Restless Dead

Based on comparative readings of contemporary books from Latin America, Spain, and the United States, the essays in this book present a radical critique against strategies of literary appropriation that were once thought of as neutral, and even concomitant, components of the writing process. Debunking the position of the author as the center of analysis, Cristina Rivera Garza argues for the communality—a term used by anthropologist Floriberto Díaz to describe modes of life of Indigenous peoples of Oaxaca based on notions of collaborative labor—permeating all writing processes. Disappropriating is a political operation at the core of projects acknowledging, both at ethical and aesthetic levels, that writers always work with materials that are not their own. Writers borrow from the practitioners of a language, entering in a debt relationship that can only be covered by ushering the text back to the communities from which it grew. In a world rife with violence, where the experiences of many are erased by pillage and extraction, writing among and for the dead is a form of necrowriting that may well become a life-affirming act of decolonization and resistance.

During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditions—most notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead, Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources, such as Athenian tragedies, and newer texts, such as the Derveni Papyrus and a recently published lex sacra from Selinous. Topics of focus include the origin of the goes (the ritual practitioner who made interaction with the dead his specialty), the threat to the living presented by the ghosts of those who died dishonorably or prematurely, the development of Hecate into a mistress of ghosts and its connection to female rites of transition, and the complex nature of the Erinyes. Restless Dead culminates with a new reading of Aeschylus' Oresteia that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.

In this companion volume to "Gothic! ten original dark tales" discover why we fear the undead.

A young woman vanishes without a trace. Can an ex-soldier-turned-copper keep a mystery from becoming a tragedy? A thrilling detective series from Kindle Storyteller Award shortlisted author David J Gatward.

A badly decomposed body has been found in the mudflats and salt marshes of the Backwaters. Could it be linked to two unsolved missing-person cases? But then more remains are discovered. And as these desolate wetlands begin to give up their grisly secrets, Dr David Hunter is reminded that it's not the dead we need to fear

During the archaic and classical periods, Greek ideas about the dead evolved in response to changing social and cultural conditions—most notably changes associated with the development of the polis, such as funerary legislation, and changes due to increased contacts with cultures of the ancient Near East. In Restless Dead, Sarah Iles Johnston presents and interprets these changes, using them to build a complex picture of the way in which the society of the dead reflected that of the living, expressing and defusing its tensions, reiterating its values and eventually becoming a source of significant power for those who knew how to control it. She draws on both well-known sources, such as Athenian tragedies, and newer texts, such as the Derveni Papyrus and a recently published lex sacra from Selinous. Topics of focus include the origin of the goes (the ritual practitioner who made interaction with the dead his specialty), the threat to the living presented by the ghosts of those who died dishonorably or prematurely, the development of Hecate into a mistress of ghosts and its connection to female rites of transition, and the complex nature of the Erinyes. Restless Dead culminates with a new reading of Aeschylus' Oresteia that emphasizes how Athenian myth and cult manipulated ideas about the dead to serve political and social ends.

* Don't miss 'THE CHEMISTRY OF DEATH' TV SERIES - debuts on Paramount+ on 19 Jan 23 * Based on The Chemistry of Death and Written in Bone - starring Harry Treadaway as Dr David Hunter 'Atmospheric . . . a tense, gripping read' Sunday Times It's not the dead we need to fear. . . Top forensics expert Dr David Hunter is facing an uncertain future - his career hangs in the balance and his personal life has taken a turn for the worse. So when he gets a call from Essex police, it comes at the perfect time. A badly decomposed body has been found in the mudflats and salt marshes of the Backwaters. Could it be linked to two unsolved missing-person cases? But as these desolate wetlands begin to give up their grisly secrets, more remains are discovered. With its eerie, claustrophobic sense of place, authentic forensics and explosive, heart-in-mouth moments, The Restless Dead is a masterclass in crime fiction.

Dying Prepared in Medieval and Early Modern Northern Europe offers an analysis of the various ways in which people made preparations for death in medieval and early modern Northern Europe.