Ralph Eugene Meatyard

Published in conjunction with an exhibition organized by the Art Institute of Chicago and held at the Art Institute of Chicago, July 2-Sept. 25, 2011; the De Young Museum, San Francisco, Oct. 8, 2011-Feb. 26, 2012, and the Philadelphia Museum of Art, May 19-Aug. 5, 2012.

The legendary, mysterious photographer Ralph Eugene Meatyard (1925–72) lived in Lexington, Kentucky, working in a close-knit community of artists and writers while making his living as an optician. Ralph Eugene Meatyard: American Mystic, by esteemed art historian Alexander Nemerov, is a groundbreaking study of Meatyard’s work, creative thinking and sources of inspiration.Given rare access to the personal library in which Meatyard had tellingly annotated works of fiction, poetry and other pages of personal significance, Nemerov examines the artist’s process of creating characters and staging dreamlike scenes. American Mystic also considers the artists and writers whose work influenced Meatyard, such as William Blake, Ludwig Wittgenstein and Thomas Merton -- Publisher's website.

Ralph Eugene Meatyard: Stages for Being was published in conjunction with an exhibition of the same title held at the University of Kentucky Art Museum, September 8-December 9, 2018 and Bates College Museum of Art, October 25, 2019-March 28, 2020.

A celebratory collection of essays and photographs, originally published as part of an effort to preserve Red River Gorge from plans to build a dam and a man-made lake, shares the T. S. Eliot Award-winning writer's perspectives on the gorge's wild beauty and the nature of rivers. Reprint.

Edited by James Rhem.

"Correspondence between Thomas Merton and Ralph Eugene Meatyard": p. 65-75.

A groundbreaking study of the extraordinary photographers, writers, printmakers, and publishers who formed a flourishing modernist community in Kentucky Dozens of American cities witnessed the founding of camera clubs in the first half of the 20th century, though few boasted as many accomplished artists as the one based in Lexington, Kentucky. This pioneering book provides the most absorbing account to date of the Lexington Camera Club, an under-studied group of artists whose ranks included Ralph Eugene Meatyard, Van Deren Coke, Robert C. May, James Baker Hall, and Cranston Ritchie. These and other members of the Lexington Camera Club explored the craft and expressive potential of photography. They captured Kentucky's dramatic natural landscape and experimented widely with different techniques, including creating double and multiple exposures or shooting deliberately out-of-focus images. In addition to compiling images by these photographers, this book examines their relationships with writers, publishers, and printmakers based in Kentucky at the time, such as Wendell Berry, Guy Davenport, Jonathan Greene, and Thomas Merton. Moreover, the publication seeks to highlight the unique contributions that the Lexington Camera Club made to 20th-century photography, thus broadening a narrative of modern art that has long focused on New York and Chicago. Featuring a wealth of new scholarship, this fascinating catalogue asserts the importance and artistic achievement of these often overlooked photographers and their circle.