Rastafari And The Arts

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.

Drawing on literary, musical, and visual representations of and by Rastafari, Darren J.N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta's association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton's analysis complements current introductions to Afro-Caribbean religions and offers an engaging example.

The Rastafarian religion of Jamaica came to prominence through the music of one of its main exponents - Bob Marley. Although music was the centerpiece of Rasta creativity, the whole cultural movement spawned many components. This book looks at Rasta art, profiling some of Jamaica's most prominent artists.

The Rastafarian religion of Jamaica came into prominence in the late 1960s and early 1970s and was given international exposure through the music of one of its main exponents - Bob Marley. Music, and Reggae music in particular, was the centrepiece of Rasta creativity but Rastafarianism gave rise to a whole new cultural movement of which visual art was one of the many components. 'Official' recognition of Rasta art may be traced to the year 1980 when the National Gallery of Jamaica installed a new section dedicated to 'intuitive' artists, that is, untrained artists who were previously described as primitive or naïve. The works of Rastafarians were prominent among these intuitive including those of Albert Artwell, Ras Dizzy, Ras Daniel Hartman and Leonard Daley, to name a few. Beyond that however, little recognition has been given to Rastafarian art as a particular genre within Jamaica, and the only known attempt to document and survey the art and handicraft of Rastafarians was in the form of an exhibition catalogue prepared for an exhibition in Germany in 1980 and later updated for a second exhibition in Germany. Decades after that first catalogue was produced, comes its first English translation - Rastafarian Art by Wolfgang Bender, an ethnomusicologist and ector of the African Music Archives in the Institute for Ethnology and African Studies, Johannes Gutenberg University, Mainz, Germany. The works presented in this volume are meant to introduce a selection of Rastafarian artists from Jamaica. The collection is accompanied by photographs that depict everyday life among Rastas and scenes from the environment in which the artists live. In addition, there are interviews with a number of the artists, a chronology of events in the development of the Rastafarian movement and Rastafarian art, and an index of the artists and their works.

"REPI offers a fresh angle on the Rastafari by drawing on underutilized sources such as news stories and colonial records, along with other data such as field notes, interviews and cultural products like screeds and hymns. Charles Price introduces readers to new connections, characters, and events salient to the development of the Rastafari. REPI is a scholarly resource written in a style accessible to a general audience"--

This anthology explores Rastafari religion, culture, and politics in Jamaica and other parts of the African diaspora. An Afro-Caribbean religious and cultural movement that sprang from the streets of Kingston, Jamaica, in the 1930s, today Rastafari has close to one million adherents. The basic message of Rastafari—the dismantling of all oppressive institutions and the liberation of humankind—even has strong appeal to non-believers who are captivated by reggae music, the lyrics, and the "immortal spirit" of its enormously popular practitioner, Bob Marley. Probing into Rastafari's still evolving belief system, political goals, and cultural expression, the contributors to this volume emphasize the importance of Africana history and the Caribbean context. Author note:Nathaniel Samuel Murrellis Assistant Professor of Philosophy and Religion at the University of North Carolina, Wilmington, and Visiting Professor at the Caribbean Graduate School of Theology in Kingston, Jamaica.William David Spencerserves as Pastor of Encouragement at Pilgrim Church in Beverly, MA, and was an Adjunct Professor of Theology at Gordon-Conwell Theological Seminary's Center for Urban Ministerial Education in Boston. He has authored, co-authored, or editedThe Prayer of Life of Jesus, Mysterium and Mystery: The Clerical Crime Novel, God through the Looking Glass, Joy through the Night, 2 Corinthians: Bible Study CommentaryandThe Global God.Adrian Anthony McFarlaneis Associate Professor of Philosophy and Chair of the Department of Philosophy and Religious Studies at Hartwick College in Oneonta, NY. He is author ofA Grammar of FearandEvil–A Husserlian-Wittgensteinian Hermeneutic.

From its beginnings in 1930s Jamaica, the Rastafarian movement has become a global presence. While the existing studies of the Rastafarian movement have primarily focused on its cultural expression through reggae music, art, and iconography, Monique A. Bedasse argues that repatriation to Africa represents the most important vehicle of Rastafari's international growth. Shifting the scholarship on repatriation from Ethiopia to Tanzania, Bedasse foregrounds Rastafari's enduring connection to black radical politics and establishes Tanzania as a critical site to explore gender, religion, race, citizenship, socialism, and nation. Beyond her engagement with how the Rastafarian idea of Africa translated into a lived reality, she demonstrates how Tanzanian state and nonstate actors not only validated the Rastafarian idea of diaspora but were also crucial to defining the parameters of Pan-Africanism. Based on previously undiscovered oral and written sources from Tanzania, Jamaica, England, the United States, and Trinidad, Bedasse uncovers a vast and varied transnational network--including Julius Nyerere, Michael Manley, and C. L. R James--revealing Rastafari's entrenchment in the making of Pan-Africanism in the postindependence period.

From its obscure beginnings in Jamaica in the early 1930s, Rastafari has grown into an international socio-religious movement. It is estimated that 700,000 to 1 million people worldwide have embraced Rastafari, and adherents of the movement can be found in most of the major population centres and many outposts of the world. Rastafari: A Very Short Introduction provides an account of this widespread but often poorly understood movement. Ennis B. Edmonds looks at the essential history of Rastafari, including its principles and practices and its internal character and configuration. He examines its global spread, and its far-reaching influence on cultural and artistic production in the Caribbean and beyond. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.