Rethinking Comparison In Archaeology

Although comparative exercises are used or applied both explicitly and implicitly in a large number of archaeological publications, they are often uncritically taken for granted. As such, the authors of this book reflect on comparison as a core theme in archaeology from different perspectives, and different theoretical and practical backgrounds. The contributors come from different universities and research contexts, and approach themes and objects from Prehistory to the Early Middle Ages, presenting case studies from Western Europe, the Near East and Latin America. The chapters here also relate archaeology with other disciplines, like art studies, photography, cinema, computer sciences and anthropology, and will be of interest to a wide range of readers, not only archaeologists and those interested in the area of social sciences, but for all those interested in how we construct the past today.

Historical archaeology studies once relied upon a binary view of colonialism: colonizers and colonized, the colonial period and the postcolonial period. The contributors to this volume scrutinize imperialism and expansionism through an alternative lens that rejects simple dualities and explores the variously gendered, racialized, and occupied peoples of a multitude of faiths, desires, associations, and constraints. Colonialism is not a phase in the chronology of a people but a continuous phenomenon that spans the Old and New Worlds. Most important, the contributors argue that its impacts—and, in some instances, even the same processes set in place by the likes of Columbus—are ongoing. Inciting a critical examination of the lasting consequences of ancient and modern colonialism on descendant communities, this wide-ranging volume includes essays on Roman Britain, slavery in Brazil, and contemporary Native Americans. In its efforts to define the scope of colonialism and the comparability of its features, this collection challenges the field to go beyond familiar geographical and historical boundaries and draws attention to unfolding colonial futures.

Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the visual culture of the 21st century, do new digital and social forms change the status of photography as archival or objective – or are they revealing something more fundamental about photography’s longstanding relationships with time and knowledge?Archaeology and Photography imagines a new kind of Visual Archaeology that tackles these questions. The book reassesses the central place of Photography as an archaeological method, and re-wires our cross-disciplinary conceptions of time, objectivity and archives, from the History of Art to the History of Science.Through twelve new wide-ranging and challenging studies from an emerging generation of archaeological thinkers, Archaeology and Photography introduces new approaches to historical photographs in museums and to contemporaryphotographic practice in the field. The book re-frames the relationship between Photography and Archaeology, past and present, as more than a metaphor or an analogy – but a shared vision.Archaeology and Photography calls for a change in how we think about photography and time. It argues that new archaeological accounts of duration and presence can replace older conceptions of the photograph as a snapshot orremnant received in the present. The book challenges us to imagine Photography, like Archaeology, not as a representation of the past and the reception of traces in the present but as an ongoing transformation of objectivity and archive.Archaeology and Photography will prove indispensable to students, researchers and practitioners in History, Photography, Art, Archaeology, Anthropology, Science and Technology Studies and Museum and Heritage Studies.

The long-standing debate over the origins of violence has resurfaced over the last two decades. There has been a proliferation of studies on violence, from both cross-cultural and ethnographic and prehistoric perspectives, based on a reading of archaeological and bioarchaeological records in a variety of territories and chronologies. The vast body of osteoarchaeological and architectural evidence reflects the presence of interpersonal violence among the first farmer groups throughout Europe, and, even earlier, between hunter-gatherer societies of the Mesolithic. The studies in Beyond War present the necessity of rethinking the concept of “violence” in archaeology. This overcomes the old conception that limits violence to its most evident expressions in war and intra- or extra-group conflict, opening up the debate on violence, which allows the advancement of knowledge of the social life and organization of prehistoric societies. Determining archaeological indicators to identify violent practices and to analyse their origin and causes is fundamental here, and represents the only way to find out when and under what historical conditions prehistoric societies began to organize themselves by exercising structural violence.

"Eleven leading archeologists describe their research on ancient empires, states, and chiefdoms using a comparative perspective. By making comparisons among sites, regions, and artifacts, these scholars produce new understanding of diverse specific cases, from the towering ruins of Angkor to the houses of Inca peasants. The reader learns about the political strategies of kings and chiefs, the daily choices of ordinary households, and the creative ways in which ancient peoples built their cities and shaped their landscapes. In the process, these chapters illustrate how to do comparative analysis using archeological data"--

Art as Ritual Engagement is examined through a case study of feminised funerary representation in the repertoire of Watetkhethor, an elite woman interred in the mastaba tomb of her spouse, Mereruka, at Saqqara, c.2345-2181 BCE.

`Minoan' Crete is one of the most intensively investigated archaeological cultures in the world, and one that has often captured the public imagination. It is a Bronze Age Aegean society, but it has been intimately connected with the Classical Greek myth of King Minos and his Labyrinth since Sir Arthur Evans excavated and restored (some would say `rebuilt') the important site of Knossos, more than a century ago. Yet many archaeological interpretations of this fascinating culture are still largely traditional in focus and often anachronistic. This collection of papers, challenging and re-examining many conventional and established versions of 'Minoan' history is thus long overdue. How have modern preconceptions and socio-political developments shaped archaeological interpretations of 'Minoan' society? What were the gender roles and attitudes of the inhabitants of Bronze Age Crete? How can data such as the puzzling architecture, the stunning wall-paintings, the elaborate and abundant pots, the landscape and the way it is perceived by humans, help us understand the nature and the negotiations of power and the role of the so-called palaces? These are some of the questions that this book addresses, considering 'Minoan' archaeology from a variety of interpretive angles, and situating 'Minoan' archaeology in the mainstream of archaeological thinking and practice.