Reports And Papers Of The Architectural And Archaeological Societies Of The Counties Of Lincoln And Northampton

1850-1931 (v. 1-40) include reports and papers of the Yorkshire Architectural and York Archaeological Society, and some years, of the Worcestershire Archaeological Society, of the Leicestershire Archaeological Society and of other similar societies.

1850-1931 (v. 1-40) include reports and papers of the Yorkshire Architectural and York Archaeological Society, and some years, of the Worcestershire Archaeological Society, of the Leicestershire Archaeological Society and of other similar societies.

Volume 7

This volume seeks to increase understanding of the origins, ideology, implementation, impact, and historiography of religion and conflict in the medieval and early modern periods. The chapters examine ideas about religion and conflict in the context of text and identity, church and state, civic environments, marriage, the parish, heresy, gender, dialogues, war and finance, and Holy War. The volume covers a wide chronological period, and the contributors investigate relationships between religion and conflict from the seventh to eighteenth centuries ranging from Byzantium to post-conquest Mexico. Religious expressions of conflict at a localised level are explored, including the use of language in legal and clerical contexts to influence social behaviours and the use of religion to legitimise the spiritual value of violence, rationalising the enforcement of social rules. The collection also examines spatial expressions of religious conflict both within urban environments and through travel and pilgrimage. With both written and visual sources being explored, this volume is the ideal resource for upper-level undergraduates, postgraduates, and researchers of religion and military, political, social, legal, cultural, or intellectual conflict in medieval and early modern worlds.

"Here there be dragons"--this notation was often made on ancient maps to indicate the edges of the known world and what lay beyond. Heroes who ventured there were only as great as the beasts they encountered. This encyclopedia contains more than 2,200 monsters of myth and folklore, who both made life difficult for humans and fought by their side. Entries describe the appearance, behavior, and cultural origin of mythic creatures well-known and obscure, collected from traditions around the world.

Despite the profusion of knightly effigies created between c. 1240 and c. 1330 for tombs throughout the British Isles, these commemorative figures are relatively unknown to art historians and medievalists. Until now, their rich visual impact and significance has been relatively unexplored by scholars. In this study, Rachel Dressler examines this category of sculpture, illustrating how English military figures employ a visual language of pose, costume, and attributes to construct a masculine ideal that privileges fighting prowess, elite status, and sexual virility. Like military figures on the Continent, English effigies represent knights wearing chain mail and surcoats, and bearing shields and swords; unique to the British examples, however, is the display of an aggressive sword handling pose and dynamically crossed legs. Outwardly hyper masculine, the carved figures partake in artistic subterfuge: the lives of those memorialized did not always match proffered images, testifying to the changing function of the knight in England during the thirteenth and early fourteenth centuries. This study traces the development of English military figures, and analyzes in detail three fourteenth-century examples-those commemorating Robert I De Vere in Hatfield Broad Oak (Essex), Richard Gyvernay at Limington (Somerset), and Henry Allard in Winchelsea (Sussex). Similar in appearance, these three sculptures represent persons of distinctly different social levels: De Vere belonged to the highest aristocratic rank, where Gyvernay was a lesser county knight, and Allard was from a merchant family, raising questions about his knightly standing. Ultimately, Dressler's analysis of English knight effigies demonstrates that the masculine warrior during the late Middle Ages was frequently a constructed ideal rather than a lived experience.

This second update to the Cumulative Bibliography of Medieval Military History and Technology (Brill, 2002) includes additional entries for the period before 2003 and new entries for the period 2003-2006.