Real And Imagined Women

An essential addition to the postcolonial debate which offers a challenging mode of `reading resistance' which destroys the stereotyped and sensationalised humanist image of the `third world woman' as victim.

First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

"Real and Imagined Women in British Romanticism uses feminist ideology and deconstructive criticism to reconstruct the cultural context embedded in Romantic canonical texts. To achieve this end, the book undertakes a close textual study of these texts and places them in the intellectual context of Mary Wollstonecraft's critique of culture. As a result of intellectual contextuallzing as well as theoretical applications, the Romantic imagination, as represented by William Wordsworth and John Keats, emerges as the place where gender division and gender certitude break down. This book intervenes in the traditional critical debates about the Romantic imagination to show that the Romantic imagination, as set forth in these texts, registers the vigorous cultural politics of gender and aesthetics that defined the 1790s and continued to exert influence for decades." --Book Jacket.

Women in custody -- Women in law -- Killing women.

Women's bodies and the study of anatomy in Italy between the late thirteenth and the mid-sixteenth centuries.

One of today’s most original thinkers on gender offers a provocative take on the current feminist movement, exploring “desire as the force shaping our identifies, the paradoxes of liberation politics, and her own gender transition” (Bookforum). “[Females] is always smart, sometimes sincere, and unpredictable about when it will pinch your arm or clutch its nails around your heart.” —Vice Everyone is female, and everyone hates it. Females is Andrea Long Chu’s genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire. Drawing inspiration from a forgotten play by Valerie Solanas—the woman who wrote the SCUM Manifesto and shot Andy Warhol—Chu aims her searing wit and surgical intuition at targets ranging from performance art to psychoanalysis, incels to porn. She even has a few barbs reserved for feminists like herself. Each step of the way, she defends the indefensible claim that femaleness is less a biological state and more a fatal existential condition that afflicts the entire human race—men, women, and everyone else. Or maybe she’s just projecting. A thrilling new voice who has been credited with launching the “second wave” of trans studies, Chu shows readers how to write for your life, baring her innermost self with a morbid sense of humor and a mordant kind of hope.

"Captivating." ––The Washington Post Named a Best Book of Summer by Good Morning America • BuzzFeed • PopSugar • BookRiot • LifeSavvy • CT Post From "a master of historical fiction" (NPR), Karin Tanabe's A Woman of Intelligence is an exhilarating tale of post-war New York City, and one remarkable woman’s journey from the United Nations, to the cloistered drawing rooms of Manhattan society, to the secretive ranks of the FBI. A Fifth Avenue address, parties at the Plaza, two healthy sons, and the ideal husband: what looks like a perfect life for Katharina Edgeworth is anything but. It’s 1954, and the post-war American dream has become a nightmare. A born and bred New Yorker, Katharina is the daughter of immigrants, Ivy-League-educated, and speaks four languages. As a single girl in 1940s Manhattan, she is a translator at the newly formed United Nations, devoting her days to her work and the promise of world peace—and her nights to cocktails and the promise of a good time. Now the wife of a beloved pediatric surgeon and heir to a shipping fortune, Katharina is trapped in a gilded cage, desperate to escape the constraints of domesticity. So when she is approached by the FBI and asked to join their ranks as an informant, Katharina seizes the opportunity. A man from her past has become a high-level Soviet spy, but no one has been able to infiltrate his circle. Enter Katharina, the perfect woman for the job. Navigating the demands of the FBI and the secrets of the KGB, she becomes a courier, carrying stolen government documents from D.C. to Manhattan. But as those closest to her lose their covers, and their lives, Katharina’s secret soon threatens to ruin her. With the fast-paced twists of a classic spy thriller, and a nuanced depiction of female experience, A Woman of Intelligence shimmers with intrigue and desire.

This book proffers a new theory of the radical possibilities of contemporary postcolonial feminist writings from Africa, the Middle East, the Americas, and the Caribbean, against what can be described as "actually-existing colonialisms." These writers include prominent and other less-known postcolonial women writers such as Tsitsi Dangarembga, Louise Erdrich, Aurora Levins Morales, Rosario Morales, Esmeralda Santiago, Raymonda Tawil, Michelle Cliff, and Rigoberta Mench . Negotiating the contradictions among gender, nation, and globalization, postcolonial women writers construct extimate subjectivities that mark their excessive locations in the social field through the dialectical relation between the intimate and the external, the intimately or internally external, articulating these contradictions within the larger history and narratives of anti-colonial internationalist struggle for liberation and emancipation. Grounded in a commitment to the future of the postcolonial nation and the project of decolonization and liberation within the ever-encroaching, neocolonial global capitalist system, postcolonial women's narratives of displacing offer not only an alternative mode of ideological critique of scripted and commonly-inherited discourses of identity, home, culture that obfuscate the fundamental social antagonism, but also ways of changing them through practices of radical politics. The book thus charts four intersecting, dialogic strategies, by which postcolonial women writers produce extimate subjectivities: travel, unhomeliness, multiple and shifting subject positions, and transnational alliances. First, specific strategies of travel, voluntary and involuntary, within glocal networks of dispossession, displacement, and labor migration that foreground their extimate locations as internally external. Second, tactics of unhomeliness that uncover traces of the foreign, and elsewhere, in the edifice of the familiar that serve as the basis for interrogating dominant discourses of belonging. Third, techniques of multiple and shifting subject positions that recognize the excessive location of the extimate subject, in order to unravel not only the contingency of the subject's ontic properties, but also her locations in the interplay of oppression and privilege. And fourth, strategies for building political solidarity with transnational and transethnic communities of struggle that are grounded in the concrete Universality of the excluded communities. This book bears witness to the radical possibility in contemporary postcolonial feminist writing, and promises a way out of the impasse of the current culturalization of politics in the humanities that has resulted from the uncritical celebration of hybridity and the concomitant emphasis on diaspora, postnationalism, and cosmopolitanism in dominant discourses of postcolonial, ethnic, and transnational studies.