Real Country

DIVAn ethnographic study of country music, and the bars, life, and everyday speech of its rural fans./div

Welcome to Real Country Lyrics Volume Fourteen (songs #7251 - 7500) If you want to get back to real country music, you have to start with Real Country Lyrics. The kind that was sung by Sons of the Pioneers, Roy Acuff, Patsy Cline, Hank Williams Sr, Bob Wills and His Texas Playboys and a host of other pioneers of Country, Cowboy and Western music. This collection brings back the kind of classic and vintage songs written in the middle of the 1900's when country music was established.

The contributors comprise a "Who's Who" of country music in this book of anecdotes, funny songs, and a tribute to the late Chet Atkins.

Exploring a politically and culturally charged issue, this volume argues that Canadians will lose their country if they continue to tacitly endorse the separatist myth that Canada is not good enough for Quebec. Explaining how the Quebec Liberals and the Parti Québécois have played good cop/bad cop over the past 30 years—extorting endless concessions from Canada in the process—the book urges readers to challenge the separatists on their "right" to unilaterally break up the country. It also urges the federal government to issue a reality check to all Quebecois citizens, outlining the real costs of separation. This critique of the Canadian political scene may be sobering, but the book's conclusion is optimistic: Canada will survive—and thrive—not because of its politicians, but in spite of them.

(Fake Book). Country gets real in this new collection in the Real Book series featuring over 275 country favorites presented in the "Real Book" look with lead sheets and lyrics. Songs include: Act Naturally * All My Rowdy Friends Are Coming over Tonight * Always on My Mind * Amazed * Beer for My Horses * Before He Cheats * Bless the Broken Road * Blue Moon of Kentucky * Boot Scootin' Boogie * A Boy Named Sue * Breathe * City of New Orleans * Coal Miner's Daughter * Could I Have This Dance * Coward of the County * Crazy * Delta Dawn * The Devil Went down to Georgia * Don't It Make My Brown Eyes Blue * Elvira * Family Tradition * Folsom Prison Blues * Forever and Ever, Amen * Friends in Low Places * The Gambler * Gentle on My Mind * God Bless the U.S.A. * Help Me Make It Through the Night * Here's a Quarter (Call Someone Who Cares) * Hey, Good Lookin' * I Hope You Dance * (I Never Promised You A) Rose Garden * I Will Always Love You * I've Got a Tiger by the Tail * Islands in the Stream * Jackson * Jambalaya (On the Bayou) * King of the Road * Live like You Were Dying * Lucille * Mama Tried * Mean * On the Road Again * Redneck Woman * Ring of Fire * Rocky Top * She Believes in Me * Southern Nights * Stand by Your Man * There's a Tear in My Beer * When You Say Nothing at All * Your Cheatin' Heart * and more.

Short-listed for the Pushkin House Russian Book Prize More than twenty years ago, the NPR correspondent Anne Garrels first visited Chelyabinsk, a gritty military-industrial center a thousand miles east of Moscow. The longtime home of the Soviet nuclear program, the Chelyabinsk region contained beautiful lakes, shuttered factories, mysterious closed cities, and some of the most polluted places on earth. Garrels’s goal was to chart the aftershocks of the U.S.S.R.’s collapse by traveling to Russia’s heartland. Returning again and again, Garrels found that the area’s new freedoms and opportunities were exciting but also traumatic. As the economic collapse of the early 1990s abated, the city of Chelyabinsk became richer and more cosmopolitan, even as official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person. In Putin Country, Garrels crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals. And we watch doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Through it all, Garrels sympathetically charts an ongoing identity crisis. In the aftermath of the Soviet Union, what is Russia? What kind of pride and cohesion can it offer? Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter. Correcting the misconceptions of Putin’s supporters and critics alike, Garrels’s portrait of Russia’s silent majority is both essential and engaging reading at a time when cold war tensions are resurgent.