Radical Innocent Upton Sinclair

Few American writers have revealed their private as well as their public selves so fully as Upton Sinclair, and virtually none over such a long lifetime (1878—1968). Sinclair’s writing, even at its most poignant or electrifying, blurred the line between politics and art–and, indeed, his life followed a similar arc. In Radical Innocent: Upton Sinclair, Anthony Arthur weaves the strands of Sinclair’s contentious public career and his often-troubled private life into a compelling personal narrative. An unassuming teetotaler with a fiery streak, called a propagandist by some, the most conservative of revolutionaries by others, Sinclair was such a driving force of history that one could easily mistake his life story for historical fiction. He counted dozens of epochal figures as friends or confidants, including Mark Twain, Jack London, Henry Ford, Thomas Mann, H. G. Wells, Theodore and Franklin Roosevelt, Albert Einstein, Charlie Chaplin, Albert Camus, and Carl Jung. Starting with The Jungle in 1906, Sinclair’s fiction and nonfiction helped to inform and mold American opinions about socialism, labor and industry, religion and philosophy, the excesses of the media, American political isolation and pacifism, civil liberties, and mental and physical health. In his later years, Sinclair twice reinvented himself, first as the Democratic candidate for governor of California in 1934, and later, in his sixties and seventies, as a historical novelist. In 1943 he won a Pulitzer Prize for Dragon’s Teeth, one of eleven novels featuring super-spy Lanny Budd. Outside the literary realm, the ever-restless Sinclair was seemingly everywhere: forming Utopian artists’ colonies, funding and producing Sergei Eisenstein’s film documentaries, and waging consciousness-raising political campaigns. Even when he wasn’t involved in progressive causes or counterculture movements, his name often was invoked by them–an arrangement that frequently embroiled Sinclair in controversy. Sinclair’ s passion and optimistic zeal inspired America, but privately he could be a frustrated, petty man who connected better with his readers than with members of his own family. His life with his first wife, Meta, his son David, and various friends and professional acquaintances was a web of conflict and strain. Personally and professionally ambitious, Sinclair engaged in financial speculation, although his wealth-generating schemes often benefited his pet causes–and he lobbied as tirelessly for professional recognition and awards as he did for government reform. As the tenor of his work would suggest, Sinclair was supremely human. In Radical Innocent: Upton Sinclair, Anthony Arthur offers an engrossing and enlightening account of Sinclair’s life and the country he helped to transform. Taking readers from the Reconstruction South to the rise of American power to the pinnacle of Hollywood culture to the Civil Rights era, this is historical biography at its entertaining and thought-provoking finest.

Had Upton Sinclair not written a single book after The Jungle, he would still be famous. But Sinclair was a mere twenty-five years old when he wrote The Jungle, and over the next sixty-five years he wrote nearly eighty more books and won a Pulitzer Prize for fiction. He was also a filmmaker, labor activist, women’s rights advocate, and health pioneer on a grand scale. This new biography of Sinclair underscores his place in the American story as a social, political, and cultural force, a man who more than any other disrupted and documented his era in the name of social justice. Upton Sinclair: California Socialist, Celebrity Intellectual shows us Sinclair engaged in one cause after another, some surprisingly relevant today—the Sacco-Vanzetti trial, the depredations of the oil industry, the wrongful imprisonment of the Wobblies, and the perils of unchecked capitalism and concentrated media. Throughout, Lauren Coodley provides a new perspective for looking at Sinclair’s prodigiously productive life. Coodley’s book reveals a consistent streak of feminism, both in Sinclair’s relationships with women—wives, friends, and activists—and in his interest in issues of housework and childcare, temperance and diet. This biography will forever alter our picture of this complicated, unconventional, often controversial man whose whole life was dedicated to helping people understand how society was run, by whom, and for whom.

Praise for UPTON SINCLAIR and the other American Century "I look forward to all of Kevin Mattson's works of history and I've notbeen disappointed yet. Upton Sinclair is a thoughtful, well-researched, and extremely eloquently told excavation of the history of theAmerican left and, indeed, the American nation, as well as a testamentto the power of one man to influence his times. Well done." --Eric Alterman, author of When Presidents Lie: A History of Official Deception and Its Consequences "A splendid read. It reminds you that real heroes once dwelt among us. Mattson not only captures Sinclair's character, but the world he inhabited, with deft strokes whose energy and passion easily match his subject's." --Richard Parker, author of John Kenneth Galbraith: His Life, His Politics, His Economics "From the meat-packing houses of Chicago to the automobile factories of Detroit to the voting booths of California, Upton Sinclair cut a wide swath as a muckraking writer who exposed the injustices rendered by American industrial capitalism. Now Kevin Mattson presents a much-needed exploration of this complex crusader. This is a thoughtful, provocative, and gripping account of an important figure who appeared equal parts intellectual, propagandist, and political combatant as he struggled to illuminate the 'other American century' inhabited by the poor and powerless." --Steven Watts, author of The People's Tycoon: Henry Ford and the American Century

