Queer Disappearance In Modern And Contemporary Fiction

'Queer Disappearance in Modern and Contemporary Fiction' breaks with appearance-based models of queer performativity and argues for the experiential richness and political potentials of recessive tendencies in twentieth and twenty-first-century queer literary production.

Queer Disappearance in Modern and Contemporary Fiction breaks with appearance-based models of queer performativity and argues for the experiential richness and political potentials of recessive tendencies in twentieth and twenty-first-century queer literary production. The study theorizes a "perish-performative" that allows for agency in practices of abeyance, and it discovers within queerness's ample archive of vanishing acts an environmental ethos antithetical to inflationary versions of the human. Tying modernist classics by E.M. Forster and Willa Cather to Andrew Holleran's gay classic Dancer from the Dance, and then moving to the contemporary ecogothic of Lydia Millet's How the Dead Dream and the trans decadence of Shola von Reinhold's Lote, the book refuses the common wisdom that queerness becomes louder and prouder over time, delineating instead a minimalist and daydreaming subjectivity wherein queerness finds escape, respite, and varied opportunities for imaginative reverie. This precarious subjectivity, necessitated but not defined by oppression and obstacle, rewards and restores the queer self, and it also contests the logics of development, acquisition, and productivity that wreak havoc on the planet and entrench social disparities of race, class, and ability. Queer Disappearance in Modern and Contemporary Fiction supplies multiple accounts of the collective and personal pleasures, possibilities, and perils to be found in pulling away, going missing, and taking a break.

This book looks specifically and in depth, for the first time, at masculinity in cheap, lesbian-themed paperbacks of the two decades after WW2. It challenges established critical assumptions about the readership, and sets the masculinity imagined in these novels against the “masculinity crisis” of the era in which they were written. The key issue of these novels is couplehood as much as sexuality, and the instability of masculinity leads to the instability of the couple. Thompson coins the term “heteroemulative” to describe the struggle that both heterosexual and homosexual couples have in conforming to heteronormativity. As several of these novels have been republished and remain in print, they have taken on a new relevance to issues of sexuality and gender in the twentyfirst century, and this study will attract readers within that area of interest. A valuable read for sociologists studying gender roles, and social historians of the cold war period in the United States. It is suitable for readers of all academic levels, from undergraduate, through postgraduate, to scholars and researchers, but also for a general readership.

Drawing on a critical framework informed by queer theory and psychoanalysis, The Modernist Art of Queer Survival offers a new definition of survival, one that means more than merely the continuation of life. This book creates a literary archive of counterarguments to the conventional Darwinian evolutionary protocols of survival in early 20th century thought.

If you write a review of this book, please don't give away Jody's secret! It's hard enough being one half of the world's least identical twins, without both of you falling for the same guy. Jolene's turned flirting into a fine art, but Jody? Not so much. And as if a twinny love triangle wasn't messy enough . . . there's something nobody knows about Jody Barton. Something BIG. Told with the trademark warmth and laugh-out-loud humour of the much-loved Lottie Biggs books, this is a book that will make you think, with a gobsmacking twist you won't believe. Shortlisted for the Costa Book Awards 2012.

“Biting and beautiful.” — Jonny Sun, author of everyone’s a aliebn when ur a aliebn too Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki’s song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini’s star rises and Neela’s stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm. Celebrated multidisciplinary artist Vivek Shraya’s second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen.

After forty years, Hammett has a worthy successor' The Times Dave Brandstetter stands alongside Philip Marlowe, Sam Spade and Lew Archer as one of the best fictional PIs in the business. Like them, he was tough, determined, and ruthless when the case demanded it. Unlike them, he was gay. Joseph Hansen's groundbreaking novels follow Brandstetter as he investigates cases in which motives are murky, passions run high, and nothing is ever as simple as it looks. Set in 1970s and 80s California, the series is a fascinating portrait of a time and a place, with mysteries to match Chandler and Macdonald. In Fadeout, Dave is sent to investigate the death of radio personality Fox Olsen. His car is found crashed in a dry river bed. But there is no body - and as Dave looks deeper into his life, it seems as though he had good reasons to disappear.

When Sprout and his father move from Long Island to the midst of rural Kansas after the death of his mother, he is sure he will find no friends, no love, no beauty. But friends find him, the strangeness of the landscape fascinates him, and when love shows up in an unexpected place, Sprout realises that Kansas is not quite as empty as he thought it was going to be. An incredible, literary story of a boy who knows he is gay in a the town that seems to have no place for him to hide.