Remember Me To Lebanon

Evelyn C. Shakir paints tales that are rich in history and background. She sets her stories in different eras, from the 1960s to the present, peopled with Lebanese women of different ages, sometimes writing letters, often reminiscing, looking back as far as the turn of the century. In different ways, these first and second-generation women struggle with feminist issues overshadowed by the demands of dual cultures. In Young Ali a teenager tries to listen to her beloved father’s time-honored tales of males in friendship and marriage. Aggie of House Calls is a deceased matriarch who returns to haunt her family with reminders of the customs she fought to uphold while alive. Shakir’s other heroines include a thrice-divorced thirty-year-old woman quibbling with a modern matchmaker, an elderly non-Lebanese woman who spies on Muslim neighbors in the wake of 9/11, and a traditional wife and mother who thinks she has found a route out of Old World womanly duties. Many of the authors’s women grapple with reclaiming or abandoning ancestral demands, and finessing age-old male-female relationships. In Oh, Lebanon a war-haunted Lebanese-born woman willfully departs from the mores of her upbringing, with surprising results. With agile humor and emotional truth, Shakir offers multiple perspectives on Lebanese women trying to change roles in a new landscape without surrendering cultural identity.

Evelyn C. Shakir paints tales that are rich in history and background. She sets her stories in different eras, from the 1960s to the present, peopled with Lebanese women of different ages, sometimes writing letters, often reminiscing, looking back as far as the turn of the century. In different ways, these first and second-generation women struggle with feminist issues overshadowed by the demands of dual cultures. In Young Ali a teenager tries to listen to her beloved father’s time-honored tales of males in friendship and marriage. Aggie of House Calls is a deceased matriarch who returns to haunt her family with reminders of the customs she fought to uphold while alive. Shakir’s other heroines include a thrice-divorced thirty-year-old woman quibbling with a modern matchmaker, an elderly non-Lebanese woman who spies on Muslim neighbors in the wake of 9/11, and a traditional wife and mother who thinks she has found a route out of Old World womanly duties. Many of the authors’s women grapple with reclaiming or abandoning ancestral demands, and finessing age-old male-female relationships. In Oh, Lebanon a war-haunted Lebanese-born woman willfully departs from the mores of her upbringing, with surprising results. With agile humor and emotional truth, Shakir offers multiple perspectives on Lebanese women trying to change roles in a new landscape without surrendering cultural identity.

Within the spectrum of American literary traditions, Arab American literature is relatively new. Writing produced by Americans of Arab origin is mainly a product of the twentieth century and only started to flourish in the past thirty years. While this young but thriving literature varies widely in content and style, it emerges from a common community and within a specific historical, political, and cultural context. In Modern Arab American Fiction, Salaita maps out the landscape of this genre as he details rather than defines the last century of Arab American fiction. Exploring the works of such best-selling authors as Rabih Alameddine, Mohja Kahf, Laila Halaby, Diana Abu-Jaber, Alicia Erian, and Randa Jarrar, Salaita highlights the development of each author’s writing and how each has influenced Arab American fiction. He examines common themes including the Israel-Palestine conflict, the Lebanese Civil War of 1975–90, the representation and practice of Islam in the United States, social issues such as gender and national identity in Arab cultures, and the various identities that come with being Arab American. Combining the accessibility of a primer with in-depth critical analysis, Modern Arab American Fiction is suitable for a broad audience, those unfamiliar with the subject area, as well as scholars of the literature.

A husband tries to help his wife recover her missing memories in a “spellbinding narrative” of romantic suspense from a New York Times–bestselling author (Publishers Weekly). Clay and Frankie LeGrand are deliriously happy newlyweds until the day Frankie inexplicably disappears. The local police suspect Clay had something to do with it—but they can’t prove anything. Two years go by and then, as suddenly as she disappeared, Frankie is back in bed exactly where Clay last saw her, as though nothing ever happened. There are sinister clues: a tattoo on Frankie’s neck, needle marks on her arm, and a powerful man who has been trying to control her since childhood. But though her memory is lost, the part of her that matters most—her will to survive—is not. Wherever she has been, she’s found her way back to Clay. But can they recover the sense of safety and security that was stolen from them? “Veteran romance writer Sala lives up to her reputation with this well-crafted thriller.” —Publishers Weekly

Ann Kerr’s is a personal account of an American family during the most tumultuous years of Beirut’s political strife. It begins with the tragic assassination of her husband Malcolm Kerr, one of the most respected scholars of Middle East studies, in 1984, seventeen months after he became president of the American University of Beirut. She retraces in detail the events that brought them to the Middle East, and reaches back into her childhood to describe a lifelong affinity for Lebanon. For a young American woman caring for a family in Lebanon and Egypt, life was like nothing she had ever known, but Ann Kerr approached it with a sense of adventure, which would help her deal with the beauty, chaos, and the ultimate horror of life during the country’s most volatile years of the last three decades. The personal saga of her family and the events surrounding her husband’s untimely death merge with the political episodes that have shaped U.S.-Arab relations since World War II.

Zeina Abirached, author of the award-winning graphic novel A Game for Swallows, returns with a powerful collection of wartime memories. Abirached was born in Lebanon in 1981. She grew up in Beirut as fighting between Christians and Muslims divided the city streets. Follow her past cars riddled with bullet holes, into taxi cabs that travel where buses refuse to go, and on outings to collect shrapnel from the sidewalk. With striking black-and-white artwork, Abirached recalls the details of ordinary life inside a war zone.

Zeina Abirached, author of the award-winning graphic novel A Game for Swallows, returns with a powerful collection of wartime memories. Abirached was born in Lebanon in 1981. She grew up in Beirut as fighting between Christians and Muslims divided the city streets. Follow her past cars riddled with bullet holes, into taxi cabs that travel where buses refuse to go, and n outings to collect shrapnel from the sidewalk. With striking black-and-white artwork, Abirached recalls the details of ordinary life inside a war zone.