Reflections In Dark Glass

In Venice, magic is not unusual. Merle is apprenticed to a magic mirror maker, and Serafin—a boy who was once a master thief—works for a weaver of magic cloth. Merle and Serafin are used to the mermaids who live in the canals of the city and to the guards who patrol the streets on living stone lions. Merle herself possesses something magical: a mirror whose surface is water. She can reach her whole arm into it and never get wet. But Venice is under siege by the Egyptian Empire; its terrifying mummy warriors are waiting to strike. All that protects the Venetians is the Flowing Queen. Nobody knows who or what she is—only that her power flows through the canals and keeps the Egyptians at bay. When Merle and Serafin overhear a plot to capture the Flowing Queen, they are catapulted into desperate danger. They must do everything they can to rescue the Queen and save the city—even if it means getting help from the Ancient Traitor himself.

When they emerge from Hell, Merle, her friend Junipa who has mirrors for eyes, and Vermithrax the flying stone lion find themselves in Egypt. Of course the Flowing Queen is with them as well, since Merle swallowed her back in Venice. There is something very wrong in Egypt--it is freezing cold, and everything is covered in snow. Winter is here, looking for his lost love, Summer. And another creature is here as well--Seth, the highest of the Horus priests. Betrayed by the pharaoh and his sphinx henchmen, Seth is seeking revenge. Together they travel to the Iron Eye, the vast fortress of the sphinxes.But what does the Flowing Queen want Merle to do there? Meanwhile Serafin, the master thief, the beautiful sphinx Lalapeya, and Eft, the mermaid, are also headed for Egypt. They are traveling underwater, in a submarine piloted by pirates. Serafin is not sure what they can do to the fight the pharaoh, but he knows surrender is not an option. Egypt has captured and enslaved his beloved Venice, and he and the others must fight the empire no matter what the cost. But the final battle will not be one that Serafin has even imagined--and the cost will be high indeed.

Merle and her friends Junipa, with mirrors for eyes, and Serafin, a rakish master thief, live in enchanted Venice under Egyptian occupation, and are swept into a dangerous mission to face their destinies.

Building Electro-Optical Systems In the newly revised third edition of Building Electro-Optical Systems: Making It All Work, renowned Dr. Philip C. D. Hobbs delivers a birds-eye view of all the topics you’ll need to understand for successful optical instrument design and construction. The author draws on his own work as an applied physicist and consultant with over a decade of experience in designing and constructing electro-optical systems from beginning to end. The book’s topics are chosen to allow readers in a variety of disciplines and fields to quickly and confidently decide whether a given device or technique is appropriate for their needs. Using accessible prose and intuitive organization, Building Electro-Optical Systems remains one of the most practical and solution-oriented resources available to graduate students and professionals. The newest edition includes comprehensive revisions that reflect progress in the field of electro-optical instrument design and construction since the second edition was published. It also offers approximately 350 illustrations for visually oriented learners. Readers will also enjoy: A thorough introduction to basic optical calculations, including wave propagation, detection, coherent detection, and interferometers Practical discussions of sources and illuminators, including radiometry, continuum sources, incoherent line sources, lasers, laser noise, and diode laser coherence control Explorations of optical detection, including photodetection in semiconductors and signal-to-noise ratios Full treatments of lenses, prisms, and mirrors, as well as coatings, filters, and surface finishes, and polarization Perfect for graduate students in physics, electrical engineering, optics, and optical engineering, Building Electro-Optical Systems is also an ideal resource for professional designers working in optics, electro-optics, analog electronics, and photonics.

Buy a new version of this Connected Casebook and receive access to the online e-book, practice questions from your favorite study aids, and an outline tool on CasebookConnect, the all in one learning solution for law school students. CasebookConnect offers you what you need most to be successful in your law school classes— portability, meaningful feedback, and greater efficiency. Regulation of Lawyers: Problems of Law and Ethics, 12th edition goes beyond the rules in teaching students the subtle differences between proper and improper conduct. Writing in his direct and lively style, Stephen Gillers explores the subtleties and nuances of the legal and ethical rules governing lawyers and judges. From great teaching cases, timely materials, and realistic problems, students come away with new insight, equipped to detect and avoid improper conduct over the course of their professional careers. Refined through years of classroom use, this casebook also offers comprehensive coverage, a balanced mix of materials, discussion beyond the rules and from different perspectives, detailed notes, and an accessible and engaging style. New to the Twelfth Edition: McCoy v. Louisiana on allocation of decisionmaking authority between lawyer and client (U.S. Supreme Court 2018). Material on the criticism of Prof. Ronald S. Sullivan, Jr. for joining the Harvey Weinstein defense. Discussion of the debate over Rule 8.4(g), which forbids bias and harassment in law practice. Three problems test its application and First Amendment limits. 17 new problems and revision of many old ones. Enhanced material on judicial disqualification and bias in the courts. Enhanced material on challenges to the bar’s monopoly on the sale of for- profit legal services. Swinomish Indian Tribal Community v. BNSF Ry. Co., where the Ninth Circuit asked prominent law firms to defend discrepancies in their characterization of the record. Professors and students will benefit from: High-profile author—Professor Gillers is a highly visible and recognized national authority on professional responsibility Comprehensive coverage that includes the full range of professional responsibility issues Well-balanced mix of cases, secondary sources, and timely materials, often drawn from recent headlines, and which supports its comprehensive coverage of professional responsibility issues Realistic, helpful, and abundant problems, many of which are based on actual events, and which facilitate class discussion and enable students to understand the rules and regulations that will govern their professional behavior Discussion beyond the rules and from different perspectives to recognize that the law is not necessarily self-evident and covers many subtleties Excellent case selection Manageable length Detailed and challenging notes that provide in-depth treatment of the issues Accessible and engaging style characterized by variety, clarity, and humor CasebookConnect features: ONLINE E-BOOK Law school comes with a lot of reading, so access your enhanced e-book anytime, anywhere to keep up with your coursework. Highlight, take notes in the margins, and search the full text to quickly find coverage of legal topics. PRACTICE QUESTIONS Quiz yourself before class and prep for your exam in the Study Center. Practice questions from Examples & Explanations, Emanuel Law Outlines, Emanuel Law in a Flash flashcards, and other best-selling study aid series help you study for exams while tracking your strengths and weaknesses to help optimize your study time. OUTLINE TOOL Most professors will tell you that starting your outline early is key to being successful in your law school classes. The Outline Tool automatically populates your notes and highlights from the e-book into an editable format to accelerate your outline creation and increase study time later in the semester.

