Realms Of Exile

Realms of Exile brings together authors writing on diverse themes of Eastern European exile to define the experiential and linguistic peculiarities of exiled people who share similar cultural, geographical, and mythological backgrounds and who have suffered under totalitarian rule. Interdisciplinary and cross-cultural scholarship at its best, the book casts new light on the many nuances and variations of many of the cultures and ethnic groups of Eastern Europeans.

This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Buenos Aires and other cities. The studies focus on the factional divisions within each national exile culture and on the relationship between the various exiled national cultures among each other. They also investigate the relation of each exile national culture to the culture of its host country. Individual essays are devoted to Witold Gombrowicz, Paul Goma, Milan Kundera, Monica Lovincescu, Miloš Crnjanski, Herta Müller, and to the “internal exile” of Imre Kertész. Special attention is devoted to the new forms of exile that emerged during the ex-Yugoslav wars, and to the problems of “homecoming” of exiled texts and writers.

He's not your mother's Captain Hook. Mercy Herrera's busy life is a well-ordered machine. So, when a dangerously seductive stranger sweeps into her life promising to solve all her problems, Mercy doesn't have time for his antics...not until mysterious forces upend her world-the kind she knows can't possibly exist. Infamous thief, James Hook knows all about chaos. Back in the Fae Realm, he wove enough trouble to earn himself a one-way ticket to exile. Now he's been banished to a world without magic, and his only hope of getting back home hinges on stealing the heart of the one woman who is immune to his charm. But when a simple mistake turns into a disaster, the pair are thrust into the fight of their lives, and forced to make a gut-wrenching decision-risk their hearts, or stand alone against fate.

Noemi Marin analyzes famous writers from the area as critical intellectuals and exiles in order to explore the role of rhetoric and identity in writers' own experiences during the long history of communism. Along with examinations of discursive relationships among power, culture and resistance in works by George Konrad, Andrei Codrescu, and Siavenka Drakulic before and after the fall of communism, Marin proposes specific dimensions for a rhetoric of exile pertinent to communist Eastern and Central Europe. After the Fall shows how critical works on identity, culture, and communist history by the writers studied aid in reconstituting a rhetoric of dissidence, identity, and legitimation in the public discourse of a changing Europe. The book offers a unique perspective on the complex contexts of political transition, in which competing public discourse on freedom and democracy intersect with totalitarian regimes, unsettled societies, and issues of resistance.

In Europe, love has been given a prominent place in European self-representations from the Enlightenment onwards. The category of love, stemming from private and personal spheres, was given a public function and used to distinguish European civilisation from others. Contributors to this volume trace historical links and analyse specific connections between the two discourses on love and Europe over the course of the twentieth century, exploring the distinctions made between the public and private, the political and personal. In doing so, this volume develops an innovative historiography that includes such resources as autobiographies, love letters, and cinematic representations, and takes issue with the exclusivity of Eurocentrism. Its contributors put forth hypotheses about the historical pre-eminence of emotions and consider this history as a basis for a non-Eurocentric understanding of new possible European identities.

Situated in the fields of contemporary literary and cultural studies, the ten essays collected in Generations of Dissent shed light on the artistic creativity, cultural production, intellectual movements, and acts of political dissidence across the Middle East and North Africa. Born of the contributors’ research on dissidence and state co-option in a variety of artistic and creative fields, the volume’s core themes reflect the notion that the recent Arab uprisings did not appear in a cultural, political, or historical vacuum. Rather than focus on how protestors "finally" broke the walls of fear created by authoritarian regimes in the region, these essays show that the uprisings were rooted in multiple generations and various acts of resistance decades prior to 2010–11. Firat and Taleghani’s volume maps the complicated trajectories of artistic and creative dissent across time and space, showing how artists have challenged institutions and governments over the past six decades.

A compendium of the greatest heroes of Middle-earth, all in one volume. J. R. R. Tolkien's fictional world of Middle-earth is filled with great heroes who rose in the face of crisis to shape the course of that world's history. This volume examines the complexities surrounding Tolkien's portrayal of good and evil, analyzing the most celebrated heroes from the earliest days of Arda to the end of the War of the Ring. Men, elves, dwarves, and their allies are covered in detail, and each hero's role in the battle against the forces of evil is discussed at length. This work is unofficial and is not authorized by the Tolkien Estate or HarperCollins Publishers.

Widely considered one of the leading experts on the works of J.R.R. Tolkien, Thomas Alan Shippey has informed and enlightened a generation of Tolkien scholars and fans. In this collection, friends and colleagues honor Shippey with 15 essays that reflect their mentor's research interests, methods of literary criticism and attention to Tolkien's shorter works. In a wide-ranging consideration of Tolkien's oeuvre, the contributors explore the influence of 19th and 20th century book illustrations on Tolkien's work; utopia and fantasy in Tolkien's Middle-earth; the Silmarils, the Arkenstone, and the One Ring as thematic vehicles; the pattern of decline in Middle-earth as reflected in the diminishing power of language; Tolkien's interest in medieval genres; the heroism of secondary characters; and numerous other topics. Also included are brief memoirs by Shippey's colleagues and friends in academia and fandom and a bibliography of Shippey's work.