Report Of Curator

A good condition report is an accurate and informative account of an object’s state of preservation at a particular moment in time. Condition reports can have multiple functions such as recording the state of an object prior to an exhibition or loan, after exhibition or loan, to assist in collections planning, or as a tool for the treatment of an object. Most of these functions can be conducted by a registrar, curator, collections manager, or volunteer. A good condition report fills many critical needs including: Knowing the exact condition of an object before or after a loan Helping staff determine the stability of an object for exhibit or loan Limiting how often an object is handled Informing object handlers of unseen problems Showing the condition of an object over time to determine the rate of deterioration Setting priorities for conservation Assisting the staff in identifying similar objects Aiding in the valuation of an object for insurance purposes The fourth edition of Basic Condition Reporting: A Handbook proffers a standard vocabulary for all of the individuals in a museum that may be conducting condition reports. In an ideal world, everyone who does a condition report for an item would be trained in the exact same standards, use the same terminology, and use the exact same form, etc. However, the reality is that even if every registrar, collections manager, and curator in your institution does condition reports, each report will be slightly different. Then you throw in every intern, volunteer, or student that may assist and you will find a variety of methods and terminologies that appear. This volume provide a baseline that all of these people can work from so that any person who opens the condition report can understand what the problems on a particular piece include.

Until now, information on mammals in South Asia has never been brought together on a single platform providing all‐inclusive knowledge on the subject. This book is the most up‐to‐date comprehensive resource on the mammalian diversity of South Asia. It offers information on the diversity, distribution and status of 504 species of terrestrial and aquatic mammals found in Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka. This work is unique being the first of its kind that deals with diversity and distribution at the subspecies level. The book is divided in to three chapters. Chapter 1 introduces the subject and takes off from the recent works on mammals at the global level, provides an historical perspective on mammal studies in South Asia and concludes with a note on recent phylogenetic changes at supraordinal levels. Chapter 2 summarizes the information on the diversity of South Asian Mammals, provides analysis by country of mammalian diversity (supported by data in tabular form) dealing with species richness, endemism and possibly occurring species, separate analysis for each country with details on endemic and threatened species, extinct mammals, domestic mammals, and finally the IUCN status of mammals with special emphasis on threatened mammals. Chapter 3 is a comprehensive checklist that provides information on each species, including its scientific name, type details, standardized English name, synonyms, subspecies, distribution and comments on taxonomic status. Country‐wise listings and analysis of species richness with emphasis on subspecies distribution Most of the analysis is supported by data in tabular forms for better understanding Notes on extinct and domesticated mammals as well as their IUCN Red List Status with criteria for such status A very comprehensive bibliography that would help readers track down specific literature ​

Behind the scenes at the world's major art museums, the life of a curator can be thrilling, amusing, disappointing--but never boring. In these fifteen essays we encounter artists falling in and out of love, family tragedies, the creation of the Stanley Cup, the secrets of Tiffany, Antiques Roadshow, a rootless baroness, the design craze for aluminum, small Japanese boxes called kogos, watercolour sketchbooks of the Canadian north, a beautiful prayer room in Montreal, gondolas flying through windows in Venice, and Moscovites who love Goldfinger. Pepall's stories sparkle with clarity and leave one with a sense that art is an amazing, worthwhile, occasionally mysterious human activity. Archival black and white photographs and colour plates--including Edwin Holgate's Ludivine, one of the most beloved and recognizable Canadian portraits ever painted--make this book a must-have for art lovers, students, academics, museum-goers and readers interested in the role art plays in the creation of our lives.