Reflections From Canoe Country

A collection of essays on the Adirondack region, describing the author's canoeing experiences and conflicts with corporate interests that led to his involvement with lobbying efforts for the Environmental Protection Act. Touches on history and wildlife of the region, and analyzes the benefits resulting from policies promoting environmental protection. Includes bandw photos and illustrations. For general readers. No index. Annotation copyrighted by Book News, Inc., Portland, OR

An engaging collection of essays extolling the virtues of traditional outdoor equipment from wooden canoes to cast-iron skillets from the 1999 recipient of the Michigan Author of the Year Award presented by the Michigan Library Association. "From a Wooden Canoe" is a gift book with substance--one that will command a place on a shelf of treasured possessions. Illustrations.

Written in the last years of his life, Reflections from the North Country is often considered Sigurd Olson's most intellectually significant work. In an account alive with anecdote and insight, Olson outlines the wilderness philosophy he developed while working as an outspoken advocate for the conservation of America's natural heritage.Based on speeches delivered at town meetings and government hearings, this book joins The Singing Wilderness and Listening Point as the core of Olson's work. Upon its initial publication in 1976, Reflections from the North Country, with Olson's unique combination of lyrical nature writing and activism, became an inspiration to the burgeoning environmental movement, selling over 46,000 copies in hardcover. In this wide-ranging work, Olson evokes the soaring grace of raven, osprey, and eagle, the call of the loon, and the song of the hermit thrush. He challenges the reader to loosen the grasp of technology and the rush of contemporary life and make room for a sense of wonder heightened by being in nature. From evolution to the meaning and power of solitude, Olson meditates on the human condition, offering eloquent testimony to the joys and truths he discovered in his beloved north-country wilderness.

One of our favourite chroniclers of all things Canadian presents a rollicking, personal, photo-filled history of the relationship between a country and its canoes. From the earliest explorers on the Columbia River in BC or the Mattawa in Ontario to a doomed expedition of voyageurs up the Nile to rescue Khartoum; from the author's family roots deep in the Algonquin wilderness to modern families who have canoed across the country (kids and dogs included): Canoe Country is Roy MacGregor's celebration of the essential and enduring love affair Canadians have with our first and still favourite means of getting around. Famous paddlers have been so enchanted with the canoe that one swore God made Canada as the perfect country in which to paddle it. Drawing on MacGregor's own decades spent whenever possible with a paddle in his hand, this is a story of high adventure on white water and the sweetest peace in nature's quietest corners, from the author best able (and most eager) to tell it.

In the past twenty years the Adirondacks have inspired a resident population of writers who have gained regional and national prominence using the Adirondack region as their primary setting and subject matter—or at least as a significant point of departure. Rooted in Rock is the first collection of its kind in more than twenty years, since Paul Jamieson's Adirondack Reader. What makes the volume unique, though, is the number of contributors who not only make the Adirondacks their subject, but who make their homes in these mountains. The works in this volume include contemporary essays, literary nonfiction, poetry, short fiction, and excerpted fiction and are a mix of new and previously published writings by forty-three authors, established as well as emerging, including Bill McKibben, Sue Halpern, Russell Banks, Alex Schoumatoff, Chase Twichell, Curt Stager, Amy Godine, and Jim Gould, to name a few.

More than an ancient means of transportation and trade, the canoe has come to be a symbol of Canada itself. In Canoe Nation, Bruce Erickson argues that the canoe's sentimental power has come about through a set of narratives that attempt to legitimize a particular vision of Canada that overvalues the nation's connection to nature. From Alexander Mackenzie to Grey Owl to Pierre Elliott Trudeau, the canoe authenticates Canada's reputation as a tolerant, environmentalist nation, even when there is abundant evidence to the contrary. Ultimately, the stories we tell about the canoe need to be understood as moments in the ever-contested field of cultural politics.