Resistance Voices Of Exiled Writers

Resistance brings together the voices of writers whose personal experience and testimonies of human rights abuses and conflict are transmuted into powerful poetry and memoir. The book includes the work of renowned writers and writers who have experienced torture, or prison, or loss of their homelands. Their poems and prose lay bare the realities of persecution and war and the pain of displacement. In so doing, their searing art becomes a form of protest and illumination

Writing as Resistance charts the inner workings of apartheid, through the encounters-- imprisonment, exile, and homecoming-- that crucially defined its violent reign and ultimate overthrow. Author Paul Gready demonstrates the transformative nature of autobiographical narrative as resistance in the context of political struggle. This multidisciplinary study addresses a range of important contemporary topics: migration, postcolonialism, globalization, nationalism, human rights, and political democratization, among others. While informed by the work of South African writers-- including Breytenbach, Coetzee, First, Krog, Modisane, and Serote-- and adding to the literature on the apartheid era, this book speaks to all cultures of violence. With this important work Gready sheds new light on the relationship between violence and creativity.

Realms of Exile brings together authors writing on diverse themes of Eastern European exile to define the experiential and linguistic peculiarities of exiled people who share similar cultural, geographical, and mythological backgrounds and who have suffered under totalitarian rule. Interdisciplinary and cross-cultural scholarship at its best, the book casts new light on the many nuances and variations of many of the cultures and ethnic groups of Eastern Europeans.

Noemi Marin analyzes famous writers from the area as critical intellectuals and exiles in order to explore the role of rhetoric and identity in writers' own experiences during the long history of communism. Along with examinations of discursive relationships among power, culture and resistance in works by George Konrad, Andrei Codrescu, and Siavenka Drakulic before and after the fall of communism, Marin proposes specific dimensions for a rhetoric of exile pertinent to communist Eastern and Central Europe. After the Fall shows how critical works on identity, culture, and communist history by the writers studied aid in reconstituting a rhetoric of dissidence, identity, and legitimation in the public discourse of a changing Europe. The book offers a unique perspective on the complex contexts of political transition, in which competing public discourse on freedom and democracy intersect with totalitarian regimes, unsettled societies, and issues of resistance.

The volume satisfies the researcher with an interest in exile as an historical and literary phenomenon. The first eight essays focus on the British and Irish dimension. The following four widen the discussion to encompass continental Europe. And finally, the historical dimension is deepened with contributions the marginalisation of the mass emigration of the Jews within German memory, and the ‘exile’ of princesses.

This book is about home. With Malawi as its focus, it seeks to understand ideas about home as expressed through poetry written by Malawians in English. Although African Literatures are studied those of Malawi have not received agreeable attention. This book surveys poetry by five Malawian writers Felix Mnthali, Frank Chipasula, Jack Mapanje, Lupenga Mphande, and Steve Chimombo. The discussion negotiates scribed experience of exile, engendered by Dr. Bandas regime, and shows that the selected poets effectively converse with a sense of home, reflecting on its transformations in their work. Interrogating the strict definitions of home, the argument highlights that far from home-less exiles in fact clarify the sense of what home is. The manoeuvre is one of thinking towards an unboundaried home. This book will be of value not only to readers interested in the cultures of Africa but to all those with an interest in worldwide literary phenomena, and ideas therein of home and exile.

A number of historical events of the twentieth century gave rise to migration, immigration, and exile to and within the European continent. This collection represents an effort to raise consciousness about the marginalization of exiled women - artists, writers, political figures, as well as members of ethnic and religious minorities.

One of the foremost African writers of our time, who dispelled the silence between colonial and feminist discourses by "talking back", Bessie Head at last gets her due in this first book-length, comprehensive study of her work. This book locates Head's unquestionable importance in the canon of African literature. Author Huma Ibrahim argues that unless we are able to look at the merging of women's sexual and linguistic identity with their political and gendered identity, the careful configurations created in Head's work will elude us. Ibrahim offers a series of thoughtful readings informed by feminist, diasporan, postcolonial, and poststructuralist insights and concerns. She identifies a theme she calls "exilic consciousness" - the desire to belong - and traces its manifestations through each phase of Head's work, showing how "women's talk" - a marginalized commodity in the construction of southern Africa - is differently embodied and evaluated. Bessie Head's works are frequently featured in courses in African literature, third-world literature, and fiction writing, but there is little critical material on them. Ibrahim offers readings of Head's novels When Rain Clouds Gather, Maru, and A Question of Power, as well as the collections Tales of Tenderness and Power, A Collector of Treasures, A Woman Alone: Autobiographical Writings, and The Cardinals, the histories Serowe: Village of the Rain Wind and A Bewitched Crossroad, and her letters to Robert Vigne collected in A Gesture of Belonging. In Head's exploration of oppressed people, especially women and those in exile, Ibrahim finds startling insights into institutional power relations. Head not only subverts Western hegemonic notions ofthe third-world woman but offers a critique of postcoloniality.