Reaching Mithymna

FINALIST FOR THE 2020 HILARY WESTON WRITERS’ TRUST PRIZE FOR NONFICTION • A New York Times New & Noteworthy Book • A CBC Best Nonfiction Book of 2020 • A Globe and Mail Top 100 Book for 2020 “Combining his poetic sensibilities and storytelling skills with a documentarian’s eye, [Heighton] has created a wrenching narrative.”—2020 Hilary Weston Writers’ Trust Prize for Nonfiction Jury In the fall of 2015, Steven Heighton made an overnight decision to travel to the frontlines of the Syrian refugee crisis in Greece and enlist as a volunteer. He arrived on the isle of Lesvos with a duffel bag and a dubious grasp of Greek, his mother's native tongue, and worked on the landing beaches and in OXY-—a jerrybuilt, ad hoc transit camp providing simple meals, dry clothes, and a brief rest to refugees after their crossing from Turkey. In a town deserted by the tourists that had been its lifeblood, Heighton-—alongside the exhausted locals and under-equipped international aid workers—-found himself thrown into emergency roles for which he was woefully unqualified. From the brief reprieves of volunteer-refugee soccer matches to the riots of Camp Moria, Reaching Mithymna is a firsthand account of the crisis and an engaged exploration of the borders that divide us and the ties that bind.

This collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner The Waking Comes Late, showcases a defining lyric poet of his generation. Selected Poems 1983–2020 is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, The Waking Comes Late. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.” Heighton’s debut collection, Stalin’s Carnival,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.

Most people go through life chasing illusions of success, fame, wealth, happiness, and few things are more painful than the reality-revealing loss of an illusion. But if illusions are negative, why is the opposite, being disillusioned, also negative? In this essay based on his inaugural writer-in-residence lecture at Athabasca University, internationally acclaimed writer Steven Heighton mathematically evaluates the paradox of disillusionment and the negative aspects of hope. Drawing on writers such as Herman Melville, Leonard Cohen, Kate Chopin, and Thich Nhat Hanh, Heighton considers the influence of illusions on creativity, art, and society. This meditation on language and philosophy reveals the virtues of being disillusioned and, perhaps, the path to freedom.

Richard Lemm grew up in 1950s Seattle, raised by alcoholic grandparents, with an absent mother and a fabled father who died shortly after he was born. To avoid the draft, he left the land of opportunity and moved to Canada in 1967. Now, more than fifty years later, he uses his poet's sensibility to examine his cultural heritage. Familiar myths--the wild west, the ""greatest country on earth,"" the ""true north strong and free,"" the red-blooded male and others--strongly influenced Lemm's generation on both sides of the border. Lemm explores the ways in which we use imagined truths to justify o.

2016 Governor General's Literary Award Finalist 2017 Raymond Souster Award Finalist Governor General’s Literary Award finalist and bestselling author Steven Heighton returns with a collection of laments and celebrations that reflect on our struggle to believe in the future of a world that continues to disappoint us. The poet challenges the boundaries of sleep and even death in these meditations on what lies just beneath the surface of contemporary life. These are poems that trouble over the idea of failure even as they continually recommit to the present moment. This is fierce music performed in a minor key.

Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier. One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them. Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own. Key Text Features maps illustrations author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described.

FINALIST FOR THE GOVERNOR GENERAL'S AWARD FOR NON-FICTION Interrogating our ideas of race through the lens of her own multi-racial identity, critically acclaimed novelist Tessa McWatt turns her eye on herself, her body and this world in a powerful new work of non-fiction. Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body--nose, lips, hair, skin, eyes, ass, bones and blood--which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us. Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally? Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story.

From internationally acclaimed and Governor General’s Award-winning author Steven Heighton comes a passionate novel of buried secrets, the repercussions of war and finding love among the ruins Elias Trifannis is desperate to belong somewhere. To make his dying ex-cop father happy, he joins the military—but in Afghanistan, by the time he realizes his last-minute bid for connection was a terrible mistake, it’s too late and a tragedy has occurred. In the aftermath, exhausted by nightmares, Elias is sent to Cyprus to recover, where he attempts to find comfort in the arms of Eylül, a beautiful Turkish journalist. But the lovers’ reprieve ends in a moment of shocking brutality that drives Elias into Varosha, once a popular Greek-Cypriot resort town, abandoned since the Turkish invasion of 1974. Hidden in the lush, overgrown ruins is a community of exiles and refugees living resourcefully but comfortably. Thanks to the cheerfully corrupt Colonel Kaya, who turns a blind eye, they live under the radar of the Turkish authorities. As he begins to heal, Elias finds himself drawn to the enigmatic and secretive Kaiti while he learns at last to “simply belong.” But just when it seems he has found sanctuary, events he himself set in motion have already begun to endanger it.