Quest For Silence

The continuing adventures of Leif and his companions as the attempt to stop the Shadow Lord.

One Parish. Two Abusers. Over 50 Victims.

What is silence? Where can it be found? Why is it now more important than ever? In 1993, Norwegian explorer Erling Kagge spent fifty days walking solo across Antarctica, becoming the first person to reach the South Pole alone, accompanied only by a radio whose batteries he had removed before setting out. In this book. an astonishing and transformative meditation, Kagge explores the silence around us, the silence within us, and the silence we must create. By recounting his own experiences and discussing the observations of poets, artists, and explorers, Kagge shows us why silence is essential to sanity and happiness—and how it can open doors to wonder and gratitude. (With full-color photographs throughout.)

Three companions-Leif, Barda and Jasmine-are on a perilous quest to find the seven lost gems of the Belt of Deltora. Only when the belt is complete will the evil Shadow Lord and his rule of tyranny be overcome. Set in the fantasy world of Deltora, a sprawling kingdom of magic and monsters, bordered by the sea and a vast, curving mountain range, beyond which is an unknown territory called the Shadowlands. The adventurers must solve puzzles, clues and mysteries to fulfil the quest.

In Journey into the Soul, Angelo explored the fundamental question: Who am I? Now our intrepid seeker embarks on a new adventure by asking himself, What is my heart telling me? Navigating the experiences and challenges of his life, he takes us into a fantastical realm where love knocks down the walls between peoples minds and builds bridges between our hearts. Here we find a world in which we can be free from the regrets of yesterday and the worries for tomorrow, truly living today and fully appreciating each moment. This book takes us on a unique journey into our own hearts and that of life itself, where stillness speaks and peace and joy await our return home not only at the end of the road but also along the way. When we come to see the true nature of who we are, we can walk fearlessly through any dark tunnel, filling it with our inner light. And in doing so, we lift ourselves and others up the mountain of pure potential. The Indomitable Silence is a treasure for everyone who longs to experience ones true self and then wants to bring this understanding into the world and make it a better place for all of us, one heart at a time.

Have our noise-soaked lives driven us mad? And is absolute silence an impossible goal—or the one thing that can save us? A lively tale of one man’s quest to find the grail of total quiet.--- “ I don’t know at what point noise became intolerable for me,” George Michelsen Foy writes as he recalls standing on a subway platform in Manhattan, hands clamped firmly over his ears, face contorted in pain. But only then does Foy realize how overwhelmed he is by the city’s noise and vow to seek out absolute silence, if such an absence of sound can be discovered. Foy begins his quest by carrying a pocket-sized decibel meter to measure sound levels in the areas he frequents most—the subway, the local café, different rooms of his apartment—as well as the places he visits that inform his search, including the Parisian catacombs, Joseph Pulitzer’s “silent vault,” the snowy expanses of the Berkshires, and a giant nickel mine in Canada, where he travels more than a mile underground to escape all human-made sound. Along the way, Foy experiments with noise-canceling headphones, floatation tanks, and silent meditation before he finally tackles a Minnesota laboratory’s anechoic chamber that the Guinness Book of World Records calls “the quietest place on earth,” and where no one has ever endured even forty-five minutes alone in its pitch-black interior before finding the silence intolerable. Drawing on history, science, journalistic reportage, philosophy, religion, and personal memory, as well as conversations with experts in various fields whom he meets during his odyssey, Foy finds answers to his questions: How does one define silence? Did human beings ever experience silence in their early history? What is the relationship between noise and space? What are the implications of silence and our need for it—physically, mentally, emotionally, politically? Does absolute silence actually exist? If so, do we really want to hear it? And if we do hear it, what does it mean to us? According to the Environmental Protection Agency, 30 million Americans suffer from environment-related deafness in today’s digital age of pervasive sound and sensory overload. Roughly the same number suffer from tinnitus, a condition, also environmentally related, that makes silence impossible in even the quietest places. In this respect, Foy’s quest for silence represents more than a simple psychological inquiry; both his queries and his findings help to answer the question “How can we live saner, healthier lives today?” Innovative, perceptive, and delightfully written, Zero Decibels will surely change how we perceive and appreciate the soundscape of our lives.

Deltora is a land of monsters and magic ... The evil Shadow Lord is plotting to invade Deltora and enslave its people. All that stands against him is the magic Belt of Deltora, with its seven gems of great and mysterious power. When the gems are stolen and hidden in dark, terrible places throughout the kingdom, the Shadow Lord triumphs and Deltora is lost. In secrecy, with only a hand-drawn map to guide them, two unlikely companions set out on a perilous quest. Determined to find the lost gems and rid their land of the tyrant, they struggle towards their first goal-the sinister Forests of Silence.

Music, by its indeterminate levels of meaning, poses a necessary challenge to a theology bound up in words. Its distinctive nature as temporal and embodied allows a unique point of access to theological understanding. Yet music does not exist in a cultural vacuum, conveying universal truths, but is a part of the complex nature of human lives. This understanding of music as theology stems from a conviction that music is a theological means of knowing: knowing something indeterminate, yet meaningful. This is an exploration of the means by which music might say something otherwise unsayable, and in doing so, allow for an encounter with the mystery of God.