Regional Modernities

Seminar papers.

This collection seeks to contribute to the many long-standing discussions on modernity, but also and more specifically to the more recent debates over trends to pluralize modernity. These debates are current in many different academic disciplines such as sociology, anthropology, literature and postcolonial studies. Hitherto, most engagements with modernity in the plural have remained conspicuously confined to one or other intra-disciplinary notion of modernities, such as that of Shmuel Eisenstadt’s “multiple modernities” which has triggered a host of conference papers and publications largely within sociology: all the while, it seems that the literatures, for instance, of multiple modernities and alternative modernities are each distinguished by the fact that one ignores the other. It is the principal aim of this edited volume to subject these disciplinary discussions to a more encompassing view, assembling contributions from different scholars who not only work in different disciplines and regional settings, but who also engage with their research topics in a variety of approaches and at different levels of analysis. The volume thus transcends the sometimes narrow boundaries of the debates over modernities within the established academic disciplines and seeks to turn the unavoidable friction brought about by this interdisciplinary setting into most original and insightful scholarship.

Where did literary modernism happen? This book answers this question, re-evaluating the parameters of modernism in the light of recent developments in literary geography and literary history through an examination of novels, poetry, theatre, and "e;little magazines"e;. Essays identify and appraise the local attachments of modernist texts in particular geographical regions and question the idea of the "e;regional"e; in light of the alienating displacements of transnational modernity.

When the communist governments of Eastern Europe and the Soviet Union collapsed between 1989 and 1991, there was a revived interest in a region that had been largely neglected by western geographers. Mapping Modernities draws on the resulting work and other original theoretical and empirical sources to describe, interpret and explain the place and spatial order of modernities in Central and Eastern Europe since 1920, to give a theoretically underpinned, regional geography of the area. The book interprets the geography of Central and Eastern Europe from 1920 to 2000 in terms of spatial modernity. It details the individual and collective development of places produced within the three modernising projects of Nationalism, Communism and Neo-liberalism.

This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia’s nation-states at the political, economic, and military levels–a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics.

The social science discourse on the power of modernity and its everyday negotiation with tradition and locality in India has been a matter of continuous debate and discussion among academicians since the colonial era. By taking agriculture as a special field of investigation, this book describes the condition of ‘modernity’ in the agrarian social system of contemporary India. Farming is not only an economic activity, but also a personality formation where ‘status’ plays a significant role in Indian society. Taking ‘culture’, and ‘social status’ as the two important variables in the local ‘agriculture as performance’, this book develops a sociology of knowledge approach towards agrarian modernity and development in postcolonial India.

Theatre and Performance in the Asia-Pacific is an innovative study of contemporary theatre and performance within the framework of modernity in the Asia-Pacific. It is an analysis of the theatrical imaginative as it manifests in theatre and performance in Australia, Indonesia, Japan and Singapore.

This book, the first scholarly publication in the West to provide detailed documentation of modern life in contemporary Tibet, presents the cutting-edge field work carried out by an interdisciplinary group of researchers studying caste, pop music, media, painting, education, economics, childbirth and environment in Tibetan communities today.