Race Gender And Violence On The Transatlantic Extreme Right 1969 2009

This book explores the central role that gender has historically played in violent far-right movements and groups, in a time of increasing political polarisation and rising extremism. The author examines the way neo-Nazis and white supremacists have constructed gender, and how this has impacted on the practical role of men and women on the global extreme right between 1969 and 2009, giving valuable insight into the inner workings of the extremist fringe today. In the context of rising violent ultra-nationalism in the UK, Eastern Europe, the USA, India and Russia, this transnational history of racist extremist movements offers a very necessary glimpse into the intimate, personal politics of organised hate, and into the ideological and organisational roots of our current moment. In order to fully understand the extreme right, it is essential to develop an awareness of the deep social foundations that underlie it. By exposing the gendered basis of racist extremism in the USA and UK, this book makes a necessary intervention in the field of far-right studies, shedding new light on the shadowy corners of the political spectrum and ultimately opening new avenues for countering hate on the personal, political and academic level. The book seeks to explain the intricate relationship between organised racist extremism and ideological misogyny, and explores the fundamental contradictions and inconsistencies that underlie women’s far-right activism. Offering historical context to the current social and political moment in which white supremacist and far-right terror presents an immediate threat to security and stability in both the USA and the UK, this book provides useful insights for those researching the history of fascism and the far-right, violent social movements and political activism, as well as women’s history and gender studies.

This book explores the central role that gender has historically played in violent far-right movements and groups, in a time of increasing political polarisation and rising extremism. The author examines the way neo-Nazis and white supremacists have constructed gender, and how this has impacted on the practical role of men and women on the global extreme right between 1969 and 2009, giving valuable insight into the inner workings of the extremist fringe today. In the context of rising violent ultra-nationalism in the UK, Eastern Europe, the USA, India and Russia, this transnational history of racist extremist movements offers a very necessary glimpse into the intimate, personal politics of organised hate, and into the ideological and organisational roots of our current moment. In order to fully understand the extreme right, it is essential to develop an awareness of the deep social foundations that underlie it. By exposing the gendered basis of racist extremism in the USA and UK, this book makes a necessary intervention in the field of far-right studies, shedding new light on the shadowy corners of the political spectrum and ultimately opening new avenues for countering hate on the personal, political and academic level. The book seeks to explain the intricate relationship between organised racist extremism and ideological misogyny, and explores the fundamental contradictions and inconsistencies that underlie women's far-right activism. Offering historical context to the current social and political moment in which white supremacist and far-right terror presents an immediate threat to security and stability in both the USA and the UK, this book provides useful insights for those researching the history of fascism and the far-right, violent social movements and political activism, as well as women's history and gender studies. Simon A. Purdue received his PhD in World History from Northeastern University, USA, where he focused on the history of race, racism and violence. Prior to this, he studied at University College Dublin in Ireland. Simon is Director of the Domestic Terrorism Threat Monitor at MEMRI, in Washington, DC.

Populist extremist parties present one of the most pressing challenges to European democracies, but their appeal and the profile of their supporters remain poorly understood. This report examines what is causing citizens across Europe to shift supportbehind populist extremists and recommends how mainstream political parties can respond to the challenge.

A historical narrative and critical analysis of higher education centred on the experiences of Black students and faculty at McGill University.

This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.

International Relations, as a discipline, does not grant race and racism explanatory agency in its conventional analyses, despite such issues being integral to the birth of the discipline. Race and Racism in International Relations seeks to remedy this oversight by acting as a catalyst for remembering, exposing and critically re-articulating the central importance of race and racism in International Relations. Focusing especially on the theoretical and political legacy of W.E.B. Du Bois’s concept of the "colour line", the cutting edge contributions in this text provide an accessible entry point for both International Relations students and scholars into the literature and debates on race and racism by borrowing insights from disciplines such as history, anthropology and sociology where race and race theory figures more prominently; yet they also suggest that the field of IR is itself an intellectually and strategic field through which to further confront the global colour line. Drawing together a wide range of contributors, this much-needed text will be essential reading for students and scholars in a range of areas including Postcolonial studies, race/racism in world politics and international relations theory.

Examines the full range of humanities and social science scholarship on people of African descent in Latin America.