Remembering The Dead In The Ancient Near East

Remembering the Dead in the Ancient Near East is among the first comprehensive treatments to present the diverse ways in which ancient Near Eastern civilizations memorialized and honored their dead, using mortuary rituals, human skeletal remains, and embodied identities as a window into the memory work of past societies. In six case studies teams of researchers with different skillsets—osteological analysis, faunal analysis, culture history and the analysis of written texts, and artifact analysis—integrate mortuary analysis with bioarchaeological techniques. Drawing upon different kinds of data, including human remains, ceramics, jewelry, spatial analysis, and faunal remains found in burial sites from across the region’s societies, the authors paint a robust and complex picture of death in the ancient Near East. Demonstrating the still underexplored potential of bioarchaeological analysis in ancient societies, Remembering the Dead in the Ancient Near East serves as a model for using multiple lines of evidence to reconstruct commemoration practices. It will be of great interest to students and scholars of ancient Near Eastern and Egyptian societies, the archaeology of death and burial, bioarchaeology, and human skeletal biology.

Remembering the Dead in the Ancient Near East is among the first comprehensive treatments to present the diverse ways in which ancient Near Eastern civilizations memorialized and honored their dead, using mortuary rituals, human skeletal remains, and embodied identities as a window into the memory work of past societies. In six case studies, teams of researchers with different skillsets—osteological analysis, faunal analysis, culture history and the analysis of written texts, and artifact analysis—integrate mortuary analysis with bioarchaeological techniques. Drawing upon different kinds of data, including human remains, ceramics, jewelry, spatial analysis, and faunal remains found in burial sites from across the region’s societies, the authors paint a robust and complex picture of death in the ancient Near East. Demonstrating the still underexplored potential of bioarchaeological analysis in ancient societies, Remembering the Dead in the Ancient Near East serves as a model for using multiple lines of evidence to reconstruct commemoration practices. It will be of great interest to students and scholars of ancient Near Eastern and Egyptian societies, the archaeology of death and burial, bioarchaeology, and human skeletal biology.

This Oriental Institute Museum exhibit catalog looks at how the living commemorated and cared for deceased ancestors in the ancient Middle East. The focus of the exhibit is the memorial monument (stele) of an official named Katumuwa (ca. 735 BC), discovered in 2008 by University of Chicago archaeologists at the site of Zincirli, Turkey. Part I of the catalog presents the most comprehensive collection of scholarship yet published on the interpretation of the Katumuwa Stele, an illuminating new document of ancestor cult and beliefs about the soul. In Part II, leading scholars describe the relationship between the living and the dead in Mesopotamia, Egypt, Anatolia, and the Levant (Syria-Palestine), providing a valuable introduction to the family and mortuary religion of the ancient Middle East. The fifty-seven objects cataloged highlight the role of food and drink offerings and stone effigies in maintaining a place for the dead in family life.

Testing the Canon of Ancient Near Eastern Art and Archaeology invites readers to reconsider the contents and agendas of the art historical and world-culture canons by looking at one of their most historically enduring components: the art and archaeology of the ancient Near East. Ann Shafer, Amy Rebecca Gansell, and other top researchers in the field examine and critique the formation and historical transformation of the ancient Near Eastern canon of art, architecture, and material culture. Contributors flesh out the current boundaries of regional and typological sub-canons, analyze the technologies of canon production (such as museum practices and classroom pedagogies), and voice first-hand heritage perspectives. Each chapter, thereby, critically engages with the historiography behind our approach to the Near East and proposes alternative constructs. Collectively, the essays confront and critique the ancient Near Eastern canon's present configuration and re-imagine its future role in the canon of world art as a whole. This expansive collection of essays covers the Near East's many regions, eras, and types of visual and archaeological materials, offering specific and actionable proposals for its study. Testing the Canon of Ancient Near Eastern Art and Archaeology stands as a vital benchmark and offers a collective path forward for the study and appreciation of Near Eastern cultural heritage. This book acts as a model for similar inquiries across global art historical and archaeological fields and disciplines.

