Rascal Rain A Year In Papua New Guinea

In 1992 the author left her inner city life in Sydney to take up a volunteer position working with and for women in the Highlands of Papua New Guinea. She landed in the intersection of very old cultures with the very latest in western religion, mining and development philosophies. The opposition of the men in power, the extreme otherness of the culture and the isolation were the difficulties; the beauty and fascination of the place and new friendships found there were the joys. This new edition includes an Afterword about the writing and reception of the book, which was first published in 1992. More at http: //www.inezbaranay.com/?books=rascal-rain-a-year-in-papua-new-guine

Since 1975 the economy of Papua New Guinea has focused on mineral, rather than agricultural production as previously. This is the first book to look at these changes in a complex, rapidly evolving nation from an economic perspective.

In 2016, Gordon Peake answers a job advertisement for a role with the government of the Autonomous Region of Bougainville, a collection of islands on the eastern fringe of Papua New Guinea looking to strike out as a country of its own. In his day job he sees at first hand the challenges of trying to stand up new government systems. Away from the office he travels with former rebels, follows an anthropologist’s ghost and visits landmarks from the region’s conflict. In 2019, he witnesses joy and euphoria as the people of Bougainville vote in a referendum on their future. Out of these encounters emerges an unforgettable portrait of this potential nation-in-waiting. Blending narrative history, travelogue and personal reminiscences, Unsung Land, Aspiring Nation is an engaging memoir as well as an insightful meditation on the realities of nation-making and international development.

"This volume of essays is an exploration of the way in which scholars from different disciplines, standpoints and theoretical orientations attempt to write life stories in the Pacific. It is the product of a conference organised by the Division of Pacific and Asian History at The Australian National University in December 2005. The aim of the conference was to explore ways in which Pacific lives are read and constructed through a variety of media: films, fiction, faction, history under four overarching themes. The first, Framing Lives, sought to explore various ways of constructing a life from a classic western perspective of birth, formation, experiences and death of an individual to other ways, for example, life as secondary to a longer genealogical entity, life as a symbol of collective experience, individual lives captured and fragmented in a mosaic of others, lives made meaningful by their implication in a particular historical or cultural web, the underlying values and world views that inform one or another approach to framing a life. The second theme, the Stuff of Life, looked at materials, methods and collaborative arrangements with which the biographer, autobiographer and recorder work, their objectives, constraints, inspirations, challenges and tricks. The third section, Story Lines, focused on formats and genres such as edited diaries, collections of writings, voice recordings, genres of biography autobiography, truth and fiction (verse, dance, novels) and the varieties and different advantages of narrative shapes that crystallise the telling of a life. The final section, Telling Lives/Changing Lives, focused on biography/autobiography and the consciousness of identity, history, purpose, lives as witness and windows, telling lives as change for those involved in the tale, the telling, the listening. The overall aim was to bring out both the generic or universal challenges of telling lives as well as to highlight the particular tendencies and trends in the Pacific. Yet these four themes, which seemed analytically promising at the outset, proved in practice difficult to disentangle from the presentations at the workshop"--Provided by publisher.

Australian Made is a collection of essays about the writers, the readers and the texts of multicultural Australia. Presenting the work of critics and scholars from both Australia and abroad, this collection creates a synergy between local and international perspectives as it explores what it means for a writer or a reader to be 'Australian' and a text to be 'Australian made'.

"One last look at Europe" - that was the idea behind a 3-month trip in 2006. The weather was always good and that 3 months led to a life of unanchored travels, for years moving among countries and continents. In Local Time: a memoir of cities, friendships and the writing life New York, London, Bristol, Amsterdam, Berlin, Prague, Barcelona all have a chapter devoted to them, and Rome has more. Other chapters explore themes like sexuality, Europe, identity among hybrids and hyphens, family secrets, the self fiction creates, ageing, beginnings, the history of friendships, and a life in which writing has been the centre. Known for her stylish provocative work the author has once more gone in new directions in this memoir.

This book is a printed edition of the Special Issue "Transcultural Literary Studies: Politics, Theory, and Literary Analysis" that was published in Humanities

Three people travel to Bali for very different reasons. Marla is well read in Bali’s culture; she distrusts false ideologies, orientalism and tourism. To her surprise she finds the echoes of a golden age and a passionate lover. Nelson, a young woman from Sydney returns in the hope of reuniting with her Balinese boyfriend, but encounters the unexpected. Tyler, a New Yorker searching for a lost friend, enters a world of mystery and intrigue. All three are on the edge, unsure of whether they should stay in Bali any longer, but are increasingly drawn into the heart of this complex and alluring island. Through subtle storytelling and compelling characters, Inez Baranay unravels the exotic, ways of knowing and the culture of tourism, in one of the world’s favourite destinations.