Renaissance Men Ii

The dancers, Jack Diamond, King of all dancers and JUBA the sensation set the stage for the other plays – all about some of our great musicians Duke Ellington, Billy Strayhorn, Lena Horne, Thelonious Monk, Buddy Powell, Scott Joplin.

This book is an exploration in time and distance as it takes you from the present day of America with When the Chickens come home to roost, and Malcolm X to 18th Century Caribbean Isle and the world of Bussa, passing through the mid 20th century of Paul Robeson and Wes DuBois The issues of racism are perceived through the prisons of slavery, colonialism, and neo-colonialism. The end result of any insurrections, civil or criminal, the survivors write the history.

In this innovative study, Elisabeth Salter reconstructs the lives of six men and women of the early Renaissance and leads us on a quest to reconstruct their lost cultural worlds.The six men and women are all figures from the margins of the royal courts during the reigns of Henry VII and Henry VIII. This book will appeal to historians of the late-medieval period and the Renaissance, and will serve as an exemplary model to scholars of biographical reconstruction.

Discusses the life of the Italian artist Leonardo da Vinci.

Looking beyond the marble elegance of Michelangelo’s David, the pugnacious, passionate, and—crucially—important story of Renaissance manhood. Making the Renaissance Man explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt—all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe.

This series of short talks was collated from over twenty years of lecturing in Lodges and Chapters, in Europe and the United States, by a Past Grand High Priest of New York State. The author covers a broad range of topics, covering elements of Blue Lodge, York Rite and Scottish Rite, and explores both history and symbolism in this series of papers. Some go more deeply into the esoteric symbolism and the messages hidden in the Degrees. This is a book for anyone who has an interest in the Gentle Craft, of any fraternal line, and will satisfy the need of both younger members entering the Craft with a strong idea of what they wish to learn, and the mature member who seeks to make that daily advance in knowledge.

Part I provides some contexts for what is inevitably our reading of the history plays, so that perhaps we may guess at the impact they may have had on their contemporaries. The author suggests, by implication, a way of approaching Elizabethan drama that may be generally useful. Part II is a consideration of what the author thinks are some major issues in the Ricardian plays.