Reminiscences Of Rudolf Steiner And Work On The First Goetheanum

Assya Turgeniev was a Russian artist and one of Rudolf Steiner's most important co-workers, best known for her engraving work on the colored windows of the first Goetheanum building in Dornach, Switzerland. In these unique reminiscences, she provides eye-witness reports of the burning of the first Goetheanum, the time surrounding the death of Rudolf Steiner, the early performances of his Mystery Plays, Steiner's lecturing and travels abroad, the artistic work on the Goetheanum, the carving of the "Group" statue, and the Christmas plays and "Faust. She also describes the development of eurythmy, and recounts her memories of Marie Steiner, Edith Maryon and others. Turgeniev initially set out to write a complete account of the period during which Anthroposophy was founded and developed, but illness prevented her from doing so. Nevertheless, the fragment which constitutes this book is one of the most valuable accounts available.

This illuminating collection of essays and reminiscences by Rudolf Steiner's pupils and early collaborators contains a wealth of personal details on Steiner and his work. What emerges is his great unity of purpose and breadth of thought, and his ability to attend to the smallest practical details while laying the seeds for spiritual impulses that would flourish far into the future. These essays reveal him as a man of vision, practical ability, humor, and selflessness.

This third volume of Peter Selg’s comprehensive presentation of Rudolf Steiner’s life and work begins with Steiner’s invitation to lecture in the Theosophical Society during the summer of 1900. From the outset of his theosophical involvement, Steiner was resolved to serve and develop the Western path to the spirit, traversed in full, conscious clarity of thought. He was therefore critical of the tendency to avoid the modern standards of a sound knowledge process in matters of spirituality and esotericism, and instead emphasized the importance of idealist philosophy as groundwork for understanding spiritual cognition. (“Whoever speaks of the coldness of the world of ideas can only think ideas, not experience them. Those who live the true life in the world of ideas feel in themselves the being of the world working in warmth that cannot be compared to anything else.” —Rudolf Steiner, Goethe's World View) Although his approach did not always harmonize with theosophical pursuits, Rudolf Steiner recognized the sincere striving at the basis of this movement and agreed to take on increasingly greater responsibility for the German Section. Marie von Sivers, who would later become his wife, was his most supportive colleague during this time. At a decisive juncture, Steiner broke from the Theosophical Society to found the Anthroposophical Society, through which he would continue the development of modern spiritual science more freely in accord with his original intentions. This volume covers the period during which Steiner wrote some of his foundational works: Christianity as Mystical Fact, Theosophy, Knowledge of the Higher Worlds, and An Outline of Esoteric Science. Peter Selg also describes the building of the first Goetheanum in Dornach as an artistic embodiment of esoteric wisdom, giving rise to an international working community, as well as the performance of the mystery dramas and Rudolf Steiner’s profound Christological lectures known as the Fifth Gospel.

‘I rang the bell, the door opened, and there stood Rudolf Steiner in person. I was so taken aback that I dropped the basket which burst open and all my clothes and underclothes, together with my other belongings, were lying at the feet of the Doctor. A ball of wool got away and rolled between Dr Steiner’s feet into the long corridor. Somewhat surprised, but amused, he said: “I have never been greeted in this way.”’

18 Introductory essays, written 1884-1897 (CW 1) The holistic paradigm, Gaia, deep ecology, and new alchemy all have a hidden ancestor: Johann Wolfgang von Goethe (1749-1832). At the youthful age of twenty-one, Steiner was chosen to edit Goethe's scientific writings for the principle Goethe edition of his time. Goethe's literary genius was universally acknowledged; it was Steiner's task to understand and comment on Goethe's scientific achievements. Steiner recognized the significance of Goethe's work with nature and his epistemology, and here began Steiner's own training in epistemology and spiritual science. This collection of Steiner's introductions to Goethe's works re-visions the meaning of knowledge and how we attain it. Goethe had discovered how thinking could be applied to organic nature and that this experience requires not just rational concepts but a whole new way of perceiving. In an age when science and technology have been linked to great catastrophes, many are looking for new ways to interact with nature. With a fundamental declaration of the interpenetration of our consciousness and the world around us, Steiner shows how Goethe's approach points the way to a more compassionate and intimate involvement with nature. Nature's Open Secret is a translation of Goethes Naturwissenschaftliche Schriften, Einleitungen, (1884-1897). Previous translations were titled Goethe the Scientist and Goethean Science. (GA 1).

The cultural products of new religions and spiritualities are frequently ignored or dismissed within academia, often stemming from a hesitation to acknowledge these movements as genuine. This volume explores the impact of new religions upon cultural production, exemplifying the theological and spiritual principles of particular movements and demonstrating their substantial impact on wider society. Contributions explore the realms of music, architecture, food, art, books, films, video games, and more. This scholarship will be of interest to those who wish to explore the gamut of modern religious expression, and those who wish to broaden their knowledge of the spiritual origins of human culture.

Saved by good fortune from the flames that engulfed the first Goetheanum, Rudolf Steiners wooden sculpture of the Christ, "the Representative of Humanity," standing between the adversary forces of Lucifer and Ahriman, remains intact, although unfinished, and on display to this day. Unique in the history of art, the Sculptural Group was deeply connected to Rudolf Steiners inner being. The great Christian initiate even died by its side, having made efforts to work on the sculpture days before he crossed the threshold.

A Life with Colour is the first complete survey of Gerard Wagner’s biography and his artistic intentions, featuring dozens of illustrations and more than 120 colour plates. The life and work of Gerard Wagner (1906-1999) were closely aligned to the artistic-spiritual stream connected with the Goetheanum in Dornach, Switzerland. He first heard of the Goetheanum – and of its destruction by fire at New Year 1922/23 – whilst still a youth. In 1926, he made his first visit to Dornach, but his intended stay of a week turned into a lifelong sojourn of over 73 years. He found there an active, striving community with which he felt intimately connected. From the start, Gerard Wagner immersed himself in the various artistic impulses that Rudolf Steiner had instigated. This, together with an intensive study of anthroposophy, formed the basis upon which he forged his own approach to painting. The many years he spent in colour experimentation led him to discover objective principles within the language of colour and form that are an inspiration to many today. His paintings, first shown at the Goetheanum in the early 1940s, were exhibited internationally, most notably at the Menshikov Palace, Hermitage Museum, St Petersburg, Russia, in 1997. ‘[Wagner’s] whole being bowed before the mystery of colour in a loving, joyful yet serious way, full of devotion and dignity. His life and work itself became a living metaphor of the creative power of colour.’ – Christian Hitsch ‘ Caroline Chanter has not only accomplished a great and seminal study that illuminates the life and work of Gerard Wagner, but has done a great service also to the Goetheanum and its School of Spiritual Science.’ – Peter Selg ‘[Gerard Wagner was] a soul which on earth was devoted so selflessly and in such purity to the beings that are revealed… in forms and colours. He helped them to utterance and manifestation in this world of ours.’ – Sergei O. Prokofieff