Red White Black

In the rush to redefine the place of black Americans in contemporary society, many radical activists and academics have mounted a campaign to destroy traditional American history and replace it with a politicized version that few would recognize. According to the new radical orthodoxy, the United States was founded as a racist nation—and everything that has happened throughout our history must be viewed through the lens of the systemic oppression of black people. Rejecting this false narrative, a collection of the most prominent and respected black scholars and thinkers has come together to correct the record and tell the true story of black Americans in all its complexity, diversity of experience, and poignancy. Collectively, they paint a vivid picture of black people living the grand American experience, however bumpy the road may be along the way. But rather than a people apart, blacks are woven into the united whole that makes this nation unique in history. Featuring Essays by: John Sibley Butler Jason D. Hill Coleman Cruz Hughes John McWhorter Clarence Page Wilfred Reilly Shelby Steele Carol M. Swain Dean Nelson Charles Love Rev. Corey Brook Stephen L. Harris Harold A. Black Stephanie Deutsch Yaya J. Fanusie Ian Rowe John Wood, Jr. Joshua Mitchell Robert Cherry Rev. DeForest Black Soaries, Jr.

Like cotton, indigo has defied its humble origins. Left alone it might have been a regional plant with minimal reach, a localized way of dyeing textiles, paper, and other goods with a bit of blue. But when blue became the most popular color for the textiles that Britain turned out in large quantities in the eighteenth century, the South Carolina indigo that colored most of this cloth became a major component in transatlantic commodity chains. In Red, White, and Black Make Blue, Andrea Feeser tells the stories of all the peoples who made indigo a key part of the colonial South Carolina experience as she explores indigo's relationships to land use, slave labor, textile production and use, sartorial expression, and fortune building. In the eighteenth century, indigo played a central role in the development of South Carolina. The popularity of the color blue among the upper and lower classes ensured a high demand for indigo, and the climate in the region proved sound for its cultivation. Cheap labor by slaves—both black and Native American—made commoditization of indigo possible. And due to land grabs by colonists from the enslaved or expelled indigenous peoples, the expansion into the backcountry made plenty of land available on which to cultivate the crop. Feeser recounts specific histories—uncovered for the first time during her research—of how the Native Americans and African slaves made the success of indigo in South Carolina possible. She also emphasizes the material culture around particular objects, including maps, prints, paintings, and clothing. Red, White, and Black Make Blue is a fraught and compelling history of both exploitation and empowerment, revealing the legacy of a modest plant with an outsized impact.

A history text of America's colonial period, emphasizing the interaction of three cultures--colonialists, Indians, and Blacks.

Laugh yourself silly in this fantastic collection of jokes and riddles! WHAT'S BLACK AND WHITE AND RED ALL OVER? An embarrassed Penguin A sunburnt elephant A newspaper! Did those jokes make you laugh? Make you groan? Maybe a bit of both? There's a lot more where they came from. Collected here by jokesmith Gyles Brandreth are some of the best and worst jokes ever (plus a few riddles to keep you on your toes). From 'Knock, knock' to 'Waiter waiter', with some funny elephants and giraffes thrown in for good measure, there's also a bit of expert joke advice, so you can show others just how funny you can be! 'Very funny, and often outright silly' Guardian on Have You Eaten Grandma by Gyles Brandreth

At the 1911 Pendleton Round-Up, the Saddle Bronc Championship of the Northewst came down to three men of different colors - Jackson Sundown, a Nez Perce Indian, John Spain, a white man from pioneering stock, and George Fletcher, an African American. Red. White. Black. What happened that September day in 1911 - the judges decision and the reaction of the crowd in the aftermath - forever changed our historyc, and the way the sport of rodeo, and the emerging West, was to look at itself. This edition includes over 70 black and white historical photographs.

Red, Black, White is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans. After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton—a noted chronicler of the left and of social justice movements in the South—explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments. Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.

Every new parent purchases at least one high-contrast board book, and this one, with its bold, more abstract art, stands out from the crowd. Featuring graphic images that are perfect for infants, parents and babies will love exploring this book together. Infants can distinguish the colors black and white because of their high contrast. But what is the next color infants see? Red! The images in this book have been created based on decades of research and refinement and are accompanied by bouncy, rhyming text.

"This is a Borzoi book published by Alfred A. Knopf"--Title page verso.