Reality In Movement

In the last couple of decades there has been a surge of interest in Octavio Paz's life and work, and a number of important books have been published on Paz. However, most of these books are of a biographical nature, or they examine Paz's role in the various intellectual initiatives he headed in Mexico, specifically the journals he founded. Reality in Movement looks at a wide range of topics of interest in Paz's career, including his engagement with the subversive, adversary strain in Western culture; his meditations on questions of cultural identity and intercultural contact; his dialogue with both leftist and conservative ideological traditions; his interest in feminism and psychoanalysis, and his theory of poetry. It concludes with a chapter on Octavio Paz as a literary character—a kind of reception study. Offering a complex and nuanced portrait of Paz as a writer and thinker—as well as an understanding of the era in which he lived—Reality in Movement will appeal to students of Octavio Paz and of Mexican literature more generally, and to readers with an interest in the many significant literary, cultural, political, and historical topics Paz wrote about over the course of his long career.

Critically evaluating and synthesizing all the previous research on the phenomenology of Czech philosopher Jan Patočka, the book brings a new voice into contemporary philosophical discussions. It elucidates the development of Patočka’s phenomenology and offers a critical appropriation of his work by connecting it with non-phenomenological approaches. The first half of the book offers a succinct, and systematizing, overview of Patočka’s phenomenology throughout its development to help readers appreciate the motives behind and grounds for its transformations. The second half systematically explicates, critically examines and creatively develops Patočka’s concept of the movement of existence as the most promising part of his asubjective phenomenology. The book appeals to new readers of Patočka as well as his scholars, and to students and researchers of contemporary philosophy concerned with topics such as embodiment, personal identity, intersubjectivity, sociality, or historicity. By re-assessing Patočka’s philosophy of history and his civilizational analysis, it also helps to better articulate the question of the place of Europe in the post-European world.

Our world is undergoing a reality revolution. More and more people are discovering the power of their minds to shape the world around them faster than ever before. The question is: how do you create the reality of your design? Brian Scott wants to help you find the answer. After walking away unscathed from a near-fatal shooting in his home, Brian began a fanatical search for answers. He deepened his research into parallel realities, quantum mechanics, and consciousness to uncover what happened in his close call with death. Along the way, he developed a series of techniques capable of creating profound transformations. In The Reality Revolution: The Mind-Blowing Movement to Hack Your Reality, Brian introduces you to the techniques that have helped his clients find lasting love, create wealth, and revitalize health. You'll learn how to surf through parallel realities and unlock the power of your mind through a mix of researched and science-backed techniques like qi gong, meditation, quantum jumping, energy work, and reality transurfing. If you're ready to create an incredible reality for yourself, this book shows you the way.

The Art and Science of Dance/Movement Therapy offers both a broad understanding and an in-depth view of how and where dance therapy can be used to produce change. The chapters go beyond the basics that characterize much of the literature on dance/movement therapy, and each of the topics covered offers a theoretical perspective followed by case studies that emphasize the techniques used in the varied settings. Several different theoretical points of view are presented in the chapters, illuminating the different paths through which dance can be approached in therapy.

This book explores the ways in which artists use technology to create different perceptions of time in art in order to reflect on contemporary relationships to technology. By considering the links between technology, movement and contemporary art, the book explores changing relationship between temporality in art, art history, media art theory, modernity, contemporary art, and digital art. This book challenges the dominant view that kinetic art is an antiquated artistic experiment and considers the changing perception of kinetic art by focusing on exhibitions and institutions that have recently challenged the notion of kinetic art as a marginalised and forgotten artistic experiment with mechanical media. This is achieved by deconstructing Frank Popper’s argument that kinetic art is a precursor to subsequent explorations in the intersections between art, science and technology. Rather than pandering to the prevailing art historical assumption that kinetic sculpture is merely a precursor to art in a digital culture, the book proposes that perhaps kineticism succeeded too well, where movement has become a ubiquitous element of the aesthetic of contemporary art. If, as Boris Groys has recently suggested, installation has become the dominant mode of art in the contemporary age, then movement in real time with the viewer is used to aestheticise and explore the facets of our peculiar time.

The Communion and Liberation movement began in Milan, Italy, in the 1950s as an attempt to communicate the awareness that Christ is the one true response to the deepest needs of people at every moment of history. The person who encounters and welcomes the presence of Christ undergoes a conversion that affects not only the individual but also the surrounding environment. The movement spread rapidly throughout Italy and is now present in some seventy countries around the world, including people of all ages and in every occupation at every level of society. Communion and Liberation traces the history of the movement, illuminating the main characteristics of its structure and the experiences of its members. The introduction by Monsignor Luigi Giussani is a testament to his devotion to the Church and to his followers. The appendices include Pope John Paul II's moving address to the ecclesiastic movements and the new communities within the Church and Monsignor Giussani's description of his meeting with the pope in Rome, 30 May, 1998. An inspiration to all, Communion and Liberation will be of interest to scholars of religious movements as well as to all those interested in reassessing their lives.

This book uses cultural and psycho-social analysis to examine the beat writer Charles Bukowski and his literature, focusing on representations of the anti-hero rebel and outsider. Clements considers the complexities, ambiguities, and contradictions represented by the author and his work, exploring Bukowski’s visceral writing of the cultural ordinary and everyday self-narrative. The study considers Bukowski’s apolitical, gendered, and working-class stance to understand how the writer represents reality and is represented with regards to counter-cultural literature. In addition, Clements provides a broader socio-cultural focus that evaluates counterculture in relation to the American beat movement and mythology, highlighting the male cool anti-hero. The cultural practices and discourses utilized to situate Bukowski include the individual and society, outsiderdom, cult celebrity, fan embodiment, and disneyfication, providing a greater understanding of the beat generation and counterculture literature.