Remembering Mass Atrocities Perspectives On Memory Struggles And Cultural Representations In Africa

This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics.

This book explores how popular cultural artifacts, literary texts, commemorative practices and other forms of remembrances are used to convey, transmit and contest memories of mass atrocities in the Global South. Some of these historical atrocities took place during the Cold war. As such, this book unpacks the influence or role of the global powers in conflict in the Global South. Contributors are grappling with a number of issues such as the politics of memorialization, memory conflicts, exhumations, reburials, historical dialogue, peacebuilding and social healing, memory activism, visual representation, transgenerational transmission of memories, and identity politics.

“Regions of memory” are a scale of social and cultural memory that reaches above the national, yet remains narrower than the global or universal. The chapters of this volume analyze transnational constellations of memory across and between several geographical areas, exploring historical, political and cultural interactions between societies. Such a perspective enables a more diverse field of possible comparisons in memory studies, studying a variety of global memory regions in parallel. Moreover, it reveals lesser-known vectors and mechanisms of memory travel, such as across Cold War battle lines, across the Indian Ocean, or between Southeast Asia and western Europe. Chapters 1 and 6 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. Exhibiting Atrocity documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights. Through a global comparative approach, Amy Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.

This collection of consistently interesting articles contributes to the very boom in studies of memory towards which the editors ambiguously claim some skepticism. JRAI [This volume] is an important anthropological contribution to this expanding field [of memories of past violence]...The ethnographic diversity of the chapters allows for cross-cultural comparison and, as the editors themselves underscore, for different methodological and analytical approaches. Social Anthropology/Anthropologie sociale This collection of essays marks out fertile ground for anthropological investigations of memories of violence and trauma...the fine-grained analyses [ the wide ranging case studies contain] give the lie to any simplistic, ethnocentric and yet unversalising, explanations...it throws a stunning critical spotlight upon many contemporary 'Western' therapeutic approaches that insist upon the 'talking cure'...It makes a valuable contribution to the anthropology of time, memory and violence and is suitable for advanced undergraduate and postgraduate courses. Anthroplogical Notebooks This is a rich and stimulating collection...Taken together [these chapters] provide an excellent antidote to simplistic medical or psychological approaches to the long-term effects of violence on victims and their families. Paul Antze, York University, Toronto [A] timely and important collection that brings together a number of current literatures in anthropology and memory studies...The volume enriches and complicates the study of memory, while making at the same time a strong case for the distinctiveness of anthropology's potential to contribute to such an enterprise. Stuart McLean, University of Minnesota Psychologists have done a great deal of research on the effects of trauma on the individual, revealing the paradox that violent experiences are often secreted away beyond easy accessibility, becoming impossible to verbalize explicitly. However, comparatively little research has been done on the transgenerational effects of trauma and the means by which experiences are transmitted from person to person across time to become intrinsic parts of the social fabric. With eight contributions covering Africa, Central and South America, China, Europe, and the Middle East, this volume sheds new light on the role of memory in constructing popular histories - or historiographies - of violence in the absence of, or in contradistinction to, authoritative written histories. It brings new ethnographic data to light and presents a truly cross-cultural range of case studies that will greatly enhance the discussion of memory and violence across disciplines. Nicolas Argenti is a senior lecturer in social anthropology at Brunel University. He has conducted research in North West Cameroon and Southern Sri Lanka on youth, political violence, and embodied memory. His monograph, The Intestines of the State: Youth, Violence and Belated Histories in the Cameroon Grassfields, was published in 2007. Katharina Schramm is a senior lecturer in social anthropology at the Martin-Luther-University of Halle-Wittenberg. She has previously worked on the commemoration of the slave trade and cultural politics in Ghana. Her published works include African Homecoming: Panafricanism and the Politics of Heritage (2010) and Identity Politics and the New Genetics: Re/creating Categories of Difference and Belonging (201

Can a society, a culture, a country, be trapped by its own memories? The question is not easy to answer, but it would not be a bad idea to cautiously say: 'It depends'. This book is about one society - Rwanda - and its culture, traditions, identities, and memories. More specifically, it discusses some of the ways in which ethnic identities and related memories constitute a deadly trap that needs to be torn apart if mass violence is to be eradicated in that country. It looks into everyday cultural practices such as child naming and oral traditions (myths and tales, proverbs, war poetry etc.) and into political practices that govern the ways in which citizens conceptualise the past. Rwanda was engulfed in a bloody war from 1990 until 1994, the last episode of which was a genocide that claimed about a million lives amongst the Tutsi minority. This book - the first in the Memory Traps series - provides a new understanding of how a seemingly quiet society can suddenly turn into a scene of the most horrible inter-ethnic crimes. It offers an analysis of the complexities and dangers resulting from the ways in which memories are managed both at a personal level and at a collective level. The main point is that Rwandans have become hostages of their memories of the long-gone and the recent past. The book shows how these memories follow ethnic lines and lead to a state of cultural hypocrisy on the one hand, and to permanent conflict - either open and brutal, or latent and beneath the surface - on the other hand. Written from a memory studies perspective and informed by critical theory, philosophy, literature, [oral] history, and psychology, amongst others, this book deals with some controversial subjects and deconstructs some of the received ideas about the recent and the long-gone past of Rwanda. About the author: Olivier Nyirubugara is a lecturer of New Media and Online Journalism at the Erasmus School of History, Culture and Communication (Erasmus University Rotterdam). In 2011, he completed a PhD in Media Studies at the University of Amsterdam with a dissertation entitled Surfing the Past: Digital Learners in the History Class, in which he empirically explored ways in which pupils use the Web to find historical information. Nyirubugara has also been practicing journalism since 2002 and has been training and coaching journalists in mobile reporting in Africa since 2007.

"Pursuing Justice for Mass Atrocities: A Handbook for Victim Groups" is an educational resource for victim groups that want to influence or participate in the justice process for mass atrocities. It presents a range of tools that victim groups can use, from building a victim-centered coalition and developing a strategic communications plan to engaging with policy makers and decision makers and using the law to obtain justice.

The Greco-Turkish War (1919-1922) in Asia Minor and the Population Exchange that followed led to the forced displacement of more than 1.5 million people who became entangled in the nation-building processes of both Greece and Turkey. This book examines the memories that shaped Asia Minor refugee identity, focusing on the ways in which these memories continue to reverberate in contemporary Greek culture. It explores how memories of Asia Minor frame wider social debates, foster affective alliances, inform different notions of belonging and provide a toolkit for addressing contemporary concerns. Taking the reader across a wide range of cultural works—history textbooks, comics, theatre, documentary and fiction films, news footage and photography—the book shows how these works have become means for individuals and communities to contribute to the process of history-making. While keeping its focus on present-day Greece, Memories of Asia Minor joins wider global debates over contested pasts, legacies of war and refugeehood.