Representations And Images Of Frontiers And Borders

This collection gathers a variety of scholars representing various methodological perspectives and applying diverse critical lenses to analyze the idea of borders, borderlands, frontiers, and liminal space, as they are represented in literature and philosophy. The idea of the border and frontier is perhaps more important than ever: under the siege of COVID-19, with shattered illusions of a post-racial world, when a global effort is required as a response to a crisis that does not respect national or regional borders, we need to reconsider what frontiers and borders mean to us, and how to best understand them so that they do not divide, but point to areas of common knowledge, collective experiences, and shared humanity. Drawing upon examples from different continents (Africa, the Americas, Asia, and Europe) and from diverse specific places (such as the Mexico-US border, or the contested Palestinian frontiers), and using a variety of critical perspectives (evoking Gloria Anzaldua, Jorge Luis Borges, and Edward Said, for instance), this volume explores the idea of frontiers and borders in order to comment on their representations in literature, philosophy, music, and cinema, and on the human condition in general.

This collection gathers a variety of scholars representing various methodological perspectives and applying diverse critical lenses to analyze the idea of borders, borderlands, frontiers, and liminal space, as they are represented in literature and philosophy. The idea of the border and frontier is perhaps more important than ever: under the siege of COVID-19, with shattered illusions of a post-racial world, when a global effort is required as a response to a crisis that does not respect national or regional borders, we need to reconsider what frontiers and borders mean to us, and how to best understand them so that they do not divide, but point to areas of common knowledge, collective experiences, and shared humanity. Drawing upon examples from different continents (Africa, the Americas, Asia, and Europe) and from diverse specific places (such as the Mexico-US border, or the contested Palestinian frontiers), and using a variety of critical perspectives (evoking Gloria Anzaldua, Jorge Luis Borges, and Edward Said, for instance), this volume explores the idea of frontiers and borders in order to comment on their representations in literature, philosophy, music, and cinema, and on the human condition in general.

American territorial borders have undergone significant and unparalleled changes in the last decade. They serve as a powerful and emotionally charged locus for American national identity that correlates with the historical idea of the frontier. But the concept of the frontier, so central to American identity throughout modern history, has all but disappeared in contemporary representation while the border has served to uncomfortably fill the void left in the spatial imagination of American culture. This book focuses on the shifting relationship between borders and frontiers in North America, specifically the ways in which they have been imaged and imagined since their formation in the 19th century and how tropes of visuality are central to their production and meaning. Rodney links ongoing discussions in political geography and visual culture in new ways to demonstrate how contemporary American borders exhibit security as a display strategy that is resisted and undermined through a variety of cultural practices.

"The idea for editing this book originated during an international conference titled ""Regional Development: The Challenge of the Frontier,"" held in December 1993 at the Dead Sea and which was organized by the Negev Center for Regional Development at Ben-Gurion University of the Negev. In this conference we noticed that little has been said about the impact of Israel's complex mosaic of ethnic groups on the shaping of the country's social and spatial frontiers. We have therefore endeavored to bring together a number of perspectives on the evolution of ethnic frontiers in Israel and the role they play in shaping the cultural landscape of this country. Yet we later realized that ""frontier"" is too limited a term, and that it may through various processes have turned into a mosaic of spatial, social, economic, and political peripheries. More specifically we attempted to present the process of frontier development as perceived by Israel's ethnic and national minorities. We therefore invited contributions from various other Israeli experts on these issues: geographers, sociologists, anthropologists, and political scientists, which have now become the main body of chapters in this book. We trust that they are representative of the main dimensions of the subject."

This interdisciplinary volume explores the role of images and narratives in different borderscapes. Written by experienced scholars in the field, Border images, border narratives provides fresh insight into how borders, borderscapes, and migration are imagined and narrated in public and private spheres. Offering new ways to approach the political aesthetics of the border and its ambiguities, this volume makes a valuable contribution to the methodological renewal of border studies and presents ways of discussing cultural representations of borders and related processes. Influenced by the thinking of philosopher Jacques Rancière, this timely volume argues that narrated and mediated images of borders and borderscapes are central to the political process, as they contribute to the public negotiation of borders and address issues such as the in/visiblity of migrants and the formation of alternative borderscapes. The contributions analyse narratives and images in literary texts, political and popular imagery, surveillance data, border art, and documentaries, as well as problems related to borderland identities, migration, and trauma. The case studies provide a highly comparative range of geographical contexts ranging from Northern Europe and Britain, via Mediterranean and Mexican-USA borderlands, to Chinese borderlands from the perspectives of critical theory, literary studies, social anthropology, media studies, and political geography.

Why is it that we so readily accept the boundary lines drawn around nations or around regions like ‘Asia’ as though they were natural and self-evident, when in fact they are so mutable and often so very arbitrary? What happens to people not only when the borders they seek to cross become heavily guarded, but also when new borders are drawn straight through the middle of their lives? The essays in this book address these questions by starting from small places on the borderlands of East Asia and looking outwards from the small towards the large, asking what these ‘minor pasts’ tell us about the grand narratives of history. In the process, it takes the reader on a journey from Renaissance European visions of ‘Tartary’, through nineteenth-century racial theorising, imperial cartography and indigenous experiences of modernity, to contemporary debates about Big History in an age of environmental crisis.

This interdisciplinary volume explores the role of images and representation in different borderscapes. Written by experienced scholars in border studies, the volume shows how borders, borderscapes, and migration are approached in public and private spheres as a part of the political aesthetics of the border. Claiming that aesthetic images of borders and borderscapes are central to the political negotiation of borders, the volume addresses issues such as encounters with borders in material and digital spaces, migration, and border-crossings. The contributions explore narrative and images in literary and media texts, documentaries, and border art, as well as borderland identities, migration, and trauma in geographical contexts including Northern Europe, the Mediterranean, Mexican-US borderlands, and Chinese borderlands.

Borders are where wars start, as Primo Levi once wrote. But they are also bridges - that is, sites for ongoing cultural exchange. Anyone studying how nations and states maintain distinct identities while adapting to new ideas and experiences knows that borders provide particularly revealing windows for the analysis of 'self' and 'other'. In representing invisible demarcations between nations and peoples who may have much or very little in common, borders exert a powerful influence and define how people think as well as what they do. Without borders, whether physical or symbolic, nationalism could not exist, nor could borders exist without nationalism. Surprisingly, there have been very few systematic or concerted efforts to review the experiences of nation and state at the local level of borders. Drawing on examples from the US and Mexico, Northern Ireland, Israel and Palestine, Spain and Morocco, as well as various parts of Southeast Asia and Africa, this timely book offers a comparative perspective on culture at state boundaries. The authors examine the role of the state, ethnicity, transnationalism, border symbols, rituals and identity in an effort to understand how nationalism informs attitudes and behaviour at local, national and international levels. Soldiers, customs agents, smugglers, tourists, athletes, shoppers, and prostitutes all provide telling insights into the power relations of everyday life and what these relations say about borders. This overview of the importance of borders to the construction of identity and culture will be an essential text for students and scholars in anthropology, sociology, political science, geography, nationalism and immigration studies.