Reinventing Romantic Poetry

Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic—the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet’s muse as an idealized woman—Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women’s writings and offers a thoughtful examination of the sexual politics of reception and literary reputation. The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women’s, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century.

"Reinventing Romantic Poetry offers a new look at the Russian literary scene in the nineteenth century. While celebrated poets such as Aleksandr Pushkin worked within a male-centered Romantic aesthetic - the poet as a bard or sexual conqueror; nature as a mother or mistress; the poet's muse as an idealized woman - Russian women attempting to write Romantic poetry found they had to reinvent poetic conventions of the day to express themselves as women and as poets. Comparing the poetry of fourteen men and fourteen women from this period, Diana Greene revives and redefines the women's writings and offers a thoughtful examination of the sexual politics of reception and literary reputation." "The fourteen women considered wrote poetry in every genre, from visions to verse tales, from love lyrics to metaphysical poetry, as well as prose works and plays. Greene delves into the reasons why their writing was dismissed, focusing in particular on the work of Evdokiia Rostopchina, Nadezhda Khvoshchinskaia, and Karolina Pavlova. Greene also considers class as a factor in literary reputation, comparing canonical male poets with the work of other men whose work, like the women's, was deemed inferior at the time. The book also features an appendix of significant poems by Russian women discussed in the text. Some, found in archival notebooks, are published here for the first time, and others are reprinted for the first time since the mid-nineteenth century."--BOOK JACKET.

In The Reinvention of Love Anthony Low argues that cultural, economic and political change transformed the way poets from Sidney to Milton thought and wrote about love. Examining the interface between social, political and economic practices and individual psyches, as reflected in literary texts, Professor Low illuminates the connections between material circumstances, perceptions, and ideals. Through detailed readings of the work of Sidney, Donne, Herbert, Crashaw, Carew, and Milton, he shows how from the late sixteenth century poets struggled to replace the older Petrarchan tradition with a form of love in harmony with a changing world, and to reconcile human love and sacred devotion. Donne fled the social world; Carew made new accommodations with it; Milton revised it. For Milton, sacred love, cut off from communal norms, verges on hatred, while married love takes on the burden of assuaging loneliness in a threatening world.

When Charles Sainte-Beuve, a French journalist, met Victor Hugo, an ambitious young writer, he was swept into a world of grand emotions, a world where words can become swords. But Charles' attraction moves on from Victor, to his wife Adle. Soon the two lovers are on the edge of a great scandale and a wounded Victor must exact his price for betrayal.Set during the tumultuous reign of Napoleon III, this mesmerising novel draws a rich portrait of old Paris, where duels were fought and cholera-ridden bodies float in the Seine. An atmospheric story of delicacy and emotion, The Reinvention of Love brings together the voices of two women destroyed by Victor Hugo's ferocious ambition, and the unique, acerbic and heart-breaking voice of Charles Sainte-Beuve, first Hugo's friend and then his unlikely competitor in love.

An original investigation into how tradition has developed over the centuries into our modern understanding of the term.

Each chapter explores the interrelationships of representation, identification, and desire, while the book as a whole gradually shifts in emphasis from new historicist concerns with representation and the social realm toward psychoanalytic themes of identification, desire, and inwardness.

This collection focuses on texts that address the other arts – from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book’s contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism – that the book’s four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book’s insights and bridge the gap between academic discourse and artistic practice.

This collection of contemporary romantic poetry explores the many joys and agonies of the miracle of love. It was written for lovers of all persuasions and for those who know enough to treasure love, no matter with whom it is sharedman with woman, man with man, or woman with woman. Author Jason S. Nino explores love as a human emotion, with all of its turmoil, longing, false hope, disappointment, and exuberance, from the perspective of a young mans expressive heart. When it comes to love, there is no holding back. All feelings are communicated with wondrous expression. The power of this book is in its ability to move the readers emotions through its imagery, words, and art. Jason S. Nino began writing poetry as a child and grew accustomed to putting his thoughts and emotions into his poems. He is a sensitive, imaginative, and emotional poet. He reaches into the depths of his heart, explores deeply, and utters every possible feeling that one can experience under the spell of love. This book chronicles the seasons of love from sighs and moans to screams and silence.