Requiem Mass K 626

Mozart's Requiem Mass in D Minor, K.626, as we now have it, is actually the work of several composers since Mozart died before its completion. It is especially puzzling because of the uncertainty of its origins. This choral score contains the choir and soloist parts, with a piano reduction of the orchestral parts. The text is in Latin, and the Table of Contents lists the 12 sections and adds the text of each of them in the description. Includes: Requiem * Dies Irae * Tuba Mirum * Rex Tremendae * Recordare * Confutatis *Lacrymosa * Domine Jesu * Hostias * Sanctus * Benedictus * Agnus Dei.

SATB soli, SATB Chorus / Piano ISMN: 979-0-800001-14-7

Mozart showed amazing talent from early in childhood. Already competent on the keyboard and violin, he started composing from the age of five and performed before European royalty. At 17, he was enlisted as a court musician in Salzburg, but grew restless of this and decided to travel in search of a better position, always composing abundantly. The Requièm Mass in D minor was composed in Vienna in 1791 and was left unfinished when Mozart died on December 5th 1791. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the February 14th anniversary of his wife's death. A facsimile sheet of music from the Dies Irae movement of the "Requiem Mass in D Minor" (K. 626) in Mozart's own handwriting. It is located at the Mozarthaus in Vienna.

Soli (SATB), Chorus (SATB) / Orchestra 2 clarinets, 2 bassethorns, 2 bassoons, 2 trumpets, 3 tombones, timpani, organ, strings ISMN: 979-0-58042-126-5

A collection of essays on music and life by the famed classical pianist and composer Stephen Hough is one of the world’s leading pianists, winning global acclaim and numerous awards, both for his concerts and his recordings. He is also a writer, composer, and painter, and has been described by The Economist as one of “Twenty Living Polymaths.” Hough writes informally and engagingly about music and the life of a musician, from the broader aspects of what it is to walk out onto a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practice. He also writes vividly about people he’s known, places he’s traveled to, books he’s read, paintings he’s seen; and he touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there—the possibility of the existence of God, problems with some biblical texts, and the challenges involved in being a gay Catholic. Rough Ideas is an illuminating, constantly surprising introduction to the life and mind of one of our great cultural figures.

Franz Joseph Haydn composed the "Mass in Time of War," or Paukenmesse, in 1796, at a time of war in Austria. This score presents the choral portion of the Mass in Latin, with each voice on a separate staff, including solos and a piano reduction of the orchestral parts for accompaniment or rehearsal. Titles: * Kyrie Eleison * Gloria in Excelsis * Qui Tollis * Credo * Sanctus * Benedictus * Agnus Dei

"With Orpheus in the Undershirt, Kevin Densley has produced his best book yet: sharp but not cutting, tart but not cynical, the collection weaves lyric, barb and lament into a marvellous, prickly garment that soothes as it stimulates. Don't like small, evocative poems as clear and complex as rockpools? Dive into an eight-page outlaw fistfight roaring with dust and despair. Not interested in 'When Johnstone's Circus Came to Town'? (Though why wouldn't you be, with its 'toupeed ringmaster/in a red lamE suit' and aromatic 'strong whiff of manure'?) Explore instead the death of a bantam 'inside the chookhouse/among the warm chooky smells'. Unlike most collections which attempt to blend 'high' and 'low' culture, to find the charge of destiny in the nuts and bolts of the everyday, Orpheus does it effortlessly, without need of gimmicks or creaky, overbearing conceits. Here Kevin Densley fuses the marvels and mundanities of life into a witty, searching collection that sings the subtleties of both." - James Roderick Burns, Other Poetry