Querelle

Querelle is regarded by many critics as Jean Genet’s highest achievement in the novel—certainly one of the landmarks of postwar French literature. The story of a dangerous man seduced by danger, it deals in a startling way with the Dostoevskian theme of murder as an act of total liberation, and as a pact demanding an answering sacrifice. “It is awesome, perhaps the finest novel I have ever read in my life. It literally sent shivers through me, the sheer beauty of the language, the exquisite perversity of the imagination, the incredible grasp of motivation—it is his most tightly plotted, best organized, most accessible novel. It is a wonder.” —Dotson Rader

In a French bordello, a young sailor meets a murderer who also is his supposed brother.

Watson's draws on a wide assortment of Fassbinder interviews--many of which are not available in English--and on theoretical and critical approaches employed in the Frankfurt School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life. A comprehensive, balanced study, 'Understanding Rainer Werner Fassbinder' also features an annotated bibliography, extensive notes, a filmography of Fassbinder's works, and a listing of films and television programs that examine Fassbinder and his achievements."--Back cover.

This bilingual edition of the Three Spanish Querelle Texts is very well-conceived and will attract a wide audience among specialists and non-specialists alike. Francomano provides the first modern English translations of texts that enjoyed European-wide celebrity in the early sixteenth century. Her introduction is the best available summary of our knowledge about Torrellas' two texts and Flores' Grisel y Mirabella. Her translations are more readable than the Spanish texts, dividing Flores' elaborate, rambling sentences into more comprehensible discourse. She often captures the tone of ambiguous or mock sincerity in the pleadings of both Flores' and Torrellas' characters. Francomano has a special sensitivity to the ludic quality of these discourses which helps readers appreciate their expression of "male anxiety" and "female agency" in the gender politics of their era.

Lucrezia Marinella's (1571-1653) most important contributions to philosophy were two polemical treatises: The Nobility and excellence of Women, and the Defects and Vices of Men, and the Exhortations to Women and to Others if They Please. Marinella argues for the superiority of women over men in every respect: psychologically, physiologically, morally, and intellectually. She is particularly effective in using the resources of ancient philosophy to support her various arguments, in which she draws conclusions about the souls and the bodies of women, the nature and significance of women's beauty, the virtue of women and the liberty to which women as well as men are entitled. This Element showcases that her claim of superiority is intended ultimately to justify the possibility of political rule by women.

Writing in English, German, or French, more than 300 authors provide a historical description of the beginnings and of the early and subsequent development of thinking about language and languages within the relevant historical context. The gradually emerging institutions concerned with the study, organisation, documentation, and distribution are considered as well as those dealing with the utilisation of language related knowledge. Special emphasis has been placed on related disciplines, such as rhetoric, the philosophy of language, cognitive psychology, logic and neurological science.

Sebastian Stuart's quest for self-discovery leads to a sad and shocking understanding of his family history and the price of grief denied.