Red Velvet Vengeance

This is a standalone novel. *A laugh out loud cozy mystery by New York Times Bestseller Addison Moore*My name is Lottie Lemon, and I see dead pets. On occasion I see a once upon a human, too, but mostly it's just cute little furry beasts who have come back from the other side to warn me of their previous owner's impending doom. No sooner did my biological mother reveal herself than my entire life flew into chaos. Not only is my favorite specter bringing me a serious string of bad luck, but a coffee shop opened down the street from my bakery and they suspiciously sell all the same baked goods that I do-and they're using my recipes to do it. So when I stumble upon one of the owners as dead as a doornail, I can see why I might be at the top of the suspect list. But believe me when I say offing one of my competitors is the last thing I want to do any day of the year, and especially not on Valentine's Day. Love is in the air in Honey Hollow and unfortunately, so is murder.Lottie Lemon has a brand new bakery to tend to, a budding romance with perhaps one too many suitors, and she has the supernatural ability to see dead pets-which are always harbingers for ominous things to come. Throw in the occasional ghost of the human variety, a string of murders, and her insatiable thirst for justice, and you'll have more chaos than you know what to do with. Living in the small town of Honey Hollow can be murder.From the NEW YORK TIMESand USA TODAY bestselling author, Addison Moore-Cosmopolitan Magazine calls Addison's books, ..".easy, frothy fun "

"When Julia South-Brown is asked to judge the first Peridale Bake Off competition alongside local radio DJ, Tony Bridges, she expects it to be some light village fun while her new husband, Barker Brown, finishes work on his second novel. However, it ends up being anything but when Tony shows he is nothing like his charming radio personality. When someone takes advantage of his severe and well-publicised peanut allergy with a contaminated red velvet cake in the middle of the competition, Julia isn't surprised to find herself with another murder mystery to solve! With Tony having mistreated everyone from his wife, ex-wife, assistant, and most people unlucky enough to have crossed his path, Julia isn't short of suspects. But, what should be a cut and dry investigation turns into something wholly more complicated thanks to Julia suddenly being responsible for her baby brother when her father and step-mother find themselves indefinitely stranded in Ibiza thanks to a banana boat and a broken leg. While juggling a baby, a complicated case, and a slew of other personal dilemmas, Julia is forced to face tough decisions that will impact the rest of her life. Family proves more important than ever, but can Julia hold hers together? With her sleuthing putting her in increasingly more treacherous situations with each passing day, can Julia stay safe, or will this prove one case too far?"-- Provided by publisher.

Motel Chronicles reveals the fast-moving and sometimes surprising world of the man behind the plays that have made Sam Shepard a living legend in the theater. Shepard chronicles his own life birth in Illinois, childhood memories of Guam, Pasadena and rural Southern California, adventures as ranch hand, waiter, rock musician, dramatist and film actor. Scenes from this book form the basis of his play Superstitions, and of the film (directed by Wim Wenders) Paris, Texas, winner of the Golden Palm Award at the 1984 Cannes Film Festival. " . . . essential reading. A scrapbook of short stories, autobiographical reveries, poetry and photographs, Motel Chronicles is full of verbal delights, as well as insights into its author's entire canon. Whether Mr. Shepard is reminiscing about his parents or daydreaming about cherished movies and cars of his youth, he speaks in pungent and ethereal language that remakes our West. Read in conjunction with the plays, Motel Chronicles also helps demystify the origins of Mr. Shepard's psychological obsessions and desolate frontier iconography."—Frank Rich, New York Times "If plays were put in time capsules, future generations would get a sharp-toothed profile of life in the U.S. in the past decade and half from the works of Sam Shepard."—Time "Sam Shepard is a shaman—a New World shaman. Sam is as American as peyote, magic mushrooms, Rock and Roll, and medicine bundles."—Jack Gelber Sam Shepard (1943) is a playwright, actor, author, screen writer and director whose work is performed on and off Broadway and in other theaters across the country. In 1979, he received the Pulitzer Prize for Drama for his play Buried Child. In 1983, he was nominated for an Academy Award for Best Supporting Actor in The Right Stuff. His other famous works include True West, A Lie of the Mind and Curse of the Starving Class. Fool For Love & the Sad Lament of Pecos Bill by Sam Shepard was also published by City Lights Publishers.

Magic is sacred, but real love is divine. To save them from the Guillotine a spell is cast, and Marie-Thérèse Charlotte of France, daughter of Marie Antoinette, is changed into an owl, her brother, the young dauphin, into a golden stag. The old gypsy witch who repaid a blood debt by saving their lives, takes the princess’s memories and names her Velvet. For eight years Velvet exists safely wrapped in the spell. On her eighteenth year, rumors of her life reach the ears of King George III. In a bout of fearful madness, he orders the death of the French heirs. When soldiers torch their camp, Velvet and her brother, are forced to run for their lives. Nora Hardington, a young woman on a mission into the dangerous underbelly of London, finds Velvet wounded and dying. Risking her own life, she rescues Velvet. Together, they enlist the help of the dark stranger sent to carry out the king’s command. As they search for the spell to return her brother’s humanity, Velvet lives all the sides of life she was previously denied. Her adventures are fraught with assassins, pirates, ancient enchantments, bloody battle, mythical lore, and all manner of dastardly love.

In this study of space and place, Sally Bayley examines the meaning of 'home' in American literature and culture. Moving from the nineteenth-century homestead of Emily Dickinson to the present-day reality of Bob Dylan, Bayley investigates the relationship of the domestic frontier to the wide-open spaces of the American outdoors. In contemporary America, she argues, the experience of home is increasingly isolated, leading to unsettling moments of domestic fallout. At the centre of the book is the exposed and often shifting domain of the domestic threshold: Emily Dickinson's doorstep, Edward Hopper's doors and windows, and Harper Lee's front porch. Bayley tracks these historically fragile territories through contemporary literature and film, including Cormac McCarthy's No Country For Old Men, Lars Von Trier's Dogville, and Andrew Dominik's The Assassination of Jesse James By The Coward Robert Ford - works that explore local, domestic territories as emblems of nation. The culturally potent sites of the american home - the hearth, porch, backyard, front lawn, bathroom, and basement - are positioned in relation to the more conflicted sites of the American motel and hotel.