Reflecting On The 1960s At 50

Reflecting on the 1960s at 50: A Concise Account of How the 1960s Changed America, for Better and for Worse is a punchy, conversational look at some of the most interesting pieces of cultural and social conflict from the ‘60s, reflected through the lens of our own vantage point today. This approachable, informative volume uses transcripts of public interviews to provide the viewpoints of half a dozen nationally known scholars with long records of writing in scholarly and popular realms. They represent a range of disciplinary and political perspectives from the humanities to the social sciences and from the progressive left to the conservative right. These scholars offer their thoughts on: the place of youth in American society that emerged from the ‘60s the lingering contributions the counterculture made to American institutions and social life the legacy in contemporary America of the struggles over racial disparities in the ‘60s the ways in which the revolution of sexual mores and relations of that decade have affected marriage and family today the war in Vietnam and its effects on contemporary views of America’s military power and responsibility in the world the evolution of American state power and administration that was energized by Lyndon Johnson’s Great Society. This book will be of interest to students of American history and the history and politics of the 1960s as well as sociologists. It searches for meaning in a period that made major contributions to the shape of America as a country.

She's So Fine explores the music, reception and cultural significance of 1960s girl singers and girl groups in the US and the UK. Using approaches from the fields of musicology, women's studies, film and media studies, and cultural studies, this volume is the first interdisciplinary work to link close musical readings with rigorous cultural analysis in the treatment of artists such as Martha and the Vandellas, The Crystals, The Blossoms, Brenda Lee, Dusty Springfield, Lulu, Tina Turner, and Marianne Faithfull. Currently available studies of 1960s girl groups/girl singers fall into one of three categories: industry-generated accounts of the music's production and sales, sociological commentaries, or omnibus chronologies/discographies. She's So Fine, by contrast, focuses on clearly defined themes via case studies of selected artists. Within this analytical rather than historically comprehensive framework, this book presents new research and original observations on the 60s girl group/girl singer phenomenon.

Redefines the tumultuous 1960s, a decade that saw the rise of the rebellious children of the greatest generation, to reveal how American social, political, economic, and cultural institutions were transformed by an era of dramatic change.