Rebel With A Clause

A Funny Gift for Grammar Lovers NATIONAL BESTSELLER "A fresh and democratic take on language by a gifted teacher." —Mary Norris "[Jovin] never hectors, never finger-points; she enlightens and illuminates. This is lovely work." —Benjamin Dreyer An unconventional guide to the English language drawn from the cross-country adventures of an itinerant grammarian. When Ellen Jovin first walked outside her Manhattan apartment building and set up a folding table with a GRAMMAR TABLE sign, it took about thirty seconds to get her first visitor. Everyone had a question for her. Grammar Table was such a hit—attracting the attention of the New York Times, NPR, and CBS Evening News—that Jovin soon took it on the road, traveling across the US to answer questions from writers, lawyers, editors, businesspeople, students, bickering couples, and anyone else who uses words in this world. In Rebel with a Clause, Jovin tackles what is most on people’s minds, grammatically speaking—from the Oxford comma to the places prepositions can go, the likely lifespan of whom, semicolonphobia, and more. Punctuated with linguistic debates from tiny towns to our largest cities, this grammar romp will delight anyone wishing to polish their prose or revel in our age-old, universal fascination with language.

Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)

The wildest seven years in the history of hockey The Rebel League celebrates the good, the bad, and the ugly of the fabled WHA. It is filled with hilarious anecdotes, behind the scenes dealing, and simply great hockey. It tells the story of Bobby Hull’ s astonishing million-dollar signing, which helped launch the league, and how he lost his toupee in an on-ice scrap. It explains how a team of naked Birmingham Bulls ended up in an arena concourse spoiling for a brawl. How the Oilers had to smuggle fugitive forward Frankie “Seldom” Beaton out of their dressing room in an equipment bag. And how Mark Howe sometimes forgot not to yell “Dad!” when he called for his teammate father, Gordie, to pass. There’s the making of Slap Shot, that classic of modern cinema, and the making of the virtuoso line of Hull, Anders Hedberg, and Ulf Nilsson. It began as the moneymaking scheme of two California lawyers. They didn’ t know much about hockey, but they sure knew how to shake things up. The upstart WHA introduced to the world 27 new hockey franchises, a trail of bounced cheques, fractious lawsuits, and folded teams. It introduced the crackpots, goons, and crazies that are so well remembered as the league’s bizarre legacy. But the hit-and-miss league was much more than a travelling circus of the weird and wonderful. It was the vanguard that drove hockey into the modern age. It ended the NHL’s monopoly, freed players from the reserve clause, ushered in the 18-year-old draft, moved the game into the Sun Belt, and put European players on the ice in numbers previously unimagined. The rebel league of the WHA gave shining stars their big-league debut and others their swan song, and provided high-octane fuel for some spectacular flameouts. By the end of its seven years, there were just six teams left standing, four of which—the Winnipeg Jets, Quebec Nordiques, Edmonton Oilers, and Hartford Whalers—would wind up in the expanded NHL.

"Toussaint's Clause: The Founding Fathers and the Haitian Revolution narrates the intricate history of one of America's early foreign policy balancing acts. Supporters of Toussaint's rebellion at first engineered a bold policy of intervention in favor of the rebels. But Southern slaveholders eyed the revolution with fear and eventually obtained a reversal of the policy - even while taking advantage of the rebellion to make the fateful Louisiana Purchase."--Jacket.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The Oxford comma is the comma you see before the and in a list. It is highly encouraged by The Chicago Manual of Style, but The Associated Press Stylebook, which governs a lot of what you see in newspapers, doesn’t advocate using it unless it’s necessary for clarity. I believe strongly in The Chicago Manual of Style, and I use it often. It is a great resource, and I think it gets used more often than it should. But the people who write a lot of books in it are not necessarily the most representative of the population. -> The Oxford comma is the comma you see right before the and in a list. #2 The Oxford comma is the comma you see before the and in a list. It is highly encouraged by The Chicago Manual of Style, but The Associated Press Stylebook, which governs a lot of what you see in newspapers, doesn’t advocate using it unless it’s necessary for clarity. #3 There is no consensus on whether to use the Oxford comma. Some people, like Tucker, are Oxford comma purists, while others, like Oxford-Ambivalent Guy, are flexible. #4 The Oxford comma is the comma that comes before the and in a list. It is highly encouraged by The Chicago Manual of Style, but some newspapers don’t use it.

Captain Tag Brewer saved the Mechanics. He even handed them the key to victory against the Collectors. But now the Mechanics want his blood. They aren't the only ones. When Tag returns to the SRE, he isn't given a hero's welcome. He is treated like a criminal. They suspect him of working for the Collectors. He finds himself mired in a plot that threatens to tear humanity apart. His only hope of quelling their suspicions and unifying the SRE is to follow a mysterious lead to an SRE colony planet where rebellion seems all but inevitable. But someone else has plans for this world and for Tag...

The Rebel is a guide that contains the lectures that were delivered by Osho between 01/06/87 to 25/02/87. In the Rebel, readers will come across questions from various seekers and answers from Osho. He speaks about overthrowing the past to forge a new future. The first lecture, delivered on 1 June, 1987 in the Chuang Tzu Auditorium, is titled the Rebel: The Very Essence of Religion. One of the questions in here is about the difference between a rebel and a revolutionary. In the second chapter, readers will be able to understand the relationship between enlightenment and language. The fourth chapter, the Rebel Is Utterly Innocent, lists the qualities of a rebel in Herald A New Dawn, Osho explains that a rebel does not belong to any existent category and instead is a new category by himself. to understand what justice means to a rebellious man, readers should focus on the ninth chapter. In the thirteenth chapter of the Rebel, a disciple asks Osho why he refers to the word 'rebel' in a positive sense, when it usually implies something negative. Readers who are wondering if rebels are born or made, will find their answers within the same chapter. The Rebel contains many more such questions and even more interesting answers. Those who are looking for answers to life's many questions can find this book to be informative, interesting and enlightening. The Rebel, published by HPB/FC in 2007, is available as a paperback.