Queer Rebels

Queer Rebels is a study of gay narrative writings published in Spain at the turn of the 20th century. The book scrutinises the ways in which the literary production of contemporary Spanish gay authors – José Luis de Juan, Luis G. Martín, Juan Gil-Albert, Juan Goytisolo, Eduardo Mendicutti, Luis Antonio de Villena and Álvaro Pombo – engages with homophobic and homophile discourses, as well as with the vernacular and international literary legacy. The first part revolves around the metaphor of a rebellious scribe who queers literary tradition by clandestinely weaving changes into copies of the books he makes. This subversive writing act, named ‘Mazuf’s gesture’ after the protagonist of José Luis de Juan’s This Breathing World (1999), is examined in four highly intertextual works by other writers. The second part of the book explores Luis Antonio de Villena and Álvaro Pombo, who in their different ways seek to coin their own definitions of homosexual experience in opposition both to the homophobic discourses of the past and to the homonormative regimes of the commercialised and trivialised gay culture of today. In their novels, ‘Mazuf’s gesture’ involves playing a sophisticated queer game with readers and their expectations.

"A fierce and voluble refutation of the patriarchy and its soul-crushing oppression of female power. These writers make clear that as witches, femmes, and queers, they will use their own strength, ingenious rituals, beauty routines, and spells to rise above and beyond the limits of racism/classism and objectifications set by a male-dominated society. While bound by a thread of magic, these are inspiring feminist writings for readers of feminist literature, however identified.” --Library Journal Edgy and often deeply personal, the twenty-one essays collected here come from a wide variety of writers. Some identify as witches, others identify as writers, musicians, game developers, or artists. What they have in common is that they’ve created personal rituals to summon their own power in a world that would prefer them powerless. Here, they share the rituals they use to resist self-doubt, grief, and depression in the face of sexism, slut shaming, racism, patriarchy, and other systems of oppression. Contents Introduction Notes from the Editors Content Warning Unfuckable—Cara Ellison Trash-Magic: Signs & Rituals for the Unwanted—Maranda Elizabeth Uncensoring My Ugliness—Laura Mandanas Femme as in Fuck You: Fucking with the Patriarchy One Lipstick Application at a Time—Catherine Hernandez Before I Was a Woman, I Was a Witch—Avery Edison Undressing My Heart—Gabriela Herstik Garden—Marguerite Bennett Reddit, Retin-A, and Resistance: An Alchemist’s Guide to Skincare—Sam Maggs The Future is Coming for You—Deb Chachra My Witch’s Sabbath of Short Skirts, Long Kisses, and BDSM—Mey Rude Buzzcut Season—Larissa Pham The Harpy—Meredith Yayanos Fingertips—merritt Red Glitter—Sophie Saint Thomas Touching Pennies, Painting Nails—Sim Bajwa Ritual in Darkness—Kim Boekbinder Gayuma—Sara David Pushing Beauty Up Through the Cracks—Katelan Foisy Ritualising My Humanity—J. A. Micheline Simulating Control—Nora Khan I Am, Myself, a Body of Water—Leigh Alexander Contributors Acknowledgements

Publisher Fact Sheet. A richly told history of queer Southern life in the 1970s, after the Stonewall uprising.

A cultural history of gay filmmaking in Israel that explores its role in the rise of gay consciousness over the past three decades.

Theoretical studies in curriculum have begun to move into cultural studies--one vibrant and increasingly visible sector of which is queer theory. Queer Theory in Education brings together the most prominent and promising scholars in the field of education--primarily but not exclusively in curriculum--in the first volume on queer theory in education. In his perceptive introduction, the editor outlines queer theory as it is emerging in the field of education, its significance for all scholars and teachers, and its relation to queer theory in literacy theory and more generally, in the humanities.

"This is a study of gay narrative writings published in Spain at the turn of the twentieth century. The book scrutinises the ways in which the literary production of contemporary Spanish gay authors engages with homophobic and homophile discourses, as well as with the vernacular and international literary legacy"--

Linden A. Lewis returns with this next installment of The First Sister Trilogy, perfect for fans of Red Rising, The Handmaid’s Tale, and The Expanse. Astrid has reclaimed her name and her voice, and now seeks to bring down the Sisterhood from within. Throwing herself into the lioness’ den, Astrid must confront and challenge the Aunts who run the Gean religious institution, but she quickly discovers that the business of politics is far deadlier than she ever expected. Meanwhile, on an outlaw colony station deep in space, Hiro val Akira seeks to bring a dangerous ally into the rebellion. Whispers of a digital woman fuel Hiro’s search, but they are not the only person looking for this link to the mysterious race of Synthetics. Lito sol Lucious continues to grow into his role as a lead revolutionary and is tasked with rescuing an Aster operative from deep within an Icarii prison. With danger around every corner, Lito, his partner Ofiera, and the newly freed operative must flee in order to keep dangerous secrets out of enemy hands. Back on Venus, Lito’s sister Lucinia must carry on after her brother’s disappearance and accusation of treason by Icarii authorities. Despite being under the thumb of Souji val Akira, Lucinia manages to keep her nose clean…that is until an Aster revolutionary shows up with news about her brother’s fate, and an opportunity to join the fight. This captivating, spellbinding second installment to The First Sister series picks up right where The First Sister left off and is a must-read for science fiction fans everywhere.

"As LGBTQ people gain more legal rights, it's important to think of more complex ways of being included in society. From the Mardi Gras celebrations in the Deep South to the Mummers Parade in Philadelphia to the Portland Rose Festival, communities across the United States gather together to celebrate, participate in parades, encourage tourism, cultivate local traditions, and craft a sense of place. I am interested in large public festivals like Fiesta San Antonio that are intended to include everyone in the city, because these festivals are supposed to be a time when the city comes together as one to appreciate the diverse contributions of people within the city. During festivals, whose culture gets included and valued, which events are allowed, and how different communities are represented, become socially significant and fraught questions. Festival participation can be a rich site for LGBTQ participants to be valued for their cultural differences and find a sense of belonging in the city"--