Rape In The Republic 1609 1725

This book reveals the fundamental role rape played in promoting Dutch solidarity from 1609-1725. Through the identification of particular enemies, it directed attention away from competing regional, religious, and political loyalties. Patriotic Protestant authors highlighted atrocities committed by the Spanish and lower-class criminals. They conversely cast Dutch men as protectors of their wives and daughters – an appealing characterization that allowed the Dutch to take pride in a sense of moral superiority and justify the Dutch Revolt. After the conclusion of peace with Spain in 1648, marginalized authors, including Catholic priests and literary women, employed depictions of rape to subtly advance their own agendas without undermining political stability. Rape was thus essential in the development and preservation of a common identity that paved the way for the Dutch defeat of the mighty Spanish empire and their rise to economic pre-eminence in Europe.

By examining depictions of rape in pamphlets, plays, poems, and advice manuals, this book underscores the significance of sex and gender in the construction of Dutch identity during the period of the Revolt of the Netherlands and beyond.

Dissenting Daughters reveals that devout women made vital contributions to the spread and practice of the Reformed faith in the Dutch Republic in the sixteenth and seventeenth centuries. The six women at the heart of this study: Cornelia Teellinck, Susanna Teellinck, Anna Maria van Schurman, Sara Nevius, Cornelia Leydekker, and Henrica van Hoolwerff, were influential members of networks known for supporting a religious revival known as the Further Reformation. These women earned the support and appreciation of their religious leaders, friends, and relatives by seizing the tools offered by domestic religious study and worship and forming alliances with prominent ministers including Willem Teellinck, Gijsbertus Voetius, Wilhelmus à Brakel, and Melchior Leydekker as well as with other well-connected, well-educated women. They deployed their talents to bolster the Dutch Reformed Church from 1572, the first year its members could publicly organize, to the death of this book's last surviving subject Cornelia Leydekker in 1725. In return for their adoption of religious teachings that constricted them in many ways, they gained the authority to minister to their family members, their female friends, and a broader audience of men and women during domestic worship as well as through their written works. These dissenting daughters vehemently defended their faith - against Spanish and French Catholics, as well as their neighbors, politicians, and ministers within the Dutch Republic whom they judged to be lax and overly tolerant of sinful behavior, finding ways to flourish among the strictest orthodox believers within the Dutch Reformed Church.

This book is the first comprehensive study of images of rape in Italian painting at the dawn of the Renaissance. Drawing on a wide range of primary sources, Péter Bokody examines depictions of sexual violence in religion, law, medicine, literature, politics, and history writing produced in kingdoms (Sicily and Naples) and city-republics (Florence, Siena, Lucca, Bologna and Padua). Whilst misogynistic endorsement characterized many of these visual discourses, some urban communities condemned rape in their propaganda against tyranny. Such representations of rape often link gender and aggression to war, abduction, sodomy, prostitution, pregnancy, and suicide. Bokody also traces how the new naturalism in painting, introduced by Giotto, increased verisimilitude, but also fostered imagery that coupled eroticism and violation. Exploring images and texts that have long been overlooked, Bokody's study provides new insights at the intersection of gender, policy, and visual culture, with evident relevance to our contemporary condition.

The Kingdom of the Netherlands is a small, but heavily populated country with almost 17 million inhabitants. It is one of the last kingdoms in Europe and in 2015 it celebrated its 200 years anniversary. The Netherlands became a kingdom after the Napoleonic era. During this period it was transformed into a centralized state. Before those years it had been one of few republics in Europe for about two centuries. That state was a confederacy, which emerged in the 1580s during its independence struggle against the Spanish Habsburgs. Although the present state is still monarchial, the Netherlands functions as a modern constitutional democracy, in which the king’s position is almost comparable with a ceremonial presidency. The majority of the Dutch population, however, appreciates the hereditary political presence of the House of Orange-Nassau, regarding this dynasty as a symbol of national unity and connection with the country’s past. This third edition of Historical Dictionary of the Netherlands contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Netherlands.

Looking at the experiences of women in early modern Portugal in the context of crime and forgiveness, this study demonstrates the extent to which judicial and quasi-judicial records can be used to examine the implications of crime in women’s lives, whether as victims or culprits. The foundational basis for this study is two sets of manuscript sources that highlight two distinct yet connected experiences of women as participants in the criminal process. One consists of a collection of archival documents from the first half of the seventeenth century, a corpus called 'querelas,' in which formal accusations of criminal acts were registered. This is a rich source of information not only about the types of crimes reported, but also the process that plaintiffs had to follow to deal with their cases. The second primary source consists of a sampling of documents known as the ’perdão de parte.’ The term refers to the victim’s pardon, unique to the Iberian Peninsula, which allowed individuals implicated in serious conflicts to have a voice in the judicial process. By looking at a sample of these pardons, found in notary collections from the sixteenth and seventeenth centuries, Abreu-Ferreira is able to show the extent to which women exercised their agency in a legal process that was otherwise male-dominated.

Women and Gender in the Early Modern Low Countries, 1500-1750 brings together research on women and gender across the Low Countries, a culturally contiguous region that was split by the Eighty Years' War into the Protestant Dutch Republic in the North and the Spanish-controlled, Catholic Hapsburg Netherlands in the South. The authors of this interdisciplinary volume highlight women’s experiences of social class, as family members, before the law, and as authors, artists, and patrons, as well as the workings of gender in art and literature. In studies ranging from microhistories to surveys, the book reveals the Low Countries as a remarkable historical laboratory for its topic and points to the opportunities the region holds for future scholarly investigations. Contributors: Martine van Elk, Martha Howell, Martha Moffitt Peacock, Sarah Joan Moran, Amanda Pipkin, Katlijne Van der Stighelen, Margit Thøfner, and Diane Wolfthal.

This book recaptures the experience of exile and religious radicalisation among sixteenth-century Catholic refugees during the Dutch Revolt.