Re Viewing Resistance In Namibian History

An account of the struggles that led to elections after 23 years of illegal occupation by neighboring South Africa.

Re-Viewing Resistance in Namibian History brings together the work of experienced academics and a new wave of young Namibian historians - architects of the past - who are working on a range of public history and heritage projects, from late nineteenth century resistance to the use of songs, from the role of gender in SWAPO's camps to memorialisation, and from international solidarity to aspects of the history of Kavango and Caprivi. In a culturally and politically diverse democracy such as Namibia, there are bound to be different perspectives on the past, and history will be as plural as the history-tellers. The chapters in this book reflect this diversity, and combine to create a remarkable collection of divergent voices, providing alternative perspectives on the past. Re-Viewing Resistance in Namibian History writes 'forgotten' people into history; provides a reading of the past that reflects the tensions and competing identities that pervaded 'the struggle'; and deals with 'heritage that hurts'.

Re-Viewing Resistance in Namibian History brings together the work of experienced academics and a new wave of young Namibian historians - architects of the past. They are working on a range of public history and heritage projects, from late nineteenth century resistance to the use of songs; from the role of gender in SWAPO’s camps to memorialisation; and from international solidarity to aspects of the history of Kavango and Caprivi. In a culturally and politically diverse democracy such as Namibia, there are bound to be different perspectives on the past, and history will be as plural as the history-tellers. The chapters in this book reflect this diversity, and combine to create a remarkable collection of divergent voices, providing alternative perspectives on the past. The book writes ‘forgotten’ people into history; provides a reading of the past that reflects the tensions and competing identities that pervaded ‘the struggle’; and deals with ‘heritage that hurts’.

New oral histories from Black Namibian and Angolan troops who fought in apartheid South Africa’s security forces reveal their involvement, and its impact on their lives, to be far more complicated than most historical scholarship has acknowledged. In anticolonial struggles across the African continent, tens of thousands of African soldiers served in the militaries of colonial and settler states. In southern Africa, they often made up the bulk of these militaries and, in some contexts, far outnumbered those who fought in the liberation movements’ armed wings. Despite these soldiers' significant impact on the region’s military and political history, this dimension of southern Africa’s anticolonial struggles has been almost entirely ignored in previous scholarship. Black troops from Namibia and Angola spearheaded apartheid South Africa’s military intervention in their countries’ respective anticolonial war and postindependence civil war. Drawing from oral history interviews and archival sources, Lennart Bolliger challenges the common framing of these wars as struggles of national liberation fought by and for Africans against White colonial and settler-state armies. Focusing on three case studies of predominantly Black units commanded by White officers, Bolliger investigates how and why these soldiers participated in South Africa’s security forces and considers the legacies of that involvement. In tackling these questions, he rejects the common tendency to categorize the soldiers as “collaborators” and “traitors” and reveals the un-national facets of anticolonial struggles. Finally, the book’s unique analysis of apartheid military culture shows how South Africa’s military units were far from monolithic and instead developed distinctive institutional practices, mythologies, and concepts of militarized masculinity.

In 1990 Namibia gained its independence after a decades-long struggle against South African rule--and, before that, against German colonialism. This book, the first new scholarly general history of Namibia in two decades, provides a fresh synthesis of these events, and of the much longer pre-colonial period. A History of Namibia opens with a chapter by John Kinahan covering the evidence of human activity in Namibia from the earliest times to the nineteenth century, and for the first time making a synthesis of current archaeological research widely available to non-specialists. In subsequent chapters, Marion Wallace weaves together the most up-to-date academic research (in English and German) on Namibian history, from the mid-eighteenth century to the present. She explores histories of migration, production and power in the pre-colonial period, the changes triggered by European expansion, and the dynamics of the period of formal colonialism. The coverage of German rule includes a full chapter on the genocide of 1904-8. Here, Wallace outlines the history and historiography of the wars fought in central and southern Namibia, and the subsequent mass imprisonment of defeated Africans in concentration camps. The final two chapters analyse the period of African nationalism, apartheid and war between 1946 and 1990. The book's conclusion looks briefly at the development of Namibia in the two decades since independence. A History of Namibia provides an invaluable introduction and reference source to the past of a country that is often neglected, despite its significance in the history of the region and, indeed, for that of European colonialism and international relations. It makes accessible the latest research on the country, illuminates current controversies, puts forward new insights, and suggests future directions for research. The book's extensive bibliography adds to its usefulness for scholar and general reader alike.

Williams traces the South West Africa People's Organization of Namibia across three decades in exile in Tanzania, Zambia, and Angola.

In Landscapes Between Then and Now, Nicola Brandt examines the increasingly compelling and diverse cross-disciplinary work of photographers and artists made during the transition from apartheid to post-apartheid and into the contemporary era. By examining specific artworks made in South Africa, Namibia and Angola, Brandt sheds light on established and emerging themes related to aftermath landscapes, embodied histories, (un)belonging, spirituality and memorialization. She shows how landscape and identity are mutually constituted, and profiles this process against the background of the legacy of the acutely racially divisive policies of the apartheid regime that are still reflected on the land. As a signpost throughout the book, Brandt draws on the work of the renowned South African photographer Santu Mofokeng and his critical thinking about landscape. Landscapes Between Then and Now explores how practitioners who engage with identity and their physical environment as a social product might reveal something about the complex and fractured nature of postcolonial and contemporary societies. Through diverse strategies and aesthetics, they comment on inherent structures and epistemologies of power whilst also expressing new and radical forms of self-determinism. Brandt asks why these cross-disciplinary works ranging from social documentary to experimental performance and embodied practices are critical now, and what important possibilities for social and political reflection and engagement they suggest.

Writing Namibia: Literature in Transition is a cornucopia of extraordinary and fascinating material which will be a rich resource for students, teachers and readers interested in Namibia. The text is wide ranging, defining literature in its broadest terms. In its multifaceted approach, the book covers many genres traditionally outside academic literary discourse and debate. The 22 chapters cover literature of all categories in Namibia since independence: written and performance poetry, praise poetry, Oshiwambo orature, drama, novels, autobiography, womens writing, subaltern studies, literature in German, Ju|hoansi and Otjiherero, childrens literature, Afrikaans fiction, story-telling through film, publishing, and the interface between literature and society. The inclusive approach is the books strength as it allows a wide range of subjects to be addressed, including those around gender, race and orature which have been conventionally silenced.