Rethinking Abelard

Peter Abelard (1079-1142) is one of the most diversely gifted people of the Middle Ages. His letter writing, poetry, theology, logic, and ethics deal with almost every aspect of the trivium. This volume surveys his career to show how his extraordinary versatility enchanted and distressed his public. A selection of international specialists addresses the various aspects of Abelard's literary persona. The topics range from Abelard's personal history to his monastic thinking. There are essays on the letter collection, his views on love, ethical problems such as intention and suicide, his poetry and treatises written for Heloise and her nuns of the Paraclete. With its strong emphasis on interdisciplinary research, Rethinking Abelard opens up new avenues for future scholarship. Contributors are: Michael T. Clanchy, Peter Cramer, Lesley-Anne Dyer, Juanita Feros Ruys, William Flynn, Babette Hellemans, Taina M. Holopainen, Eileen F. Kearney, Constant J. Mews, Eileen C. Sweeney, Ineke Van ‘t Spijker, Wim Verbaal, and Julian Yolles.

The Repentant Abelard is both an innovative study and English translation of the late poetic works of controversial medieval philosopher and logician Peter Abelard, written for his beloved wife Heloise and son Astralabe. This study brings to life long overlooked works of this great thinker with analyses and comprehensive notes.

Before Emotion: The Language of Feeling, 400-1800 advances current interdisciplinary research in the history of emotions through in-depth studies of the European language of emotion from late antiquity to the modern period. Focusing specifically on the premodern cognates of ‘affect’ or ‘affection’ (such as affectus, affectio, affeccioun, etc.), an international team of scholars explores the cultural and intellectual contexts in which emotion was discussed before the term ‘emotion’ itself came into widespread use. By tracing the history of key terms and concepts associated with what we identify as ‘emotions’ today, the volume offers a first-time critical foundation for understanding pre- and early modern emotions discourse, charts continuities and changes across cultures, time periods, genres, and languages, and helps contextualize modern shifts in the understanding of emotions.

The Mosaic of Atonement offers a fresh and integrated approach to historic models of atonement. While modern treatments of the doctrine have tended toward either a defensive hierarchy, in which one model is singled out as most important, or a disconnected plurality, in which multiple images are affirmed but with no order of arrangement, this book argues for a reintegration of four famous "pieces" of atonement doctrine through the governing image of Christ-shaped mosaic. Unlike a photograph in which tiny pixels present a seamless blending of color and shape, a mosaic allows each piece to retain its recognizable particularity, while also integrating them in the service of a single larger image. If one stands close, one can identify individual squares of glass or tile that compose the greater picture. And if one steps back, there is the larger picture to be admired. Yet in the great mosaics of age-old Christian churches, the goal is not for viewers to construct the image, as in a puzzle, but to appreciate it. So too with this mosaic of atonement doctrine. While no one model is set above or against the others, the book notes particular ways in which the "pieces"--the feet, heart, head, and hands--mutually support one another to form a more holistic vision of Christ's work. "This is my body," Jesus said to his followers, and by reintegrating these oft-dismembered aspects of atonement, we will note fresh ways in which it was given for us.

List of Abbreviations -- Prologue -- The puzzle of the nuns' priest --Biblical models : women and men in the apostolic life -- Jerome and the noble women of Rome -- Brothers, sons, and uncles : nuns' priests and family ties -- Speaking to the bridegroom : women and the power of prayer -- Conclusion -- Appendix : Beati pauperes.

A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister. Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.

What does it mean to love? What are the traits of character that support love’s activity? How does the economy of grace—the mission of Christ and the action of the Holy Spirit—elevate and transform human love, virtue, and the desire for happiness? In On Love and Virtue: Theological Essays, the eminent Dominican theologian Michael Sherwin considers how the Catholic tradition has addressed these questions. Fr. Sherwin places this tradition in dialogue with contemporary questions. Taking St. Thomas Aquinas as his primary guide, Fr. Sherwin reads St. Thomas in light of his biblical and patristic sources (especially St. Augustine) and engages contemporary developments in philosophy in order to deepen our understanding of how grace both heals and elevates human nature. Along the way, Fr. Sherwin considers the vocation of the theologian and the biblical and patristic understanding of the Christian call to moral apprenticeship and friendship with God.

In the massive literature on the idea of the self, the Augustinian influence has often played a central role. The volume Augustine Our Contemporary, starting from the compelling first essay by David W. Tracy, addresses this influence from the Middle Ages to modernity and from a rich variety of perspectives, including theology, philosophy, history, and literary studies. The collected essays in this volume all engage Augustine and the Augustinian legacy on notions of selfhood, interiority, and personal identity. Written by prominent scholars, the essays demonstrate a connecting thread: Augustine is a thinker who has proven his contemporaneity in Western thought time and time again. He has been "the contemporary" of thinkers ranging from Eriugena to Luther to Walter Benjamin and Jacques Derrida. His influence has been dominant in certain eras, and in others he has left traces and fragments that, when stitched together, create a unique impression of the “presentness” of Christian selfhood. As a whole, Augustine Our Contemporary sheds relevant new light on the continuity of the Western Christian tradition. This volume will interest academics and students of philosophy, political theory, and religion, as well as scholars of postmodernism and Augustine. Contributors: Susan E. Schreiner, David W. Tracy, Bernard McGinn, Vincent Carraud, Willemien Otten, Adriaan T. Peperzak, David C. Steinmetz, Jean-Luc Marion, W. Clark Gilpin, William Schweiker, Franklin I. Gamwell, Jean Bethke Elshtain, Fred Lawrence, and Françoise Meltzer.