Remaining Relevant After Communism

More than any other art form, literature defined Eastern Europe as a cultural and political entity in the second half of the twentieth century. Although often persecuted by the state, East European writers formed what was frequently recognized to be a "second government," and their voices were heard and revered inside and outside the borders of their countries. This study by one of our most influential specialists on Eastern Europe considers the effects of the end of communism on such writers. According to Andrew Baruch Wachtel, the fall of the Berlin Wall and the creation of fledgling societies in Eastern Europe brought an end to the conditions that put the region's writers on a pedestal. In the euphoria that accompanied democracy and free markets, writers were liberated from the burden of grandiose political expectations. But no group is happy to lose its influence: despite recognizing that their exalted social position was related to their reputation for challenging political oppression, such writers have worked hard to retain their status, inventing a series of new strategies for this purpose. Remaining Relevant after Communism considers these strategies—from pulp fiction to public service—documenting what has happened on the East European scene since 1989.

A compelling study of new sincerity as a powerful cultural practice, born in perestroika-era Russia, and how it interconnects with global social and media flows The global cultural practice of a new sincerity in literature, media, art, design, fashion, film, and architecture grew steadily in the wake of the Soviet collapse. Cultural historian Ellen Rutten traces the rise and proliferation of a new rhetoric of sincere social expression characterized by complex blends of unabashed honesty, playfulness, and irony. Insightful and thought provoking, Rutten s masterful study of a sweeping cultural trend with roots in late Soviet Russia addresses postsocialist, postmodern, and postdigital questions of selfhood. The author explores how and why a uniquely Russian artistic and social philosophy was shaped by cultural memory, commodification, and mediatization, and how, under Putin, new sincerity talk merges with transnational pleas to revive sincerity. This essential study stands squarely at the intersection of the history of emotions, media studies, and post-Soviet studies to shed light on a new cultural reality one that is profoundly affecting creative thought, artistic expression, and lifestyle virtually everywhere.

No other Marxist text has come close to achieving the fame and influence of The Communist Manifesto. Translated into over 100 languages, this clarion call to the workers of the world radically shaped the events of the twentieth century. But what relevance does it have for us today? In this slim book Slavoj Zizek argues that, while exploitation no longer occurs the way Marx described it, it has by no means disappeared; on the contrary, the profit once generated through the exploitation of workers has been transformed into rent appropriated through the privatization of the ‘general intellect’. Entrepreneurs like Bill Gates and Mark Zuckerberg have become extremely wealthy not because they are exploiting their workers but because they are appropriating the rent for allowing millions of people to participate in the new form of the ‘general intellect’ that they own and control. But, even if Marx’s analysis can no longer be applied to our contemporary world of global capitalism without significant revision, the fundamental problem with which he was concerned, the problem of the commons in all its dimensions – the commons of nature, the cultural commons, and the commons as the universal space of humanity from which no one should be excluded – remains as relevant as ever. This timely reflection on the enduring relevance of The Communist Manifesto will be of great value to everyone interested in the key questions of radical politics today.

This carefully curated collection consists of 16 chapters by leading Polish and world literature scholars from the United States, Canada, Italy, and, of course, Poland. An historical approach gives readers a panoramic view of Polish authors and their explicit or implicit contributions to world literature. Indeed, the volume shows how Polish authors, from Jan Kochanowski in the 16th century to the 2018 Nobel laureate Olga Tokarczuk, have engaged with their foreign counterparts and other traditions, active participants in the global literary network and the conversations of their day. The volume features views of Polish literature and culture within theories of world literature and literary systems, with a particular attention paid to the resurgence of the idea of the physical book as a cultural artifact. This perspective is especially important since so much of today's global literary output stems from Anglophone perceptions of what constitutes literary quality and tastes. The collection also sheds light on specific issues pertaining to Poland, such as the idea of Polishness, and global phenomena, including social and economic advancement as well as ecological degradation. Some of the authors discussed, like the Romantic poet Adam Mickiewicz or the 1980 Nobel laureate Czeslaw Milosz, were renowned far beyond the borders of their country, while others, like the contemporary travel writer and novelist Andrzej Stasiuk, embrace regionalism, seeing as they do in their immediate surroundings a synecdoche of the world at large. Nevertheless, the picture of Polish literature and Polish authors that emerges from these articles is that of a diverse, cosmopolitan cohort engaged in a mutually rewarding relationship with what the late French critic Pascale Casanova has called “the world republic of letters.”

The Routledge Handbook of Translation and Politics presents the first comprehensive, state of the art overview of the multiple ways in which ‘politics’ and ‘translation’ interact. Divided into four sections with thirty-three chapters written by a roster of international scholars, this handbook covers the translation of political ideas, the effects of political structures on translation and interpreting, the politics of translation and an array of case studies that range from the Classical Mediterranean to contemporary China. Considering established topics such as censorship, gender, translation under fascism, translators and interpreters at war, as well as emerging topics such as translation and development, the politics of localization, translation and interpreting in democratic movements, and the politics of translating popular music, the handbook offers a global and interdisciplinary introduction to the intersections between translation and interpreting studies and politics. With a substantial introduction and extensive bibliographies, this handbook is an indispensable resource for students and researchers of translation theory, politics and related areas.

The twentieth century in Europe was characterized by great moments of rupture, such as two world wars, ideological conflict, and political polarization. In these processes, as well as in the historical writing that followed in its wake, the individual as an historical entity often appeared crushed. In line with contemporary theories about the precariousness of historical writing and the self, this volume seeks to understand the important developments in modern Europe from the perspective of the single, sometimes isolated, but always original viewpoint of individuals inhabiting the space at the other side of the traditional grand narratives. Including theoretical chapters as well as detailed case studies, this volume takes a biographical approach to dystopian events—the Holocaust, Fascism, Communism, and collectivization—by starting with the voices of unknown historical actors and relating their experiences to larger processes in modern European history, such as the emergence of the national, collective memory, and state formation, as well as changes in the understanding of modern identities and the (re)formulation of the self. This book was originally published as a special issue of the European Review of History.

Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape. The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces. These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world's literary repository but also the work of contemporary Bulgarian diaspora authors. Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.

How do people construct collective identity during profound societal transformations? This volume examines the discursive construction of identity related to important national holidays in nine countries of Central Europe and the Balkans: Bosnia-Herzegovina, Bulgaria, Croatia, the Czech Republic, Macedonia, Montenegro, Poland, Serbia, and Slovakia. The chapters focus on the decades during which these countries moved from communism towards democracy and a market economy. This transition saw revivals of national values and a new significance of regional and transnational ties, entangled with negotiations of national identity that have been particularly lively in discourse concerning national holidays. The chapters apply discourse analysis in addition to approaches from history, sociology, political science, and anthropology. All of the analyses make use of empirical material in the Slavic languages, including newspaper articles, interviews and other media contributions, sermons, addresses, and speeches by members of the political elite.