Queer Fear Ii

Building on the success of its groundbreaking predecessor, winner of the Queer Horror Award and a finalist for a Spectrum Award and two Lambda Literary Awards, this second volume includes new work by the stars of the first volume. Featured are International Horror Guild Award-winners Gemma Files and Michael Marano, Bram Stoker Award-winners David Nickle and Edo van Belkom, screenwriter Ron Oliver, and Aurora and Nebula Award-winner Robert J. Sawyer alongside fresh new talent and a new story by internationally acclaimed horror writer Poppy Z. Brite.

The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons. In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems—the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past—relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster? Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, and Kai Cheng Thom. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

In recent years, lesbians and gay men have developed a new, aggressive style of politics. At the same time, innovative intellectual energies have made queer theory an explosive field of study. In "Fear of a Queer Planet", Michael Warner draws on emerging new queer politics, and shows how queer activists have come to challenge basic assumptions about the social and political world. Existing traditions of theory - Marxism, cultural studies, psychoanalysis, anthropology, legal theory, nationalism, and antinationalism - have too often presupposed a heterosexual society, as the essays in this volume demonstrate. "Fear of a Queer Planet" suggests a new agenda for social theory. It moves beyond the idea that lesbians and gay men share a minority identity and special interests and that their issues can be subordinated to more general social conflicts. Instead, Warner and the other contributors to this volume show that queer sexualities take many forms, are the subject of many kinds of conflict and struggles, and must be taken as a starting point in thinking about cultural politics. This collection explores the impact of ACT UP, Queer Nation, multiculturalism, the new religious right, outing, queerness, postmodernism, and other shifts in the politics of sexuality. The authors featured speak from different backgrounds of gender, race, nationality, and discipline. Together, they show how struggles over sexuality have profound implications for progressive politics, social theory, and cultural studies. Michael Warner has written extensively on censorship and the public sphere, the construction of American literary history, and the social and political implication of literary theories. He is author of "The Letter of the Republic: Publication and the Public Sphere in Eighteenth-Century America" and co-editor of "The Origins of Literary Studies in America: A Documentary Anthology".

2020 ALA Alex Award Winner 2020 Stonewall — Israel Fishman Non-fiction Award Honor Book In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity—what it means and how to think about it—for advocates, friends, and humans everywhere. This special deluxe hardcover edition of Gender Queer features a brand-new cover, exclusive art and sketches, and a TK from creator Maia Kobabe.

Perhaps no topic today is politically more divisive than homosexuality, particularly when it is coupled with the deeply rooted concept of civil rights. This work focuses on 20th/21st- century U. S. history as it pertains to GLBT history. Major issues and events such as the Stonewall riot, Don't Ask, Don't Tell in the military, same-sex marriage, gay rights, gay pride, organizations and alliances, AIDS, and legal battles and court cases are discussed. Also included are sidebars highlighting major debates, legal landmarks and key individuals. A timeline and further reading sections concluding each chapter as well as a full bibliography and black and white images enhance the text. In these opening years of the 21st century in the United States, perhaps no topic is more divisive than homosexuality, particularly when it is coupled with the deeply rooted concept of civil rights. The same-sex marriage debate, for example, is but part of a larger discussion over issues crucial to American life, such as the role of law in the lives of individuals, relationships among law, economics, and morality, and the values thought to distinguish and define us. GLBT history is not just the struggle for rights, it is people simply living their lives the best they knew how regardless of the terms they or others use for them. This work focuses on U. S. history and, within that, the 20th century, particularly because the vast majority of work in GLBT history has been during this place and time. Major issues and events such as the Stonewall riot, Don't Ask, Don't Tell in the military, same-sex marriage, gay rights, gay pride, organizations and alliances, AIDS, and legal battles and court cases are discussed. Included in this reference work are sidebars highlighting major debates, legal landmarks and key individuals. A timeline and further reading sections concluding each chapter as well as a full bibliography and black and white images enhance the text.

It's long been known that fear and arousal create the same type of response inside the human body. Putting them together, then, is a recipe for a scorchingly hot time. "Queer Fear" does just that by exploring the world of erotic horror. It's the ultimate marriage of lust and terror, the perfect blend of dark horror elements with sensuality and erotic content. This isn't some safe and sparkly paranormal romance; this is the place where angels fear to tread, and so would you, if you had any sense. Turn back before it's too late! We begin with "Reading Arteries," where a new designer drug engineered to force feelings of lust in those who take it. When the men hired to steal the formula decide to try it out, they end up addicted to love. Then, in "The Possession of Lawrence Eugene Davis," following the death of his father, Lawrence has returned to his family's ranch, but is quickly set upon by a demonic presence. Hope for release comes with the conveniently-appearing Elijah, but the deal he offers may be just as unholy as the demon itself. Next, "The Dark Revelation" brings us Derek, constantly at war with his darker half, a demon who uses Derek's body to rape and kill. And though Derek tries to isolate himself from people, nowhere is truly empty, and Derek's demon hungers again. "The Pain Cycle" follows Luke, despondent over the disappearance of his lover six months ago. When he witnesses a friend dragged into a tunnel by a hideous creature, he gives chase, only to learn the chilling truth about his lover-and who knows how many others. Finally, in "Matthew Powers Lives!," a porn shoot in a former mental hospital is plagued by strange equipment failures, leading the crew to believe the site is haunted. For Matthew, those fears are confirmed when a restless spirit confronts him personally, and he's a hottie!

The horror genre mirrors the American queer experience, both positively and negatively, overtly and subtextually, from the lumbering, flower-picking monster of Frankenstein (1931) to the fearless intersectional protagonist of the Fear Street Trilogy (2021). This is a historical look at the queer experiences of the horror genre's characters, performers, authors and filmmakers. Offering a fresh look at the horror genre's queer roots, this book documents how diverse stories have provided an outlet for queer people--including transgender and non-binary people--to find catharsis and reclamation. Freaks, dolls, serial killers, telekinetic teenagers and Final Girls all have something to contribute to the historical examination of the American LGBTQ+ experience. Ranging from psychiatry to homophobic fear of HIV/AIDS spread and, most recently, the alienation and self-determination of queer America in the Trump era, this is a look into how terror may repair a shattered queer heart.