Regional Animalities Cultures Natures Humans Animals In Southeast Asia

With the ever rising demand for meat around the world, the production of meat has changed dramatically in the past few decades. What has brought about the increasing popularity and attendant normalization of factory farms across many parts of the world? What are some of the ways to resist such broad convergences in meat production and how successful are they? This book locates the answers to these questions at the intersection between the culture, science and political economy of meat production and consumption. It details how and why techniques of production have spread across the world, albeit in a spatially uneven way. It argues that the modern meat production and consumption sphere is the outcome of a complex matrix of cultural politics, economics and technological faith. Drawing from examples across the world (including America, Europe and Asia), the tensions and repercussions of meat production and consumption are also analyzed. From a geographical perspective, food animals have been given considerably less attention compared to wild animals or pets. This book, framed conceptually by critical animal studies, governmentality and commodification, is a theoretically driven and empirically rich study that advances the study of food animals in geography as well as in the wider social sciences.

Wild Man from Borneo offers the first comprehensive history of the human-orangutan encounter. Arguably the most humanlike of all the great apes, particularly in intelligence and behavior, the orangutan has been cherished, used, and abused ever since it was first brought to the attention of Europeans in the seventeenth century. The red ape has engaged the interest of scientists, philosophers, artists, and the public at large in a bewildering array of guises that have by no means been exclusively zoological or ecological. One reason for such a long-term engagement with a being found only on the islands of Borneo and Sumatra is that, like its fellow great apes, the orangutan stands on that most uncomfortable dividing line between human and animal, existing, for us, on what has been called “the dangerous edge of the garden of nature.” Beginning with the scientific discovery of the red ape more than three hundred years ago, this work goes on to examine the ways in which its human attributes have been both recognized and denied in science, philosophy, travel literature, popular science, literature, theatre, museums, and film. The authors offer a provocative analysis of the origin of the name “orangutan,” trace how the ape has been recruited to arguments on topics as diverse as slavery and rape, and outline the history of attempts to save the animal from extinction. Today, while human populations increase exponentially, that of the orangutan is in dangerous decline. The remaining “wild men of Borneo” are under increasing threat from mining interests, logging, human population expansion, and the widespread destruction of forests. The authors hope that this history will, by adding to our knowledge of this fascinating being, assist in some small way in their preservation.

Drawing on anthropological and historical data, this book examines human-wildlife relations in China, Tibet, Japan, Bhutan, Indonesia, the Philippines, Malaysia, India, Thailand and Vietnam. The volume initially focuses on the various ways in which wild animals are exploited as a resource, for food, medicine and crop-picking labour, before examining animals termed as pests or predators that are deemed to be harmful and dangerous. Bringing together anthropologists and historians, this book analyses the range, variability and historical mutability of human sensibilities towards animals in Asia and will be of interest to Asianists and anthropologists alike.

In Soul of the Tiger, conservationists Jeffrey McNeely and Paul Sochaczewski draw on more than two decades of experience in Southeast Asia to examine the relationship between its people and animals. What, they wonder, has this relationship meant in the past? How is it changing, and what relevance might it have for the future? Combining sound scholarship with an engaging style, their fascinating and often humorous accounts reveal the vital connection between rural people and wildlife: between the Bornean farmer and the yellow wagtail, without whose arrival rice goes unplanted; between the wife in Papua New Guinea and her pigs, whose breeding rate determines when she gets a break from housework and when her husband goes to war; between the guards in Java's Ujung Kulon National Park and the rhinoceros, whose urine they collect as a cure for earaches. The authors identify four major ecocultural revolutions that have significantly altered the relationship between people and nature. They suggest that a fifth revolution, characterized by respect and understanding of the traditional knowledge and insight reflected in myth and memory, will enable modern society to develop nature conservation programs with a chance of lasting success.

The essays in this anthology examine artwork and sites in East and Southeast Asia through the lens of eco–art history. In these regions, significant anthropogenic changes to terrain, watercourses, and ecosystems date back millennia, as do artwork and artefacts that both conceptualize and modify the natural world. The rising interest in earth-conscious modes of analysis, or “eco–art history,” informs this anthology, which explores the mutual impact of artistic expressions and local environments in East and Southeast Asia. Moreover, conceptual tools and case studies focused on these regions impart important insights bearing on the development of eco–art history. The book includes case studies examining the impact of the Little Ice Age on court painting and systems of representing marine life in the Joseon period in Korea. Other contributors consider contemporary artistic strategies, such as developing a “sustainability aesthetics” and focusing attention to non-human agents, to respond to environmental damage and climate change in the present. Additional essays analyse the complicated art historical ecology of heritage sites and question the underlying anthropocentrism in art historical priorities and practices. As a whole, this anthology argues for the importance of ecological considerations in art history.

In recent decades, East Asia has gained prominence and has become synonymous with Asia, while other Asian regions, such as South and Southeast Asia, have been subsumed under it. The resultant overgeneralization has meant that significant aspects of the global ecological crisis as they affect these two regions have been overlooked. Chitra Sankaran refocuses the global lens on these two rapidly developing regions of Asia. Combining South Asian and Southeast Asian philosophical views and folk perspectives with mainstream ecocritical and ecofeminist theories, she generates a localized critical idiom that qualifies and subverts some established theoretical assumptions. This pioneering study, introducing a corpus of more than thirty ecofictions by women writers from twelve countries in South and Southeast Asia, examines how recent global threats to ecosystems, in both nature and culture, impact subdominant groups, including women. This new corpus reveals how women and subalterns engage with various aspects of critical ecologies. Using ecofeminist theory augmented by postcolonial and risk theories as the main theoretical framework, Sankaran argues that these women writers present unique perspectives that review Asian women’s relationships to human and nonhuman worlds.