Rabble

Two decades of neoliberalism have destroyed a structured, pan-regional feminist movement in Canada. As a result, new generations of feminists have come to age without ever seeing the force that an organized social movement can have in democratic society. They have never benefited from the knowledge, the debates, the actions, the mass mobilizations or the leadership that all accompany a social movement and instead organize in decentralized silos. As a result, government and corporate leaders have co-opted feminism to turn it into something that can be bought, sold, or used to attract voters. Campaigns like #BeenRapedNeverReported, #MeToo, the SlutWalks and the Canadian Women’s marches, while important, don’t yet have the organized power to bring the changes that activists seek to make in society. In Take Back The Fight, Nora Loreto examines the state of modern feminism in Canada and argues that feminists must organize to take back feminism from politicians, business leaders and journalists who distort and obscure its power. Furthermore, Loreto urges today’s activists to overcome the challenges that sank the movement decades ago, to stop centering whiteness as the quintessential woman’s experience, and to find ways to rebuild the communities that have been obliterated by neoliberal economic policies.

Placing sexual culture at the center of power relations in Revolutionary-era Philadelphia, Clare A. Lyons uncovers a world where runaway wives challenged their husbands' patriarchal rights and where serial and casual sexual relationships were commonplace. By reading popular representations of sex against actual behavior, Lyons reveals the clash of meanings given to sex and illuminates struggles to recast sexuality in order to eliminate its subversive potential. Sexuality became the vehicle for exploring currents of liberty, freedom, and individualism in the politics of everyday life among groups of early Americans typically excluded from formal systems of governance--women, African Americans, and poor classes of whites. Lyons shows that men and women created a vibrant urban pleasure culture, including the eroticization of print culture, as eighteenth-century readers became fascinated with stories of bastardy, prostitution, seduction, and adultery. In the post-Revolutionary reaction, white middle-class men asserted their authority, Lyons argues, by creating a gender system that simultaneously allowed them the liberty of their passions, constrained middle-class women with virtue, and projected licentiousness onto lower-class whites and African Americans. Lyons's analysis shows how class and racial divisions fostered new constructions of sexuality that served as a foundation for gender. This gendering of sexuality in the new nation was integral to reconstituting social hierarchies and subordinating women and African Americans in the wake of the Revolution.

Monkey Beach meets Green Grass, Running Water meets The Beachcombers in this wise and funny novel by a debut Cree author Birdie is a darkly comic and moving first novel about the universal experience of recovering from wounds of the past, informed by the lore and knowledge of Cree traditions. Bernice Meetoos, a Cree woman, leaves her home in Northern Alberta following tragedy and travels to Gibsons, BC. She is on something of a vision quest, seeking to understand the messages from The Frugal Gourmet (one of the only television shows available on CBC North) that come to her in her dreams. She is also driven by the leftover teenaged desire to meet Pat Johns, who played Jesse on The Beachcombers, because he is, as she says, a working, healthy Indian man. Bernice heads for Molly’s Reach to find answers but they are not the ones she expected. With the arrival in Gibsons of her Auntie Val and her cousin Skinny Freda, Bernice finds the strength to face the past and draw the lessons from her dreams that she was never fully taught in life. Part road trip, dream quest and travelogue, the novel touches on the universality of women's experience, regardless of culture or race.

Billy-Ray Belcourt's collection of personal essays opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile Cree Nation. From there, it expands to encompass the big and broken world around him, in all its complexity and contradictions: a legacy of colonial violence and the joy that flourishes in spite of it, first loves and first loves lost, sexual exploration and intimacy, and the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the novel and student-friendly features include discussion points and a comprehensive guide to further reading.

Set in suburban Toronto, New Jersey, Texas, and India, these finely wrought stories depict the lives and relationships of immigrants. Drawing out the conflicts that occur within three generations of Indians caught between the old and the new, the stories reveal to us both the anguish of loss and the thrill of discovery. Viswanathan's quiet prose imparts powerful emotions that ring true, and her rendering of cultural clash is skillful and nuanced. The depiction of her characters' interior lives is so full and vital that they breathe and walk off the page. The reader is pulled in completely into her world of transitions. Viswanathan's quiet prose imparts powerful emotions that ring true, and her rendering of cultural clash is truly skilful and nuanced. The depiction of her characters' interior lives is so full and vital that they breathe and walk off the page. The reader is drawn in and completely absorbed into her world of transitions.

In Hegel's Rabble, Frank Ruda identifies and explores a crucial problem in the Hegelian philosophy of right that strikes at the heart of Hegel's conception of the state. This singular problem, which Ruda argues is the problem of Hegelian political thought, appears in Hegel's text only in a seemingly marginal form under the name of the "rabble": a particular side-effect of the dialectical deduction of the necessity of the existence of state from the contradictory constitution of civil society. Working out from a thorough analysis of this problem and drawing on contemporary discussions in the work of such thinkers as Alain Badiou, Jean-Luc Nancy and Slavoj Zizek, the book proceeds to re-examine and reconstruct Hegel's entire political project. Ruda goes on to argue that only by re-thinking this problem of 'the rabble' in Hegel's thought - the only problem Hegel is able neither to resolve nor to sublate - can the early Marxian conception of 'the proletariat' be properly understood. The book closes with an Afterword from Slavoj Zizek.

In fall 2015, the newly elected Trudeau government endorsed the Paris Agreement and promised to tackle global warming. In 2016, it released a major report which set out a national energy strategy embracing clean growth, technological innovation and carbon pricing. Rather than putting in place tough measures to achieve the Paris targets, however, the government reframed global warming as a market opportunity for Canada's clean technology sector. The Big Stall traces the origins of the government's climate change plan back to the energy sector itself — in particular Big Oil. It shows how, in the last fifteen years, Big Oil has infiltrated provincial and federal governments, academia, media and the non-profit sector to sway government and public opinion on the realities of climate change and what needs to be done about it. Working both behind the scenes and in high-profile networks, Canada's energy companies moved the debate away from discussion of the measures required to create a zero-carbon world and towards market-based solutions that will cut carbon dioxide emissions — but not enough to prevent severe climate impacts. This is how Big Oil and think tanks unraveled the Kyoto Protocol, and how Rachel Notley came to deliver the Business Council of Canada's energy plan. Donald Gutstein explains how and why the door has been left wide open for oil companies to determine their own futures in Canada, and to go on drilling new wells, building new oil sands plants and constructing new pipelines. This book offers the background information readers need to challenge politicians claiming they are taking meaningful action on global warming.