Had Upton Sinclair not written a single book after The Jungle, he would still be famous. But Sinclair was a mere twenty-five years old when he wrote The Jungle, and over the next sixty-five years he wrote nearly eighty more books and won a Pulitzer Prize for fiction. He was also a filmmaker, labor activist, women's rights advocate, and health pioneer on a grand scale. This new biography of Sinclair underscores his place in the American story as a social, political, and cultural force, a man who more than any other disrupted and documented his era in the name of social justice. Upton Sinclair: California Socialist, Celebrity Intellectual shows us Sinclair engaged in one cause after another, some surprisingly relevant today--the Sacco-Vanzetti trial, the depredations of the oil industry, the wrongful imprisonment of the Wobblies, and the perils of unchecked capitalism and concentrated media. Throughout, Lauren Coodley provides a new perspective for looking at Sinclair's prodigiously productive life. Coodley's book reveals a consistent streak of feminism, both in Sinclair's relationships with women--wives, friends, and activists--and in his interest in issues of housework and childcare, temperance and diet. This biography will forever alter our picture of this complicated, unconventional, often controversial man whose whole life was dedicated to helping people understand how society was run, by whom, and for whom.

A closer look at three American writers sheds new light on the evolution of socialist thought in the U.S.

Acclaimed historian Anthony Arthur tells one of the most remarkable but surprisingly unknown stories of the post–Civil War era in full for the first time. Here is the unforgettable account of how a famous Confederate general forged a defiant new life out of crushing defeat, and how he finally achieved forgiveness and respect in his own reunited land. General Jo Shelby had been a daring and ruthless cavalry commander, renowned and notorious for his slashing forays behind Union lines. After Appomattox, Shelby, declaring that he would never surrender, headed for Mexico. With three hundred men, some from his fighting “Iron Brigade” regiment, others adventurers, fortune hunters, and deserters, the man Arthur refers to as “the last holdout of the Confederacy” made the treacherous twelve-hundred-mile trip. In thrilling and vivid detail, General Jo Shelby’s March describes the dusty and dangerous trek through a lawless Texas swarming with desperadoes, into a Mexico teeming with Juárez’s rebels and marauding Apaches. After near fratricide among his fraying band of brothers, Shelby arrived to present a quixotic proposal to Emperor Maximilian: He and his fellow Americans would take over the Mexican army and, after being reinforced by forty thousand more Confederate soldiers, the government itself. Though a dramatic, doomed, and brave endeavor, Shelby’s actions changed both himself and American history forever. Anthony Arthur then reveals the astonishing end of Shelby’s career: his return to America and his renouncing of slavery, his nomination by President Grover Cleveland to become U.S. marshal for western Missouri, his eventual fame as a model of nineteenth-century progressivism. General Jo Shelby’s March is a riveting book about a uniquely American man, both brave and brutal, a hero and a hothead, whose life’s startling last chapter is a microcosm of the aftermath of our most divisive war.

First edition of Sinclair's savage satire, loosely based on the life and career of Edward L. Doheny, and the Teapot Dome scandal of the Harding administration. Although Sinclair's famous novel The Jungle deals with Chicago's meatpacking industry, he moved west to Pasadena in 1916 and began writing novels set in California, the best of which was Oil!, the story of the education of Bunny Ross, son of wildcat oil man Joe Ross after oil is discovered outside Los Angeles. The novel was the basis for Paul Thomas Anderson's 2007 film There Will Be Blood. In California Classics, Lawrence Clark Powell called Oil! "Sinclair's most sustained and best writing."

For centuries, people have been thinking and writing—and fiercely debating—about the meaning of marriage. Just a hundred years ago, Progressive era reformers embraced marriage not as a time-honored repository for conservative values, but as a tool for social change. In Until Choice Do Us Part, Clare Virginia Eby offers a new account of marriage as it appeared in fiction, journalism, legal decisions, scholarly work, and private correspondence at the turn into the twentieth century. She begins with reformers like sexologist Havelock Ellis, anthropologist Elsie Clews Parsons, and feminist Charlotte Perkins Gilman, who argued that spouses should be “class equals” joined by private affection, not public sanction. Then Eby guides us through the stories of three literary couples—Upton and Meta Fuller Sinclair, Theodore and Sara White Dreiser, and Neith Boyce and Hutchins Hapgood—who sought to reform marriage in their lives and in their writings, with mixed results. With this focus on the intimate side of married life, Eby views a historical moment that changed the nature of American marriage—and that continues to shape marital norms today.