Renovatio

Much mainstream Luther scholarship (and Lutheran theology) holds that Martin Luther downplayed, denied, derided, or just plain ignored "the holiness without which no one shall see the Lord" (Heb. 12:14). Phil Anderas advances a revisionist thesis: from the first inklings of his "Augustinian turn" c. 1514 to his death in 1546, Luther held and taught a robust theology of progressive renewal in holiness, carefully calibrated to the sober reality of residual sin and the astonishing gospel of grace in Jesus Christ. As it is set forth in the works that embody Luther's most considered judgments (c. 1535-46), this gospel-centered and irreducibly trinitarian dogmatics of real renewal in holiness is "Augustinian" and "evangelical" in equal parts. As such, it commands the regard of theologians who stand in the tradition of the Church's doctor gratiae. The argument proceeds in three steps: first, an exposition of the mature Luther's dogmatics of sin, grace, and holiness; second, an investigation of the roots of this dogmatics in the theology of the "420s Augustine," with whom a younger Luther was busily engaged c. 1514-16; third, an account of the continuities and discontinuities that characterize the development of Luther's theology from its embryonic state in the mid-1510s through the breakthroughs of the 1518-21 period to the settled position of the old Doctor.

Examining the urban and architectural developments in Rome during the Pontificate of Julius II (1503–13) this book focuses on the political, religious and artistic motives behind the principal architect, Donato Bramante, and his ambition to create a unified urban/architectural scheme.

This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.

This book offers a new perspective on the Latin take-over of Byzantine territories after the crusader sack of Constantinople in 1204, arguing that the new rulers very consciously aimed at continuing the Eastern Empire, drawing many Byzantines to their side.

This book offers a new perspective on the Latin take-over of Byzantine territories after the crusader sack of Constantinople in 1204, arguing that the new rulers very consciously aimed at continuing the Eastern Empire, drawing many Byzantines to their side.

Explores the influence of Roman imperialism on the development of Messianic themes in Judaism.