployé diverses stratégies pour se rencontrer et pour nouer des relations. Des rencontres risquées surviennent ainsi dans les rues, ruelles, magasins, parcs, théâtres et toilettes publiques de la ville. Un monde homosexuel riche et diversifié prend forme à Montréal au tournant du XXe siècle, en dépit d'une surveillance policière de plus en plus élaborée et des lourdes sanctions pénales auxquelles s'exposent les individus se livrant à des rapports homosexuels, considérés alors comme une grossière indécence et comme le pire des vices. Ce livre documente son histoire inédite.

Tourism promoters strive to brand their destinations in anticipation of what they think travellers hope to experience. In turn, travel writers react in part to destinations in line with their expectations. While several scholars have documented such patterns elsewhere, these have remained understudied in the case of Quebec despite the frequency with which the province was branded and rebranded and its status as a major North American travel destination in the decades leading up to Expo 67. The first comprehensive history of Quebec tourism promotion and travel writing, From Old Quebec to La Belle Province details changing marketing strategies and shows how these efforts consistently mirrored and strengthened French Quebec's evolving national identity. Nicole Neatby also takes into account the contentious role of English-speaking promoters in Montreal, belying the view that Quebec was unvaryingly represented and appreciated for being "old." Taking a comparative approach, Neatby draws on books and a wide array of newspapers, popular and specialized magazines, and written and visual sources from outside the tourist genre to reveal how the distinct national and cultural identities of English Canadians, Americans, and French Quebecers profoundly shaped their expectations and reactions to the province. From Old Quebec to La Belle Province traces and explains shifting promotional priorities for tourism and travel writers' varying reactions over the course of four decades, and how these attitudes harmonized with evolving national identities.