Queen Anne And The Arts

A little star -- Hail, welcome prince -- Pray for the peace of Jerusalem -- She reigns without a crown -- Sweet remembrance shall Remain -- Entirely English -- Dominion over the mighty -- What fruits from our divisions spring -- The breath of our nostrils -- To fix a lasting peace on earth -- All a nation could require.

The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triumph of Burlingtonian neoclassicism. The authors of Queen Anne and the Arts make a case for Anne’s reign as a time of experimentation and considerable accomplishment in new genres, some of which developed, some of which faded away. The volume includes essays on the music, drama, poetry, quasi-operas, political pamphlets, and architecture, as well as on newer genres, such as coin and medal collecting, hymns, and poetical miscellanies, all produced during Anne’s reign.

“Recommended”—Midwest Book Review Queen Anne (1665–1714) was not charismatic, brilliant or beautiful, but under her rule, England rose from the chaos of regicide, civil war and revolution to the cusp of global supremacy. She fought a successful overseas war against Europe’s superpower and her moderation kept the crown independent of party warfare at home. This biography reveals Anne Stuart as resolute, kind and practical—a woman who surmounted personal tragedy and poor health to become a popular and effective ruler.

Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.

Excerpt from Historical Sketches of the Reign of Queen Anne These sketches were written a number of years ago for the American magazine the Century, but the publication of them was long delayed, and it was found in the end that their length was too great to be consistent with the amount of illustrations, which are a great feature of that magazine. In these circumstances literature had to give way to art, and the papers were 'cut' as remorselessly, but much more cleverly, than Mr. Puff's play, the thread of the narratives being skilfully retained, while all that an author prizes in the superfluous way of literary style or ornament was cleared away. In this succinct and concentrated form the Sketches of the Reign of Queen Anne have been reproduced in America in a handsome volume, which, were they important enough to tempt any critic, it might be amusing to compare with this present English edition, which contains the chapters as they were written, untouched by the stern scissors of a transatlantic Fate - who perhaps might be found to be a deity benevolent to the reader, and not, except to the author, the blind Fury with the abhorred shears. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This publication documents The Metropolitan Museum of Art's collection of early colonial furniture and presents a broad spectrum of furniture forms made in America during the 17th and early 18th centuries, including chairs and other seating, tables, boxes, various types of chests and cupboards, dressing tables, and desks. The volume also includes prime examples of the different modes of ornamentation in fashion during that period. Over 140 objects are thoroughly described, with detailed information given on each one's construction, condition, dimensions, materials, and inscriptions and other marks, as well as provenance and exhibition history. Every object is explained in terms of the styles and craftsmanship of the period and evaluated in light of comparative pieces in public and private collections throughout the country. Also included is one appendix containing photographic details of construction and decorative elements, and another with line drawings explaining furniture terms and showing various types of joints and moldings. This is the first volume in a series of two that is dedicated to American furniture in the Museum. -- Metropolitan Museum of Art website.

1702. William III is on the throne and England is on the verge of war. Princess Anne is soon to become Queen, and her advisors vie for influence over the future monarch. Sarah, Duchess of Marlborough, a close friend with whom Anne has an intensely personal relationship, begins to exert increasing pressure as she pursues her own designs on power. Contending with deceit and blackmail, Anne must decide where her allegiances lie, and whether to sacrifice her closest relationships for the sake of the country. Following a critically acclaimed, sold-out season at the Swan Theatre in Stratford-upon-Avon, the Royal Shakespeare Company production of Queen Anne transferred to the Theatre Royal Haymarket, London, in 2017.