Renoir Impressionism And Full Length Painting

This catalogue draws upon contemporary criticism, literature and archival documents to explore the motivation behind Renoir's full-length figure paintings as well as their reception.

A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

Pierre-Auguste Renoir came from humble means and started out as an apprentice. After taking free art classes, he was admitted to a well-known art school in Paris and went on to become one of the greatest Impressionist painters. Readers learn about his life in Paris, his famous painter friends, and the Impressionist movement. The text features some of Renoir’s earliest and best-known works, along with the stories behind their creation. Information-rich sidebars aid in bringing Renoir’s artistic biography to life.

Explores the life and art of nineteenth-century French Impressionist painter Pierre-Auguste Renoir, and features a portfolio of over 120 color illustrations.

Profiles the life of impressionist artist Pierre Auguste Renoir highlighting his childhood early career relationship with Claude Monet paintings and more. Includes a chronology historical time line suggestions for further reading and a glossary.

Pierre-Auguste Renoir was one of the foremost Impressionist artists, known for his en plein air scenes of middle-class leisure. But Renoir's primary interest lay indoors, in depictions of sensuous female nudes and intimate domestic scenes, painted in a warm, bright palette. This book explores the life and work of this leading light of Impressionism, showcasing his best-loved artwork alongside fascinating biographical detail. It also examines the development of his artistic practices, which began to diverge from many other Impressionist painters as he incorporated some elements of a classical style into his work. ABOUT THE SERIES: The Great Artists series by Arcturus Publishing introduces some of the most significant artists of the past 150 years, looking at their lives, techniques and inspirations, as well as presenting a selection of their best work.