This Handbook is a state-of-the-field volume containing diverse approaches to sensory experience, bringing to life in an innovative, remarkably vivid, and visceral way the lives of past humans through contributions that cover the chronological and geographical expanse of the ancient Near East. It comprises thirty-two chapters written by leading international contributors that look at the ways in which humans, through their senses, experienced their lives and the world around them in the ancient Near East, with coverage of Anatolia, Egypt, the Levant, Mesopotamia, Syria, and Persia, from the Neolithic through the Roman period. It is organised into six parts related to sensory contexts: Practice, production, and taskscape; Dress and the body; Ritualised practice and ceremonial spaces; Death and burial; Science, medicine, and aesthetics; and Languages and semantic fields. In addition to exploring what makes each sensory context unique, this organisation facilitates cross-cultural and cross-chronological, as well as cross-sensory and multisensory comparisons and discussions of sensory experiences in the ancient world. In so doing, the volume also enables considerations of senses beyond the five-sense model of Western philosophy (sight, hearing, touch, taste, and smell), including proprioception and interoception, and the phenomena of synaesthesia and kinaesthesia. The Routledge Handbook of the Senses in the Ancient Near East provides scholars and students within the field of ancient Near Eastern studies new perspectives on and conceptions of familiar spaces, places, and practices, as well as material culture and texts. It also allows scholars and students from adjacent fields such as Classics and Biblical Studies to engage with this material, and is a must-read for any scholar or student interested in or already engaged with the field of sensory studies in any period.

After Dark explores the experience of nighttime within ancient urban settings. Contributors present material evidence related to how ancient people manipulated and confronted darkness and night in urban landscapes, advancing our knowledge of the archaeology of cities, the archaeology of darkness and night, and lychnology (the study of ancient lighting devices). Sensory archaeology focuses on the sensual experience of the nocturnal environment—the sights, sounds, smells, tastes, and feel of an ancient city—and the multi-faceted stimuli that diverse urban populations experienced in the dark. Contributors investigate night work—for example, standing guard or pursuing nocturnal trades—and nightlife, such as gambling at Chaco Canyon. They also examine how urban architecture, infrastructure, and the corresponding lighting were inextricably involved in enabling nighttime pursuits and signaling social status. The subjects of the night, darkness, and illumination taken together form a comprehensive framework for analyzing city life. After Dark embraces night as a conceptual lens through which to view the material and visual cultures of the ancient world and, in doing so, demonstrates a wealth of activities, behaviors, and beliefs that took place between dusk and dawn. This perspective greatly enriches the understanding of urban life and its evolution and has much to offer archaeologists in deepening an examination of complexity and inequality. This volume will be of interest to any scholar or student of the past who is interested in urban activities and the significance of the night in urban settings. Contributors: Susan M. Alt, J. Antonio Ochatoma Cabrera, Martha Cabrera Romero, Tiffany Earley-Spadoni, Kirby Farrah, Nancy Gonlin, Anna Guengerich, Christopher Hernandez, John Janusek, Kristin V. Landau, Maggie L. Popkin, Monica L. Smith, Meghan E. Strong, Susan Toby Evans, Robert S. Weiner

The present volume was made possible by the Norwegian Research Council’s generous funding of the Human Sacrifice and Value project (FRIPROHUMSAM 275947). It explores concepts of human sacrifice. This volume explores concepts of human sacrifice, focusing on its value – or multiplicity of values – in relative cultural and temporal terms, whether sacrifice is expressed in actual killings, in ideas revolving around ritualized, sanctioned or sanctified violence or loss, or in transformed and (often sublimated) undertakings. Bridging a wide variety of interdisciplinary perspectives, it analyses a spectrum of sacrificial logics and actions, daring us to rethink the scholarship of sacrifice by considering the oft hidden, subliminal and even paradoxical values and motivations that underlie sacrificial acts. The chapters give needed attention to pivotal questions in studies of sacrifice and ritualized violence – such as how we might employ new approaches to the existing evidence or revise long-debated theories about what exactly ‘human sacrifice’ is or might be, or why human sacrifice seems to emerge so often and so easily in human social experience across time and in vastly different cultures and historical contexts. Thus, the volume will strike a chord with scholars of sociology, anthropology, archaeology, history, religious studies, political science and economics –wherever interest is focused on critically rethinking questions of sacred and sanctified human violence, and the values that make it what it is.

This volume represents a collection of contributions presented by the authors during the Second Annual University of Chicago Oriental Institute Seminar "Performing Death: Social Analyses of Funerary Traditions in the Ancient Mediterranean," held at the Oriental Institute, February 17-18, 2006. The principal aim of the two-day seminar was to interpret the social relevance resulting from the enactment of funerary rituals within the broad-reaching Mediterranean basin from prehistoric periods to the Roman Age. Efforts were concentrated on creating a panel composed of scholars with diverse backgrounds - anthropologists, historians, archaeologists, art historians, and philologists - and the knowledge and expertise to enrich the discussion through the presentation of case-studies linked to both textual and archaeological evidence from the Mediterranean region. Fundamental to the successful realisation of this research process was the active dialogue between scholars of different backgrounds. These communicative exchanges provided the opportunity to integrate different approaches and interpretations concerning the role played by the performance of ancient funerary rituals within a given society and, as a result, helped in defining a coherent outcome towards the interpretation of ancient communities' behaviours.