Reimagining The Globe And Cultural Exchange The East Asian Legacies Of Matteo Ricci S World Map

How did Asia come to be represented on European World maps? When and how did Asian Countries adopt a continental system for understanding the world? How did countries with disparate mapping traditions come to share a basic understanding and vision of the globe? This series of essays organized into sections on Jesuit Circuits of Communication and Publication; Jesuit World Maps in Chinese; Reverberations of Matteo Ricci's Maps in East Asia; and Reflections on the Curation of Cartographic Knowledge, go a long way toward answering these questions about the shaping of our modern understandings of the world.

In Companions in Geography Mario Cams explores the early 18th century mapping of Qing China, one of the largest scientific projects of the early modern world and shaped by the collaboration between European missionaries and Qing officials.

Matteo Ricci (1552–1610), the first of the early Jesuit missionaries of the China mission, is widely considered the most outstanding cultural mediator of all time between China and the West. This engrossing and fluid book offers a thorough, knowledgeable biography of this fascinating and influential man, telling a deeply human and captivating story that still resonates today. Michela Fontana traces Ricci's travels in China in detail, providing a rich portrait of Ming China and the growing importance of cultural exchanges between China and the West. She shows how Ricci incorporated his ideas of "cultural accommodation" into both his life and his writings aimed at the Chinese elite. Her biography is the first to highlight Ricci's immensely important scientific work and that of key Christian converts, such as Xu Guangqi, who translated Euclid's Elements together with Ricci. Exploring the history of science in China and the West as well as their dramatically different cultural attitudes toward religious and philosophical issues, Michela Fontana introduces not only Ricci's life but the first significant encounter between Western and Chinese civilizations.

The 60million Chinese who live outside of China have long been an economic powerhouse in their own right. Managing in South-East Asia is not like managing anywhere else. This book describes their communities and environments in which they work and emphasises the need for cultural understanding as a pre-requisite for business success.

Popular Culture in Asia consists studies of film, music, architecture, television, and computer-mediated communication in China, Japan, South Korea, Taiwan, the Philippines, Malaysia, and Singapore, addressing three topics: urban modernities; modernity, celebrity, and fan culture; and memory and modernity.

The concept of ‘cultural heritage’ has acquired increasing currency in culture, politics and societies in East Asia. However, in spite of a number of research projects in this field, our understanding of how the past and its material expressions have been perceived, conceptualised and experienced in this part of the world, and how these views affect contemporary local practices and notions of identity, particularly in a period of rapid economic development and increasing globalisation, is still very unclear. Preoccupation with cultural heritage - expressed in the rapid growth of national and private museums, the expansion of the antiquities’ market, revitalisation of local traditions, focus on ‘intangible cultural heritage’ and the development of cultural tourism - is something that directly or indirectly affects national policies and international relations. An investigation of how the concept of ‘cultural heritage’ has been and continues to be constructed in East Asia, drawing on several case studies taken from China, Japan and Korea, is thus timely and worthwhile.

One of Asia's leading intellectuals illuminates what will be on the agenda as Western domination ends and the Asian renaissance impacts world politics, markets, and history