Reclaiming Afrikan

Reclaiming Afrikan: queer perspectives on sexual and gender identities is a collaboration and collection of art, photography and critical essays interrogating the meanings and everyday practices of queer life in Africa today. In Reclaiming Afrikan authors, activists and artists from Nigeria, Uganda, Zambia, Kenya and South Africa offer fresh perspectives on queer life; how gender and sexuality can be understood in Africa as ways of reclaiming identities in the continent. Africa is known to be harsh towards people with non-conforming genders and sexual identities. It is within this framework that Reclaiming Afrikan exists to respond to such violations and to offer alternative ways of thinking and being in the continent. The book appropriates 'Afrika' and 'queer' to affirm sexual identities that are ordinarily shamed and violated by prejudice and hatred. The use of 'k' in Afrika signals an appropriation of an identity and belonging that is always detached from a 'queer' person. 'queer' in this book is understood as an inquiry into the present, as a critical space that pushes the boundaries of what is embraced as normative. The artists and authors included in this text are 'queer' themselves and occupy spaces that speak back to hegemony. For many, this position challenges various norms on gender, sexuality, and existence and offers a subversive way of being.

Depelchin shows how African history could be written in a way that would help free it from being hostage, consciously and unconsciously, to European and US historical intellectual frameworks.

Exploring various African religions as part of a cultural system, relevant to national identity in Trinidad, this text deals with the dynamic doctrinal and ideological changes that have occurred within the religions and documents the legislative and social acceptance of African religion.

This book gives an intimate look into the history of an African American National Historic Site that was located in Bordentown, New Jersey. It was known by many names: Manual Training and Industrial School for Colored Youth; M.T.I.S.; or the Tuskegee of the North. Most commonly, however, it was called just the Bordentown School. Bordentown was founded in 1886 by an ex-slave, Walter Allen Simpson Rice. Afer serving in the Civil War, Rice came north and became affiliated with the African Methodist Episcopal Church (A.M.E.). Seeing great promise in him, the church sent him to seminary to become a minister. Rice dreamed of uplifting his people but had limited resources with which to make his dreams a reality. However, he did have great faith in God, and his faith inspired him to start a boarding school. With only eight colored students he began his school in an old frame house. He did not live to see this school become one of the nest institutions of learning for colored high-school youth in the northeast. However, Reverend Rice and the principals who followed him have legacy behind a legacy which has invaluable lessons and great potential for developing educational prescriptions which will, at their foundation, give all black students a culturally affirming, culturally relevant education. This book clearly states that no matter how complicated and technologically sophisticated our Society becomes, the Bordentown Schools philosophy, policies, and practices can still be a model which can be adapted for Reclaiming African American Students in the 21st Century.

Living (In)Dependence: Critical Perspectives on Global Interdependence embraces a multidisciplinary approach to the interconnectedness of independence and dependence in every ramification of the words. These scholars and academics, from different disciplinary area, examine “independence” & “dependence”, not simply as polar opposites in their Saussurian sense but as a binary embedded in the concept of “independence”. Herein, scholars have had to challenge their perceived or preconceived notions about “Independence” and “dependence” from their respective disciplinary discursive perspectives. This book is a rare gift to the curious reader thirsty for knowledge and understanding of the underlying heightened and drummed rhetoric on exclusion; which rhetoric is aimed at legitimizing nationalist and isolationist positions and, with exclusionists clamoring for walls separating people who supposedly live in a global village. Living (In)Dependence: Critical Perspectives on Global Interdependence is a timely reminder, especially when the world is at cross purposes with generation old alliances falling apart like the Berlin Wall that less than 30 years ago fell to mark an end to sadness and separation that same engendered from 1949-1989. In short, this study explores the binary of life experience of independence and that of dependence—as constituent flipsides of a coin whose meaning can only be grasped by taking a closer look at each facet.

In Queer African Cinemas, Lindsey B. Green-Simms examines films produced by and about queer Africans in the first two decades of the twenty-first century in an environment of increasing antiqueer violence, efforts to criminalize homosexuality, and other state-sanctioned homophobia. Green-Simms argues that these films not only record the fear, anxiety, and vulnerability many queer Africans experience; they highlight how queer African cinematic practices contribute to imagining new hopes and possibilities. Examining globally circulating international art films as well as popular melodramas made for local audiences, Green-Simms emphasizes that in these films queer resistance—contrary to traditional narratives about resistance that center overt and heroic struggle—is often practiced from a position of vulnerability. By reading queer films alongside discussions about censorship and audiences, Green-Simms renders queer African cinema as a rich visual archive that documents the difficulty of queer existence as well as the potentials for queer life-building and survival.

Since the 1600s, travelers, scientists, and doctors have claimed that “hermaphroditism” and intersex are disproportionately common among black South Africans. In Envisioning African Intersex Amanda Lock Swarr debunks this claim by interrogating contemporary intersex medicine and demonstrating its indivisibility from colonial ideologies and scientific racism. Tracing the history of racialized research that underpins medical and scientific premises of gendered bodies, Swarr analyzes decolonial actions by intersex South Africans from the 1990s to the present, centering the work of organizers such as Sally Gross, the first openly intersex activist in Africa and a global pioneer of intersex legislation. Swarr also explores African social media activism that advocates for intersex justice and challenges the mistreatment of South African Olympian Caster Semenya. Throughout, Swarr shows how activists displace doctors’ impositions to fashion self-representation. By unseating colonial visions of gender, intersex South Africans are actively disrupting medical violence, decolonizing gender binaries, and inciting policy changes. All author royalties from Envisioning African Intersex will be donated to Intersex South Africa.

How activists in Ghana, South Africa, and Brazil provide inspiration and strategies for combating the gender violence epidemic in the United States How can the U.S. learn from the perspectives of anti-gender violence activists in South America and Africa as we seek to end intimate violence in this country? The U.S. has consistently positioned itself as a moral exemplar, seeking to export its philosophy and values to other societies. Yet in this book, Traci C. West argues that the U.S. has much to learn from other countries when it comes to addressing gender-based violence. West traveled to Ghana, South Africa, and Brazil to interview activists involved in the struggle against gender violence. In each of these places, as in the United States, Christianity and anti-black racism have been implicated in violence against women. In Ghana and Brazil, in particular, their Christian colonial and trans-Atlantic slave trade histories directly connect with the socioeconomic development of the Americas and historic incidents of rape of black slave women. With a transnational focus on religion and racism, West brings a new perspective to efforts to systemically combat gender violence. Calling attention to forms of violence in the U.S. and international settings, such as marital rape, sex trafficking of women and girls, domestic violence, and the targeting of lesbians, the book offers an expansive and nuanced view of how to form activist solidarity in tackling this violence. It features bold and inspiring approaches by black women leaders working in each setting to uproot the myriad forms of violence against women and girls. Ultimately, West calls for us to learn from the lessons of Africana activists, drawing on a defiant Africana spirituality as an invaluable resource in the quest to combat the seemingly chronic problem of gender-based violence.