Renewing The Senses

In The Republic, Plato suggests that the enlightened person will find himself disoriented on his return to the realm of the shadows. So at the very beginning of the Western philosophical tradition, there is a clear affirmation of the idea that following enlightenment, the sensory world can be differently experienced. In this book, Mark Wynn takes up this idea, but argues that 'enlightenment' or spiritual maturity may result in, and may partly consist in, not so much a state of confusion or bewilderment in our experience of sensory things, but in a renewal of the realm of the senses. On this view, the 'shadows', as they feature in the seer's experience, can bear the imprint of religious thoughts and attitudes, and it is therefore possible to be occupied with religious thoughts even as we engage with the realm of sensory things. And if that is so, then one standard objection to Christian, and in general broadly Platonic, conceptions of the spiritual life will have been removed: attending to the realm of religious truth need not after all imply any neglect of the world of sensory forms; and it may even be that it is in our encounter with the realm of sensory forms that certain religious insights are presented to us most vividly.

How do our emotions enable us to know? When Pascal noted that the heart has its own reasons, he implied that our rational faculty alone cannot grasp what is revealed in affective experience. Knowing Emotions seeks to explain comprehensively why human emotions are more than physiological disturbances, but experiences capable of making us aware of significant truths that we could not know by any other means. Recent philosophical and interdisciplinary research on the emotions has been dominated by a renewal of the debate over how best to characterize the intentionality of emotions as well as their bodily character. Rick Anthony Furtak frames this debate differently, however, arguing that intentionality and feeling are not two discrete parts of affective experience, but conceptually distinguishable aspects of a unified response. His account captures how an emotion's phenomenal or 'felt' quality (what it is like) relates to its intentional content (what it is about). Knowing Emotions provides a solid introduction to the philosophy of emotion before delving into the debates that surround it. Furtak draws from a wide range of analytic and Continental philosophers, including Sartre, Merleau-Ponty, Kierkegaard, and Nietzsche, among others, and bolsters his analysis with empirical evidence from social psychology, neuroscience, and psychiatry. Perhaps most importantly, Furtak investigates all varieties of affective experience, from brief episodes to moods and emotional dispositions, loves and other longstanding concerns, and overall patterns of temperament and affective outlook. Ultimately, he argues that we must reject the misguided aspiration to purify ourselves of passion and attain an impersonal standpoint. Knowing Emotions attempts to clarify what kind of truth may be revealed through emotion, and what can be known - not despite, but precisely by virtue of, each person's idiosyncratic perspective.

The acknowledged masterpiece of one of Spain's most influential thinkers. Between despair and the desire for something better, Unamuno finds that "saving incertitude" that alone can console us.