If a spinning disk casts a round shadow does this shadow also spin? When you experience the total blackness of a cave, are you seeing in the dark? Or are you merely failing to see anything (just like your blind companion)? Seeing Dark Things uses visual riddles to explore our ability to see things that do not reflect light. Shadows and holes are anomalies for the causal theory of perception, which states that anything we see must be a cause of what we see. This requirement neatly explains why you see the front of a book's jacket and not its rear when you look at it face-on. However, the causal theory has trouble explaining how you manage to see the black letters on its surface. The letters are made visible by the light they fail to reflect rather than by the light they reflect. Nevertheless, Roy Sorensen defends the causal theory of perception by treating absences as causes. His fourteen chapters draw heavily on common sense and psychology to vindicate the assumption that we perceive absences. Seeing Dark Things is philosophy for the eye. It contains fifty-nine figures designed to prompt visual judgment. Sorensen proceeds bottom-up from observation rather than top-down from theory. He regards detailed analysis of absences as premature; he hopes a future theory will refine the pictorial thinking stimulated by the book's riddles. Just as the biologist pursues genetics with fruit flies, the metaphysician can study absences by means of shadows. Shadows are metaphysical amphibians with one foot on the terra firma of common sense and the other in the murky waters of nonbeing. Sorensen portrays the causal theory of perception's confrontation with the shadows as a triumph against alien attack - a victory that deepens a theory that resonates profoundly with common sense and science. In sum, Seeing Dark Things is an unorthodox defense of an orthodox theory. "Seeing Dark Things is an adventurous philosophical exercise in the ontology and epistemology of the commonsense world. Its treatment of the many puzzles that surround such putative 'negative' entities as shadows and holes will make it a classic on the literature on privations for many yeas to come. The book is also a wonderful example of how philosophy can be done without falling into the traps of the academic rigmarole. Sorensen is truly unique in his capacity to bring together classic philosophers, contemporary authors, and ticklish anecdotes." - Achille Varzi, Columbia University "This is a wonderful book, full of a profound, unsettling cleverness and weirdly satisfying counter-intuitiveness that the subject requires...a great book." - Richard Marshall, Bookforum "Sorensen is an extraordinarily fertile and imaginative philosopher, drawing widely on philosophy, physics, biology and vision science to mine his chosen quarry. His arguments, anecdotes and examples are always engaging. Add them to his effortless style and you have a rare commodity - a book of serious philosophy that many non-professionals will enjoy." - Ian Phillips, Times Literary Supplement "Sorensen's book is certainly fascinating and richly thought-provoking... he argues carefully and clearly in favour of his key claims, all of which merit very serious consideration, even if they sometimes provoke one to construct and defend alternative views. That, however, is surely the hallmark of the very best kind of philosophy writing. Seeing Dark Things is a model of this kind." - E.J. Lowe, Philosophy

Focusing on the house and museum and its considerable collections of architectural fragments, models, drawings folios and publications, this book is about thirteen Lincoln’s Inn Fields in London, England, built in the early 1800s by the renowned eighteenth-century architect Sir John Soane. The book maps the influences, references, connections, extensions, and productions at play in Soane’s house-museum. The house, still a public museum, was highly original in its period, and it continues to influence and impress architects and historians alike. Today’s visitor is confronted by a dense, complex series of spaces, a strange accumulation of rooms, objects and effects. This book examines the ways in which Soane enlisted light, shadow, color, fiction and narrative, vistas, spatial complexity, the fragment, and the mirror to produce a spectacular space.

The book describes the current state of digital radiology. It does not merely report single experiences, but readers will benefit from the systematic recommendations given. The book describes the development of digital radiology and networking from the late eighties up to now and outlines future perspectives. It gives readers an easy, nonetheless comprehensive overview and also how-to-do guidance for their own activities when implementing a digital radiology system. The book is a synthesis of the editors own 10 years' experience in planning and working with a fully digital, large-scale radiology department and the contributions of internationally well-known experts in the field of digital radiology.